Tanya Gold

Tanya Gold

Tanya Gold is The Spectator's motoring critic

A ghost at the feast: The LaLee at the Cadogan hotel, reviewed

The Cadogan hotel, Chelsea, is where Oscar Wilde was arrested for sodomy and gross indecency in 1895, in Room 118, which is now memorialised as the site of the arrest. Institutional homophobia is a weird thing to commemorate in fabrics, but everything is a tourist attraction these days. The hotel is a tall red late-Victorian castle incorporating neighbouring houses, one of which belonged to the actress and mistress of Edward VII, Lillie Langtry. It was, then, a hotel for betrayal on the corner of Pont Street. John Betjeman mentions this in his poem ‘The Arrest of Oscar Wilde at the Cadogan Hotel’, and offers disaster PR of a timeless kind: ‘More hock, Robbie — where is the seltzer?/ Dear boy, pull again at the bell!

Spectator Out Loud: Nick Moar, Tanya Gold, Cindy Yu

14 min listen

On this week's episode, we'll hear from Nick Moar on Twitter’s decision to suspend Politics for All.Next, Tanya Gold on the importance of chicken soup. And finally, Cindy Yu who has reviewed The Kingdom of Characters, a book on Chinese language.Subscribe to The Spectator today and get a £20 Amazon gift voucher:spectator.

The secrets of chicken soup

Catherine Chicken is sickly. She has swollen up like a barrage balloon with an evil face and dinosaur feet. She lumbers about. It is peritonitis, the vet says, after I make my husband drive her to the animal hospital in Falmouth. She will not recover without an implant that prevents her ovulating. Chickens are ever in danger of reproduction, like human women, and that is why I find them so touching. They are feathered paradigms. (There is a novel on this called Brood.) They counsel implants on the chicken welfare site — they counsel deification on the chicken welfare site — but it’s £250 for a chicken that cost less than a tenner, and my husband is from a farming family and says he couldn’t live with the shame.

The best schnitzel in London: Schnitzel Forever reviewed

It is a truism that there is never enough schnitzel (‘slice’, German); or, rather, schnitzel does not get the attention it deserves. Restaurants do serve it, of course. Fischer’s does a fine Wiener schnitzel, as part of its riotous pre-war Vienna tribute act, and elderly people, I am told, queue for it while wearing slankets. Brasseries sell it often: the perhaps unconscious desire to re-enact the meals of the Weimar Republic is one of the stranger things of the age. The Coffee Cup in Hampstead serves it with a jaunty side order of spaghetti pomodoro. But the (chicken) schnitzel has never had the stardust of the less interesting but more widely beloved hamburger; perhaps it is because cows are bigger.

The Audi e-tron GT: stylish enough to tempt Prince William

2030 is the deadline: the end of petrol cars in Britain. Because nothing lasts forever. 'This may be the last petrol car that I design,' said a British marque designer, sketching lines on a napkin wistfully. I threw the napkin in a trunk in the attic for memorial. I have become addicted to petrol cars in these last years because they are so conventionally masculine: driving them feels like theft, and it is mind-altering. If you don’t agree, drive an Aston Martin DB11 round a small bend. It will change you. I could write about the unspoken, unconscious joy of polluting – if you trash a planet it won’t forget you – but, like me, you are probably here for the car. So, electric. So far, I have only driven a Tesla model X.

Will the real Mel Brooks please stand up?

‘I went into show business to make a noise, to pronounce myself,’ Mel Brooks told Kenneth Tynan in 1977, in a New Yorker profile entitled, with appalling relish, ‘Detours and Frolics of a Short Hebrew’. ‘I want to go on making the loudest noise to the most people.’ His memoir All About Me! may be his final act of this pronunciation. He is 95. His real name is Melvin Kaminsky but that wouldn’t fit on a drum — a drum is his natural instrument — and he shortened it to Brooks. He was the youngest of four boys of Max and Kate. His father died when he was two, and Mel created Maxes wherever he could — Max Bialystock in The Producers, a man too vivid to be forgotten; and a son with Anne Bancroft, Max Brooks.

The torment of a tasting menu: Hélène Darroze at the Connaught reviewed

The Connaught Hotel’s formal dining room was always, to me, a place of childish myth; more comforting for being mythical. I am certain it is the dining room in Judith Krantz’s novel Princess Daisy, to which a Russian prince takes his daughter in the 1970s. In this tableau you find Robert Maxwell, Margaret Thatcher and people willing to pay for newspapers. I had, in a crowded field, my best ever celebrity encounter here, with the Netanyahus, in what used to be the breakfast room overlooking Carlos Place. ‘Shalom,’ I said, thrilling to the Waspy-ness we were subverting with our very presence. (I meant it. I meant it more than they did. I think that is clear.) ‘Shalom,’ Mrs Netanyahu said back. That was it.

The best Greek salad I’ve ever tasted: INO Gastrobar reviewed

Soho is so gilded nowadays that even drug addicts look down on it. The wasteland without must match the wasteland within. That is harmony. Soho is not a wasteland now: it is no longer that interesting. It is, rather, a shopping district with restaurants and hotels: whimsical, trivial, overpriced. People say it is our youth we lament when we moan about Soho, not the filthy streets we lay in and were fond of, but I am not sure if this is true. Every great city needs a district for wanking and sobs. But this is not it, not anymore. The gateway under the grand hotel by Piccadilly is now an Ugg shop and I have not seen an Orthodox Jew leap into a sex shop with a great, subversive skip — he was vaulting through cultures, after all — for years. Those days are over.

A small victory in a bad year: José Pizarro at the RA reviewed

Piccadilly is losing its patina of dirt, its cadaverous character. It is overpriced and over-renovated,a meeting place for luxury goods. Perhaps I cannot forgive it for not actually containing Dracula’s ‘malodorous’ house; but who has a resentment against a street except this column and Hillary Clinton, who set a terrorist attack here in her new novel State of Terror (written with Louise Penny), which describes her resentment towards Donald Trump through the prism of genre fiction? Piccadilly does, though, now have three excellent restaurants: HIDE; the Wolseley; and José Pizarro at the Royal Academy of Arts, which opened this summer. I am used to good art and bad food: one can’t have everything.

The Toyota Land Cruiser Invincible: a formidable rival to Land Rover

In the latest James Bond movie, which passes for the National soul – though I think Roald Dahl was closer to nailing it – a Toyota Land Cruiser Prado wins a fight with a Land Rover Defender in Norway. Or rather two Land Rover Defenders. Out they bounce from forest to stream and back to forest. Kiss-kiss, bang-bang, snort, rattle. I long to know what conversations marketing executives have with the Bond franchise. Do you pay to have your car win a fight with a commercial rival? And, if your car doesn’t win, can at least it be beaten by a minimum of two cars, and one of them not a Kia? And, do they get it in writing?  At the end of the car fight, the minor villain ends up crushed by his own Land Rover Defender. From COP with love, you might say.

Mary Wakefield, Lloyd Evans, Tanya Gold

17 min listen

On this week's episode, we’ll hear from Mary Wakefield about the pattern of misandry in modern media. (00:48)Then Lloyd Evans on the British tradition of the pub theatre. (07:19)And finally, Tanya Gold on getting drunk on tiramisu. (13:55)Produced and presented by Sam HolmesSubscribe to The Spectator today and get a £20 Amazon gift voucher:spectator.

Sentenced to chicken: NoMad reviewed

NoMad is a new hotel in what used to be Bow Street Magistrates’ Court: a preening piece of mid-Victorian classicism opposite the Royal Opera House that is clearly too fine for the half-hearted criminal classes these days. I was judged in this court once for the very boring crime of cannabis possession (I think I did it), as was Giles Coren for something else (he says: ‘I never done nuffink’), General Pinochet, Dr Crippen (VeryMad) and Oscar Wilde. It heard its last case in 2006: the breaching of an Asbo by a man called Jason. Now it sells cocktails. NoMad has a restaurant named, as if in homage to a public relations panic attack, the NoMad Restaurant. (I thought NoMad was named after a refugee but I checked and I was wrong.

How to get drunk on tiramisu

You can get drunk on tiramisu. I have done it. It takes two portions at least. You drink (I mean eat) the Marsala wine and the rum — and then must be escorted, tenderly, to the bus stop. I don’t usually drink alcohol. If I did, I would smash up restaurants. But I do eat tiramisu. You have to eat a lot of tiramisu to be hospitalised. That is my reasoning. Tiramisu means ‘lift me up’. Like Caesar salad and the world, it has a detailed creation myth with its own pretenders, factions, expert witnesses and conspiracy theories. There is a website, the Tiramisu Academy, devoted to the mystery of its origin. (‘Since 2011 we have been transmitting the culture of tiramisu.

Dregs of fake Provence: Whitcomb’s reviewed

Whitcomb’s is in The Londoner hotel on the south-west corner of Leicester Square. The Londoner calls itself ‘the world’s first super boutique hotel’, which may mean that it is the world’s biggest small hotel. Or its smallest big hotel. I don’t know. Whatever its existential status, the developers destroyed an art deco cinema — the dour and lovely Odeon West End — to make it, and it looks like a piece of bright blue infant Lego with lesions for windows. Heritage organisations objected to the cinema’s destruction. Westminster council replied: who cares? We need Lego with lesions, or anything that looks like Lego: look at the Hotel W round the corner. That looks like a giant Lego fridge!

Douglas Murray, Paul Wood, Tanya Gold

19 min listen

On this week's episode, we’ll hear Douglas Murray on how the pandemic has made cynics of us all. (00:50)Paul Wood on why after 10 years he and his family are leaving Lebanon. (08:02)And finally Tanya Gold gives her review of a Batman-themed restaurant.

The Batman restaurant that’s totally bats: Park Row reviewed

There is a Batman restaurant in London, or rather there was: Savini at the Criterion on Piccadilly Circus. Savini was a haunted grey Italian restaurant that closed in 2018 and was artistically dependent on salt. It appeared in The Dark Knight, in which Batman, who is Bruce Wayne to everyone but himself (I have a theory that everyone knows Bruce Wayne is Batman, but they pretend not to because he is an orphan), owned this restaurant, in which case he should have fixed the telephone lines. (Savini was plagued by a dispute with BT.) But because you cannot ever have enough of a strange thing, there is a new Batman restaurant to the north on Brewer Street, Soho, under a calm Edwardian wedding cake which was once Marco Pierre White’s Titanic.

Matthew Lynn, Tanya Gold, James Innes-Smith

13 min listen

On this week's episode, we’ll hear Matthew Lynn’s thoughts on how the gas shortages could lead to a very cold winter. (00:51) Then, Tanya Gold with a critical take on critics. (04:41)And finally, James Innes-Smith bigs up the bungalow.

Has Covid killed criticism?

The pandemic was bad for criticism with its universal dogma of ‘kindness’. Restaurant, theatre, film and book critics felt compelled to be kind, as if criticism itself was coughing at a death bed. But who does this kindness benefit? Last year I reviewed Michael Rosen’s book about his Covid-19-related coma: Many Different Kinds of Love. I liked it, but I suggested that publishing the notes people had written to him as he lay in the coma was a waste of both their time and ours. Rosen didn’t like this and moaned on Twitter: ‘I think they are the power and the beauty of the ordinary. And how extraordinary that this is ordinary.’ But surely the function of criticism is to try to separate the ordinary from the extraordinary?

The problem with dining on gold

When I was young, I watched a television show about a man who, possessed of the spirit of greed, ate gold and died. I recognised hubris then, and I recognise it now. In a country filled with foodbanks people are hungry to eat gold, which is, in food standard circles at least, called something less miraculous: E-175. E-175 usually comes in flakes, leaves or powder. It has no nutritional value. It passes through you, though of that there is no evidence on Instagram, which is a shame. They should really follow through. E-175 is big on Instagram, which is the engine of the fashion for eating gold. It is an entirely visual thing.

The real Greek: Lemonia reviewed

Lemonia lives in the old Chalk Farm Tavern in Primrose Hill, which is better known as the set of Paddington. It is not surrounded by fields filled with duellists under a hill of primroses these days, but it is still vast, pale and beautiful: a survivor in the sprawl. There has been a tavern on this site for so long — it was first recorded in 1678 when a corpse was carried to it — that it is possible John Keats drank here. I hope so. It is not a beaker of the warm south – it is slightly too near Camden and its stink of pigeon and bleach for that — but it is close enough. Some restaurants hold memories of pleasure: this is one such place.