Sam Leith

In this week’s Spectator Books podcast my guest is Benjamin Dreyer — whose name is pronounced, as I discover live on air, 'Dryer' rather than 'Drayer'. That seems an apt way to be introduced to a man who, as Random House US’s Copy Chief, makes his living correcting errors. His new book Dreyer’s English is a compendium of useful tricks of the trade, sharp opinions and authoritative rulings on everything to do with language and style. We talk transatlantic language differences, angry pedants, and punctuation nitty-gritty, with special reference to Steven Pinker, the New Yorker and Guns N’ Roses.

In this week’s books podcast Kit de Waal is here to talk about her new anthology of working-class memoir, Common People. First a guest on this podcast a couple of years ago talking about her Desmond-Elliott-shortlisted debut My Name Is Leon, Kit explains why she thought an anthology of working-class writing was necessary, about if and how the pendulum has swung since previous booms in working-class writing, what still needs to change in publishing, and how, as an editor, she avoided falling victim to Four Yorkshiremen Of The Apocalypse Syndrome.

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON   This column concludes my brief series about Shakespeare and the Globe, linked to the summer season of history plays — from Richard II to Henry V — sponsored by Merian. It’s been a pleasure to write. And one of the special pleasures it has offered is the chance to explore what Oxford’s Professor of Shakespeare Studies, Emma Smith, identifies in her book This Is Shakespeare as the Stratford man’s outstanding quality: what she calls his ‘gappiness’. That is what academics more usually call indeterminacy. (I can see why she prefers ‘gappiness’.

In this week’s books podcast I’m joined by the physicist Jim Al-Khalili (host of Radio Four’s The Life Scientific) to talk about his first novel, a science-fiction thriller called Sunfall. In it, Jim uses real science to conjure up a plausible but fantastical near-future crisis in which the earth’s magnetic field falters and dies. What would that mean? (Nothing good, is the answer.) He helps us sort our neutralinos from our neutrinos, tells us about the real existential threats we face, and explains why he’s drawn to so-called “hard sf”.

Rory Stewart is the back-of-field Tory leadership candidate who’s catching most attention at the moment; popping up all over London inviting all comers to talk to him about policy and ideas. He’s a politician with real hinterland- and you can get a flavour of that hinterland in the conversation we had when he came to talk to me about his last book, The Marches. It’s at once the tale of a meandering journey he made along the Anglo-Scottish border around the time of the Scottish independence referendum (Rory is MP for Penrith and the Borders), and a tender account of his relationship with his father Brian.

I am so, so sad to hear about the death of Judith Kerr. I last saw her only a month or two ago, at an Oldie Literary Lunch, where she was in fine form and did not stint herself on a glass or two of wine. She seems to have been constitutionally a merry person, and a modest one. Among the greatest privileges of doing our books podcast was meeting Judith at her house in Barnes, where we recorded our interview with her and her son Matthew Kneale. What made it really special was that – thanks to one of my routine childcare emergencies – I had my then four-year-old son Jonah in tow. I have a photograph, therefore – which I hope will be a lifelong treasure for him – of Jonah, aged four, sitting with Judith, aged 94.

In this week’s books podcast my guest is Emma Smith, Professor of Shakespeare Studies at Hertford College, Oxford, who’s talking about her new book This Is Shakespeare. What is it that makes Shakespeare special — and is it defensible that, as even in university curricula, we talk about Shakespeare apart from and above the whole of the rest of literature? How did he think about genre? Why is Act Four always a bit boring? Is the Tempest an autumnal masterpiece or the thin work of a writer of dwindling powers? And how filthy is A Midsummer Night’s Dream?

It has been 13 years since Thomas Harris published a novel, and the last time he published one without Hannibal Lecter in it was 1974. So, ‘hotly anticipated’ is probably the phrase. The good news for readers of Cari Mora is that Hannibal is here in spirit if not in person. This is a very peculiar book, lavishly ridiculous in almost every respect and fully committed to the gothic extremes of human cruelty: just camp enough to skirt charges of outright porno-sadism. Sounds like fun, right? Well, it is. But, as I say, it’s also mad as a badger. The way I found myself describing it to a friend is as Dr Fischer of Geneva retold by Carl Hiaasen and shot by Tobe Hooper. A character with a walk-on part eats a human kidney, for instance, just because it’s there.