Sam Leith

My guest in this week’s Book Club podcast is the reporter – cartoonist Joe Sacco, talking about his most recent book The Once and Future Riot, about Hindu/Muslim violence in rural India. He tells me how he knows when he’s onto a story, what cartooning can do for reportage, and why he draws himself so differently.

My guest in this week's Book Club podcast is Mason Currey, author of the new book Making Art and Making a Living: Adventures in Funding a Creative Life. He tells me how artists, writers and composers have wrangled through history with the challenge of scraping by, and how that has affected their art, from Baudelaire's lifelong outrage at being forced to live on an allowance and John Berryman's disastrous stint as a door-to-door encyclopaedia salesman to Haydn reinventing the musical idiom of his time because he was so far in the boondocks with his day job that he didn't know what the musical idiom of his time was, exactly.

Sam Leith's guest in this week’s Book Club podcast is Yann Martel, talking about coming late to Homer, definitely not being influenced by Pale Fire, why he can’t resist a silly animal, and his new book Son of Nobody.

My guest in this week’s Book Club podcast is Stefan Fatsis, whose classic Word Freak: Heartbreak, Triumph, Genius and Obsession in the World of Competitive Scrabble is 25 years old this year. Stefan tells me how a journalistic project turned into a quarter-century obsession, how dramatically tournament Scrabble differs from the living-room game, why we’re still having the same arguments over word lists … and how it has become a family story for him.

My guest in this week’s Book Club podcast is the Booker Prize-winning novelist Howard Jacobson, whose new novel Howl emerges from his rage and despair at the response to the 7 October massacre. He tells me what the novel can do that journalism can’t, why being funny is essential even in the darkest times, and why Zack Polanski isn’t the man he used to be.

My guest on this week's Book Club podcast is Lionel Shriver, whose new novel A Better Life offers among other things a savage send-up of liberal pieties on immigration. I asked Lionel what she was trying to do with the book (why make the argument, for instance, in a novel rather than an op-ed?), whether New York's immigration law really is as nutty as her story paints it, and how she reacts to the opprobrium that this sort of to-the-moment writing stirs up.

My guest on this week's Book Club podcast is the historian Jane Rogoyska, whose new book Hotel Exile: Paris in the Shadow of War tells the bloody story of the Second World War through the lens of Paris's Hotel Lutetia – following a cast of exiled intellectuals through the febrile 1930s, the increasing horrors of the war and occupation, through to the devastating aftermath as waves of prisoners returned from the camps. She tells me how she came to this unusual approach, how the connections between her cast of characters proliferated, how close Samuel Beckett came to a concentration camp – and about falling a little bit in love with Walter Benjamin.

My guest this week is Francis Spufford, whose fabulous new novel Nonesuch is a fantasy adventure set during the Blitz containing magical Nazis, nerdy TV techs and honest-to-goodness angels. He tells me about fantasy world-building and historical research, the pleasures and pitfalls of writing a female protagonist, why C S Lewis is as influential as Tolkien — and supersizing Dr Manhattan. You can read Philip Hensher's review of Nonesuch here.

My guest in this week's Book Club podcast is the philosophy professor Hanna Pickard, whose new book is What Would You Do Alone in a Cage with Nothing but Cocaine? A Philosophy of Addiction. She tells me why we need a new approach to ‘the puzzle of addiction’. She says the idea that addicts are helplessly in thrall to the compulsions of a ‘broken brain’ is wrong, that we need to understand how sometimes using even if it's looks like killing you can make a sort of sense – and describes how her own one-off experience of morphine set her on the path of trying to change the way we think about drugs.