AI paranoia has come for fiction
From our UK edition
‘Polished and confident, with a melodic voice that lingers long after the final line, Jamir Nazir’s prose pulses with a voice of restraint and quiet authority.’ So said Sharma Taylor, regional judge for the Caribbean winner of this year’s Commonwealth Short Story Prize, The Serpent in the Grove. AI is very good at producing, at scale, exactly the sort of stuff that such critics will affect to like. Portentous cadences, look-at-me adjectives, solemnly poetic similes, the sort of thing that people produce when they’re trying to produce ‘fine writing’ But did it? Did it pulse with a voice of restraint and quiet authority? Really?