Sam Leith

In this week's Book Club podcast, I'm joined by Francesca Peacock to talk about the remarkable life and extraordinary work of Margaret Cavendish, the 17th-century Duchess of Newcastle. Famous in her own day for her bizarre public appearances and nicknamed 'Mad Madge', the author of The Blazing World has been marginalised by posterity as an eccentric dilettante. But in her new book Pure Wit, Francesca sets out to reclaim her as a serious feminist writer before feminism was generally thought of, and as a radical thinker in natural philosophy.

The Book Club podcast returns next week. In the meantime, here's another from the archives, and one which looks more timely now even than it was when we recorded it in 2017. Here's perhaps Russia's most prominent dissident writer, Masha Gessen, talking about their book The Future Is History: How Totalitarianism Reclaimed Russia.

As Sam is still away, we've dug out one our favourite podcasts from the archives. Back in 2019 Sam spoke to the historian Tom Holland, about his book Dominion: The Making of the Western Mind. The book, though as Tom remarks, you might not know it from the cover, is essentially a history of Christianity and an account of the myriad ways – many of them invisible to us – that it has shaped and continues to shape Western culture. It’s a book and an argument that takes us from Ancient Babylon to Harvey Weinstein’s hotel room, draws in the Beatles and the Nazis, and orbits around two giant figures: St Paul and Nietzsche. Is there a single discernible, distinctive Christian way of thinking? Is secularism Christianity by other means?

My guest on this week's Book Club podcast is the journalist and author Celia Brayfield whose new book Writing Black Beauty: Anna Sewell and the story of animal rights, takes us back to the 19th century. Celia describes how Anna Sewell's writing of the Black Beauty book ultimately led to the kinder treatment of horses, and we both recall fondly the popular TV adaptation with its soaringly emotive theme tune.

My guest on this week's Book Club podcast is the investigative and tech writer James Ball, to talk about his new book The Other Pandemic: How QAnon Contaminated the World. In it, James traces the rise and disturbing metastasis of what he calls 'the conspiracy theory that ate all the other conspiracy theories', and argues that what looks from the outside as an extreme set of fringe beliefs about Satanic paedophile rings running the Deep State is something we need to take very seriously indeed.

In this week's Book Club podcast I'm joined by Ferdinand Mount who in his long career has been literary and political editor of this very magazine, as well as editor of the TLS and head of Margaret Thatcher's Number Ten policy unit. We discuss his new book Big Caesars and Little Caesars: How They Rise and How they Fall, from Julius Caesar to Boris Johnson. He tells me why he thinks it's fair to compare our recent former prime minister with a cast of despots and autocrats from Indira Gandhi and Oliver Cromwell to Louis Napoleon and even Adolf Hitler, and why he sees the impulse to autocracy as an ineradicable thread in human history.

My guest in this week's Book Club podcast is Caitlin Moran. Having written one of the bestselling works of popular feminism of the last 20 years – How To Be A Woman – she has turned her attention to the other half of the population with her new book What About Men? I asked Caitlin why she felt she needed to write such a book, and what qualifies her to do so. She tells me why she thinks young men are turning against feminism, what she says to the people who accuse her of trading in stereotypes, and why she thinks Jordan Peterson is a poor excuse for a 'public intellectual'.

My guest in this week's Book Club podcast is Tom Whipple, science editor of the Times and author of the gripping new book The Battle of the Beams: The secret science of radar that turned the tide of the Second World War. He describes the ingenious technological, psychological and espionage battles that made electromagnetic warfare a decisive – if under-appreciated – contributor to Britain's victory in the air war and, finally, in the Normandy Landings.

My guest in this week’s Book Club podcast is the art critic Laura Cumming. Her new book Thunderclap: A Memoir of Art and Life and Sudden Death talks about her fascination for the paintings of the Dutch 17th-century Golden Age, and in particular the entrancing work of the enigmatic Carel Fabritius. She tells me how her preoccupation links to the story of her artist father, why she thinks academic art historians too often miss the most important thing about paintings, and how looking at a work of art makes it possible to commune with the dead.