Sam Leith

Sam Leith

Sam Leith is literary editor of The Spectator.

Are Amazon’s publishing gurus doing anything wrong?

From our UK edition

Alex Kaplo lives, apparently, the life of Riley. The 31-year-old's website shows him roaring around in a Mercedes, and he boasts of taking 'extravagant' holidays and living in a high-end apartment. He has made all his dosh, as it turns out, as a 'publishing chief executive'. He has caused hundreds of books to be released, none of which he has written. His story appears, alongside a few others, in a report in yesterday’s Sunday Times about the people who are really getting rich from publishing these days. And, spoiler alert: it isn’t traditional publishers, still less (ha ha) actual authors.

Katy Balls, Christina Lamb and Sam Leith

From our UK edition

20 min listen

This week:  Katy Balls discusses the SNP’s annual conference and asks what will it take to hold the party together if things get much tougher over the next twelve months (01:10), Christina Lamb goes to Ukraine, only to be told that she’s 'at the wrong war' as events unfold rapidly in the Middle East (06:55), and Sam Leith chats to the man who heads up the tiny publishing house that regularly churns out Nobel Prize winners (12:13).  Produced and presented by Linden Kemkaran.

New world disorder

From our UK edition

38 min listen

On the podcast: In The Spectator's cover piece Jonathan Spyer writes that as America's role in international security diminishes history is moving Iran’s way, with political Islam now commanding much of the Middle East. He is joined by Ravi Agrawal, editor in chief of Foreign Policy and host of the FP Live podcast, to discuss whether America is still the world's policeman.  Also this week: In the magazine this week, The Spectator’s literary editor Sam Leith speaks to Jacques Testard, publisher at Fitzcarraldo Editions, the indie publishing house which has just won its fourth nobel prize in under ten years.

How to win four Nobel Prizes in literature

From our UK edition

‘Hi Jacques,’ I say as the publisher of Fitzcarraldo Editions appears on my Zoom screen with his Franz Hals facial hair. ‘Thanks for making the time.’ I explain, apologetically but cheerily, that I’m going to be asking him to give his basic ‘how I keep winning Nobel Prizes’ spiel – at which, I say, he’s probably by now well practised. ‘Hm,’ he says, ‘I’m not sure about that. I’ll do my best.’ Though he’s grateful for what it’s done for his tiny publishing company, you sense that Jacques Testard probably finds it a bit irksome that it takes the ephemeral showbiz razzle of the Swedish academy to bring the experimental writing he publishes anything much in the way of public attention. But there again, the Nobel thing is hard to ignore.

Sandra Newman: Julia

From our UK edition

38 min listen

My guest in this week’s Book Club podcast is the novelist Sandra Newman, whose new book Julia retells George Orwell’s Nineteen Eighty-Four from Julia’s point of view. We discuss the spaces Orwell’s classic left for her own novelistic imagination, what we do and don’t know about the world of Big Brother, and whether the misogyny in Orwell’s original belongs to the author or the dystopia he depicts.

Can we be honest about Israel and Palestine?

From our UK edition

Qui tacet consentire videtur: who keeps silent is seen to consent. That Latin tag haunts the western response to the situation in Israel. We’re already seeing, amid the rage and grief, people being called out for what they don’t say as much as for what they do. But what are those of us – the ordinary schmoes, the many bystanders – who don’t have an encyclopaedic knowledge of the history of Israel/Palestine, a clever take on the geopolitical implications, or a shrewd understanding of the hidden hands at work, to say? Who see only horror clambering over horror, to which any amount of historical or geopolitical subtlety seems, viscerally, to miss the point. What is the appropriate response? What we’re seeing in Israel and Gaza now activates an instinctive response.

Celebrating Watership Down

From our UK edition

33 min listen

In this week's Book Club podcast, we're celebrating 50 years of a unique classic – Richard Adams's Watership Down – and its forthcoming adaptation in graphic novel form. I'm joined by Richard Adams's two daughters Juliet and Rosamund, who tell me how a story that their dad started telling them to beguile a long car journey became one of the best selling children's books of all time, how that changed their father's life, and how Fiver's prophesy, alas, is finally coming true.

How Elon Musk killed Twitter/ X

From our UK edition

Twitter was a newswire. That, at least at first, was the point of it. Something that came with all the glamour of digital innovation was, as it turned out, immediately recognisable as a version of something that has sat on every newspaper news desk for decades: a regularly refreshed 'feed' of short updates, ceaselessly scrolling, with the latest at the top. It was a newswire everybody got, and everybody could contribute to. There was value in that alone. It turned into much more. It became a raucous sort of community. It did, as everybody complained, make it easier for angry inadequates to shout at strangers, but that was just part of it. It was fun.

Caspar Henderson: A Book of Noises

From our UK edition

47 min listen

My guest in this week's Book Club podcast is Caspar Henderson, whose new book A Book of Noises: Notes on the Auraculous really is a journey into sound. He tells me why the music of the spheres – at least in this solar system – is a terrible racket, what we can learn from whale earwax, and why bat-squeaks are, in fact, very very loud indeed.

Mary Beard: Emperor of Rome

From our UK edition

48 min listen

My guest in this week’s Book Club podcast is the writer, broadcaster and academic Mary Beard. In her new book, Emperor of Rome, she explores what we can and can’t know about the men who ruled the Roman Empire, and what the lurid stories about so many of them tell us about the anxieties and fantasies of Rome’s ordinary citizens and the remarkable resilience of the regime. We also discuss, among other things: decapitated ostriches, fatal rose petals, and Mary’s robust reappraisal of Marcus Aurelius’s 'sub-Stoic' maundering.

It is time to rethink the age of consent

From our UK edition

In 1983 Samantha Fox was sixteen years old when she first appeared topless on Page Three of the Sun. That paper and its kind used to delight in doing birthday countdowns: in just three days, they’d promise, alongside a picture of a provocatively pouting fifteen-year-old, it’ll be legal for us to show you her breasts. Wahey! In more recent memory (a 2003 change in the law having outlawed topless shots of under-18s) Emma Watson was 'upskirted' by photographers on her 18th birthday: they were handsomely compensated for images that, a few hours previously, would have landed them in jail. The Daily Mail’s so-called sidebar of shame likes to use the phrase 'all grown up' to signpost sexualised paparazzi images of young women.

Sarah Ogilvie: The Dictionary People

From our UK edition

45 min listen

In this week's Book Club podcast I'm talking to Sarah Ogilvie about the extraordinary story of the making of the Oxford English Dictionary, as told in her new The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary. She tells me why the OED was different in kind from any previous English dictionary, how crowdsourcing made it 'the Wikipedia of its day', and how – as she discovered – quite so many cranks, murderers, perverts and foreigners took such an interest in it.

The ‘naive cynicism’ of Russell Brand’s hasty defenders 

From our UK edition

I can’t imagine that Channel 4’s investigative slot Dispatches has had such an audience in living memory. On Saturday evening, many thousands of people who seldom if ever watch terrestrial television – I was one of them – will have tuned in at 9pm, just like the old days, to watch a conventional broadcast. Most of these people will already have known the substance of what was in the programme, because it was a joint investigation with a good-old-fashioned newspaper – whose version of the story was published a few hours earlier and was eagerly and widely read online. Quite a moment for the so-called 'legacy media'.

Francesca Peacock: Pure Wit

From our UK edition

45 min listen

In this week's Book Club podcast, I'm joined by Francesca Peacock to talk about the remarkable life and extraordinary work of Margaret Cavendish, the 17th-century Duchess of Newcastle. Famous in her own day for her bizarre public appearances and nicknamed 'Mad Madge', the author of The Blazing World has been marginalised by posterity as an eccentric dilettante. But in her new book Pure Wit, Francesca sets out to reclaim her as a serious feminist writer before feminism was generally thought of, and as a radical thinker in natural philosophy.

There’s not much we can do about China spying

From our UK edition

A parliamentary researcher has just been arrested on suspicion of espionage. A man in his late twenties, with reported links to the security minister and the chair of the Foreign Affairs Select Committee, is accused of spying for China and may have had access to sensitive secret documents. A second suspect has been collared in Oxfordshire. It’s said to be the worst Westminster security breach in years: 'We haven’t seen anything like this before.' I’m sure you were as surprised as I was to find out that the Chinese are spying on us. Gobsmacked. Flabbergasted. Probably nearly as surprised as the Prime Minister. And to hear his spokesman tell it, Rishi Sunak wasn’t just surprised but jolly cross about it too.

From The Archives: Masha Gessen

From our UK edition

24 min listen

The Book Club podcast returns next week. In the meantime, here's another from the archives, and one which looks more timely now even than it was when we recorded it in 2017. Here's perhaps Russia's most prominent dissident writer, Masha Gessen, talking about their book The Future Is History: How Totalitarianism Reclaimed Russia.

Silicon Valley’s curious obsession with building old-fashioned communities 

From our UK edition

It’s a peculiar thing about billionaires: they don’t half have a weak spot for building ideal communities from the ground up. You could call it pluto-utopianism. The latest manifestation of this is California Forever. A number of ultra-wealthy Silicon Valley tech entrepreneurs have been quietly buying up 55,000 acres of farmland in Solano county, California, and at the end of last week they launched a website revealing what they planned to do with it. Behold, the future of rural America: a new community rising from the empty earth, the vision for which is set out in a series of watercolour-style illustrations.

From The Archives: Tom Holland

From our UK edition

45 min listen

As Sam is still away, we've dug out one our favourite podcasts from the archives. Back in 2019 Sam spoke to the historian Tom Holland, about his book Dominion: The Making of the Western Mind. The book, though as Tom remarks, you might not know it from the cover, is essentially a history of Christianity and an account of the myriad ways – many of them invisible to us – that it has shaped and continues to shape Western culture. It’s a book and an argument that takes us from Ancient Babylon to Harvey Weinstein’s hotel room, draws in the Beatles and the Nazis, and orbits around two giant figures: St Paul and Nietzsche. Is there a single discernible, distinctive Christian way of thinking? Is secularism Christianity by other means?

Celia Brayfield: Writing Black Beauty

From our UK edition

45 min listen

My guest on this week's Book Club podcast is the journalist and author Celia Brayfield whose new book Writing Black Beauty: Anna Sewell and the story of animal rights, takes us back to the 19th century. Celia describes how Anna Sewell's writing of the Black Beauty book ultimately led to the kinder treatment of horses, and we both recall fondly the popular TV adaptation with its soaringly emotive theme tune.

Why not house refugees on barges?

From our UK edition

‘By the light of the torches, we saw the black Hulk lying out a little way from the mud of the shore, like a wicked Noah’s ark. Cribbed and barred and moored by massive rusty chains, the prison-ship seemed in my young eyes to be ironed like the prisoners. We saw the boat go alongside, and we saw him taken up the side and disappear. Then, the ends of the torches were flung hissing into the water, and went out, as if it were all over with him.’ It is with a pleasurable shudder that most of us will remember Charles Dickens’s description, in Great Expectations, of the wicked Noah’s ark of a prison hulk moored in the Thames.