Olivia Potts

I don’t know about you, but I’m finding it a little hard to get out of my own head, these days. I’m trying not to think about how long life has felt stalled, how many days we have spent inside the same four walls, save for a daily constitutional, how many more we have to do. Those projects of early lockdown – jigsaws, learning a new language, finally reading Moby Dick – have lost their allure. There’s little to define the days, or break them up; the weekends feel the same as the weekdays. In an attempt to get close to culinary mindfulness (or mindlessness, I really don’t mind) I’ve found myself reaching for dishes that don’t require a lot of thinking, but do need attention.

In Britain, we mark the beginning of Lent with pancakes. Although nowadays relatively few of us strictly observe the Lenten dietary traditions which prohibit the eating of dairy and meat in the lead up to Easter, we happily leap on the annual opportunity to eat breakfast for dinner: sales of lemons and caster sugar soar, and we delight in filling ourselves full of pancakes. But pancakes are not the only Lenten final hurrah: the semla bun is the Scandinavian favourite. Following the same logic as pancakes, the buns are designed to eat up the dairy ingredients which would have been prohibited by Lent religious laws.

This week I decided to bring all the fun of the fair into my kitchen and make churros. Churros are a dough enriched with butter and eggs, that are piped into lengths and fried in very hot oil until crisps and light. There’s nothing quite like the smell of sweet, hot dough, frying. In the days when I used to churn out hundred of doughnuts overnight in our small kitchen for events, I’d crawl to bed in the small hours of the morning, wearing the distinctive perfume of that pastry. There are different types of fried dough all over the world – bombolini, beignets, gulab juman, yum yums, funnel cakes – all seeking to satisfy that universal craving for hot, fried dough.

‘Many's the long night I've dreamed of cheese--toasted, mostly’: such is the power, the appeal of cheese on toast that when Ben Gunn is found, having been marooned on the eponymous island for three years, his longing for cheese on toast is one of his first statements. When I find myself considering the possibility of another round of Welsh rarebit, it’s reassuring to remember that not only has such a craving been immortalised in fiction from over a century ago, but that the thought of cheese on toast can sustain a shipwrecked man. It makes my Sunday evening hankering for Welsh rarebit seem quite reasonable. Of course, Welsh rarebit is no simple cheese on toast.

I often find myself turning to lemon-filled recipes in January. I think it’s something my baking subconscious realises before I do - that cold, dark days require the antithesis, something bright and bold, something cheering. You know what they say: when life gives you lemons, make lemon meringue pie.  Unlike its austere, pared back French cousin, the tarte au citron, the lemon meringue pie is never going to be a subtle pudding: a lurid, chartreuse centre hidden by big billows of toasted meringue, piled ludicrously, disproportionately, toweringly tall. It quivers and wobbles on the plate, crisp and firm on the outer edge, giving way to a marshmallowy interior. But that’s the point isn’t it? It isn’t sophisticated or chic or cool.

Beef Stroganoff has had its heyday: terribly popular with both restaurant chefs and dinner party hostesses of the 1950’s to 70’s, I can’t remember the last time I saw it on a menu or dinner table. It’s been relegated to buffet dishes and ready meals, beige and bland, insipid and gloopy. It sits in canteen chafing dishes, or is blitzed in the microwave, until it’s rubbery, grey, congealed. No wonder we don’t think of it fondly. Of course, that’s not how it should be.  True beef Stroganoff is a treat: punchy and rich, with a silky brandy-spiked sauce made from beef stock, sour cream and mustard, covering sautéed onions and mushrooms and impossibly tender, rare meat. It’s a luxury dish, made with expensive cuts.

I often feel conflicted around this time of year: can Christmas food be justified in January? I’m quite strict on when the Christmas feasting begins: I’m not interested in beginning the festivities until everyone has finished work (even when that working takes place at home), so that usually means halfway through Christmas Eve. But, the end is less defined, and often has a long tail, especially this year. Culinarily (or greedily), I have no problem with it: I love Christmas food. I’m quite happy to stretch Christmas out for as long as I can: leftover sandwiches never lose their appeal, stuffed with all manner of cold cuts and root veg, bathed in medieval-tasting bread sauce, and occasionally boasting a pig in blanket.

Christmas is probably the only time I bother with appetisers or canapés proper; usually I am quite content to stick a bowl of fancy crisps on the dining table, and let my husband make sure everyone’s drinks are topped up. But Christmas is different. Christmas demands canapés. And, given the Vintage Chef moniker, I tend to favour the old-fashioned, the retro, the kitsch; the deviled eggs, the vol au vents – and the devils on horseback. The dish is thought to date back to Victorian times, when it would be served not as an appetiser or hors d’oeuvre, but as a savoury: a kind of palate-cleanser that came after the main meal to be eaten with the dregs of wine; they have since migrated to canapé status.

The name ‘toad-in-the-hole’ suggests something a little more whimsical (or saucy) than its reality. The origins of the name are spurious and, to be honest, a little tenuous: I’ve seen theories that the hole is a hungry stomach and the toad a ‘substantial meal’, another that suggests the dish resembles the way toads peep their heads out of burrows, and another which attributes the name to a trend in the eighteenth century for live toads to be incased in stone.

Braising isn’t a terribly glamorous way of cooking: you’re not flipping steaks over an open fire, flambéeing alcohol, or shucking oysters. No one is going to gasp at your cheffy technique if you plump for braising. And when you pull the dish from the oven, it may not look any more exciting: no soaring soufflés, or mahogany egg-washed wellingtons. It’s just a jumble of meat and veg in a single dish, cooked until the meat is yielding and the sauce luscious. Braising is pretty unassuming both before and after cooking – but for all its culinary modesty, it packs a real punch. Braising is an old-as-the-hills way of cooking meat or vegetables in a covered pot with a little liquid (this could be stock, wine or water).