Olivia Potts

I have been labouring under a misapprehension for some time, perhaps my whole life. I thought that the ‘offe’ in ‘banoffee pie’ was a reference to the thick, gooey toffee layer that sits between the biscuit base and the cream. But no, the ‘offe’ has nothing to do with what is, in any event, really a caramel, but the coffee flavour that should be folded through the cream topping. I’m not sure I’ve ever had a banoffee pie that features the sort-of-eponymous coffee, and I am relieved to discover that wide swathes of the internet (including the fallible wikipedia) has made the same mistake.

You don’t see Waldorf salad so much nowadays. It’s a simple dish: raw celery, apple, grapes and walnuts, tossed in a mayonnaise-based dressing. Although you might still find it packaged in the bigger supermarkets, it’s fallen off dinner tables and restaurant menus alike. We wrinkle our noses at the prospect of combining fresh fruit and mayonnaise: the combination always makes me mentally place the Waldorf salad in the 70s, alongside big platters of dressed salmon, covered in wafer-thin cucumber scales, and a host of other mayonnaise-coated, tricky-to-identify bowls purporting to be salads, possibly involving tinned mandarin oranges.

The onset of summer makes me feel giddy. And it seems from those piling into beer gardens and loading up their hampers for picnics in parks, I’m not alone. Perhaps this is because it is of course too early for summer, I’m not ready for it. And to be fair, it’s barely arrived. Spring is still stamping its feet with April showers, and shaking its blossom filled trees to remind us of its presence. But those hot hazy golden days are creeping in, even on bank holiday weekends, the traditional domain of miserable, dreary weather, which we bravely brazen out, so determined are we to make the most of the one day vacation from work. No need this year: sunshine and giddiness prevails. Such giddiness calls for something silly, something bright and zippy, and maybe a bit childish.

It always feels criminal to throw away hot cross buns. Hot cross buns are marked by their scarcity in my house: no sooner do they cross the threshold than they are pounced upon and demolished. Assuming that you are capable of more restraint than me, this recipe deals with the unlikely scenario of how to use up those leftover buns. The ravenous will be relieved to hear that only two buns are required. And if you have more willpower than I do, you can even hold back a couple more hot cross buns and serve the ice cream between two halves of a bun, as a particularly Eastery ice cream sandwich. This is a bit of a cross between traditional brown bread ice cream and my a spice-infused ice cream. It has a custard base, infused with cinnamon and nutmeg.

Bringing something golden, sweet and uplifting into your kitchen and life is exactly what is required at this time of year. And it doesn’t get more golden, sweet or uplifting than a syrup sponge. A syrup sponge is a steamed pudding, laced with golden syrup. The pudding itself is made by pouring a cake-style batter into a basin or bowl, sealing it with paper and foil, and then placing it in a half-filled pan of water, where it is gently cooked by the steam, until the sponge is light and risen. Golden syrup is an inverse sugar, which means it is created in the process of refining sugar, or after a sugar solution has been treated with an acid. Its flavour is distinctive: lighter than honey, like the palest of caramels, with a clean sweetness which tastes almost metallic.

Sometimes, when I am planning a pudding, it can feel like there is a hitch in my brain, a little sticky spot that I catch on, and have to release myself from before I can move on. That hitch, that sticky spot, is rhubarb and custard. I know that there are other pudding bases, sweet dishes that are more original, more popular. I know that there exist other marvellous fruits that deserve the spotlight, that there are chocolate concoctions that will ooze and impress, bitter caramels that will shock and delight. But in order to get to them, I have to move past my first instinct which is always: rhubarb and custard. It’s not simply that it is a default combination in my mind.

When it comes to cooking, I make no secret of the fact that I’m something of a traditionalist: I like old-fashioned steamed puddings, I like the classic and the heritage. I like blancmange and rice pudding and suet. I am unashamedly unfashionable. I’m not sure whether I chose the Vintage Chef recipe writing life, or whether the Vintage Chef recipe writing life chose me. I just don’t see the point in reinventing the wheel, or injecting unusual flavours and twists just for the sake of it. But, as I look back through recipes I’ve written, Easter has always been my exception: hot cross bun ice cream sandwiches, hot cross bun bread and butter pudding, cakes topped with mini eggs.

This week’s recipe is for a chocolate cake that is not a terribly traditional chocolate cake. But that is its charm. It uses only one egg, no butter and, most magically, absolutely no chocolate. Instead, it uses cocoa powder and boiling water: the boiling water releases a deeper, rounder flavour from the cocoa, which is enhanced by vanilla, a little strong coffee, and a pinch of salt. The cake’s flavour is a little like that of a packet mix of brownies – which is not to diminish it, but to signal its fudgy darkness. Feel free to swap the sugar for whatever you have: caster, granulated, even dark brown sugar would work here, or a mixture of whatever’s in your cupboards.

Spaghetti and meatballs is an iconic dish: whether it’s Lady and the Tramp that springs to mind at the name, cosying up over a shared bowl of the stuff, facilitating their canine kissing, or Henry Hill describing the prison meatballs that they make to remind them of home in Goodfellas, while Paulie slices garlic paper-thin with a razor blade, there’s no denying that this pasta dish is one which has taken on significance beyond the sum of its parts.

With Shrove Tuesday upon us, I am forced to face my annual pancake day gripe. It is, inevitably, the cook’s gripe: standard crèpe-like pancakes should be eaten as soon as they are cooked, each doled out to waiting mouths as soon as it’s ready. Yes, recipes tell you you can keep them warm in a low oven, but doing that tends them towards the rubbery and luke-warm. This means that the cook is standing at the stove ladling batter while everyone else eats. As a greedy cook, I resent this. But there is a pancake solution: the Dutch baby. The name does not point to a Holland heritage: instead, the dish is named after the Pennsylvanian Dutch, a group of German-speaking immigrants to America.