Mary Wakefield

Mary Wakefield

Mary Wakefield is commissioning editor of The Spectator.

Mary suggests…

Have you Herd? If you haven't already done so, buy a copy of Mark Earl's Herd: How to Change Mass Behaviour By Harnessing Our True Nature  It sounds sinister, but there's not much harnessing in it and lots of exciting ideas about what it is to be human. Mark's thesis is that we're basically group animals, like chimps, and that ideas and fashions spread not as a direct result of some ad campaign, but because of our instinctive desire to mimic each other. This is tremendously cheering. It means all those threatening, cajoling ads -- inside mags, blocking the letterbox, thrust at you in the street -- will come to nothing. However urgent the blurb, it's not going to sway anyone at all. Hooray!

Man with a mission | 29 September 2007

Mary Wakefield talks to Jonathan Kent about his plans to jump-start the West End Something is rotten in the West End. It’s not just the sour smell of lager, or the Saturday night binge drinkers. It’s more that as I walk up St Martin’s Lane, through what should be the beating heart of theatreland, there’s an unmistakable whiff of artistic decay. It’s been said before and often, with varying degrees of gloom, but it’s difficult to deny: nearly all the shows on offer here are musicals, and most of them adapted from movies or TV: The Lion King (‘Pure delight floods the Lyceum!’) Bad Girls: The Musical (‘If you’re in for a good time, bad girls do it best!

Heaven and hell | 22 September 2007

6.57 a.m. I wake up three minutes before the alarm is due to go off, aware that I have slept badly: dipping in and out of consciousness. All night I’ve been fretting, imagining the various ways in which I might kill myself on the mountain today. I am not a good skier. I often fall over and sometimes, in deep snow, become cast like a sheep, wedged, unable to rise. If frightened I freeze, like a rabbit. Cousin Peter, my septuagenarian ski-guru, says that I’m finally ready to come ski-touring off-piste with him and his guide, Fred. I feel sick. I want to stay in the chalet and sketch, or make raclette. 7.30 a.m. Outside, the French Alps are still in shadow but the sky is brightening. Plasters, long socks, salopettes.

Clarissa Dixon Wright: ‘I was healed by a holy relic’

I’m tempted, just for a second, to feel sorry for Clarissa Dickson Wright. There she is, with her back to me, 15 feet away, at a table in Valvona & Crolla — a refined little deli/café full of focaccia and Parmigiano Reggiano tucked in beside the lager shops on Edinburgh’s Leith Walk. There she sits, waiting for me: the last of the Two Fat Ladies, all alone: no fat husband to cook cakes for, no fat children to lick the icing from the bowl. I’ve read her memoirs, so I know that she’s been through the mill: alcoholism, homelessness, the death by drink of the love of her life. But I also know, as I begin my approach, that to pity Clarissa would be idiotic.

The suffering sub-primes

Now that the Fed has introduced a temporary reduction in interest rates, and my selfish fear has subsided, I’ve become obsessed with the debt-ridden or bankrupt souls that we now know to call sub-primes, because loans they take out are risky or sub-prime. And the more I read about sub-primes, the sorrier I feel for them and the more it seems that our financial system relies on treating them like livestock – to be fattened up, encouraged to consume, then sacrificed when the time is right. Poor sub-primes, sitting in their sub-prime trailers, watching sub-prime, prime time TV.

When giving makes you feel good

Dr Salvatore LaSpada (what a lovely name) had a plaintive piece in yesterday's Daily Telegraph about how little we Brits give to charity. America gives away 1.7 per cent of it's GDP to good causes, he says, so what's with our pitiful 0.7? Giving is great! says LaSpada encouragingly, "It's the best fun you'll ever have!"  Whoa there Dr S! But he's right of course, giving does generally feel good, so there's probably a decent reason why we don't. And the reason I think is actually quite simple. It's not that we've contracted our consciences out to the State, or that we're intrinsically mean, but rather that Big Charity has taken over in the UK, and donating to Big Charity is no fun.

What are the police for? Or rather, who are the police for?

The road was cordoned off by Horse Guards parade on Friday afternoon, because of some ‘function’ on the pavement beside the Treasury building: squat little marquee, squat little men drinking warm champagne and 30 odd police officers standing around in the street with truncheons. As I herded with the crowd along the pedestrian detour I saw a blind man in a smart suit with a guide dog, fumbling in a panicky way at the police barrier. He worked in the Treasury opposite, he said, and though there'd been a gap in the fence 5 mins ago, which he’d popped through to walk his dog, it now seemed to have vanished. I couldn't see the gap either, so I called out to a nearby policewoman, and this is how the conversation went: Policewoman: “Oh, I just closed that gap.

The charm of Ed Miliband

Sitting opposite Ed Miliband MP in a large and airy office, the sort of office that befits the Minister for the Third Sector, I suddenly have the surreal impression that I’m at the doctor’s. It’s the medicinal green of the carpet but, more than that, it’s Ed’s demeanour. There he is on the sofa, all clean and healthy-looking, like a man who jogs and who knows how important it is to stay hydrated, and concerned too — leaning forward, his eyes bright with eagerness to fix things.

Inspiration to young artists

How do you react to the news that Kay Hartenstein Saatchi, ex-wife of Charles, the woman who helped to discover (or invent) the original Brit Art brat pack, is putting on a exhibition of London’s best young artists this week? Perhaps your eyes have already begun to widen with excitement? Perhaps you feel a sudden predatory stillness, as I did, as greed, the 21st-century’s answer to aesthetic appreciation, steals across your soul? Well, then, if you’d visited the One One One gallery in London’s West End last Friday as the show, Anticipation, was being hung, you might have felt, as I did, a little chastened by the almost alarming absence of commercialism.

The PM we’ll never have

Well, so long, after not so long to Michael Meacher, a man who was never leader, nor was meant to be. ‘Pleased to’ Meacher was his nickname around here, because he was, invariably, pleased to meet you and pleased to talk at length to you too, which is why it was quite clear that he wasn’t cut out for the top job.  ‘Dear Mary’ he said in his last email to me, ‘you kindly gave some real consideration to the piece I sent you on global trade, and I entirely understand the reasons you turned it down. But I wonder whether I can interest you in another piece…” See? Pleasant, self-deprecating, civil: not a cat's chance in a pit bull pit of being PM.

The thinking man’s punk

Sometimes you absolutely know, beyond the gentlest breath of a doubt, that you’re not going to like a person; something you’ve heard, or read about them, has tipped you over into a flinty conviction that they’re not your type. I took a preconception of this sort with me to meet the cult film-maker Julien Temple. He’ll be arrogant, I thought, full of humourless guff about rock festivals and his days documenting the lives of the Sex Pistols (Sex Pistols Number 1 [1977], The Great Rock ’n’ Roll Swindle [1980] and The Filth and the Fury [2000] — though all three films were good).

Cycle theft

Help, please! Yes you – don’t pass me by, I have a problem and I need your advice. How can cyclists survive – not just physically, though that’s also tricky – but financially? We bike because it’s practical and ethical, and because we’re encouraged to by our political leaders, but why should we go on when it’s just impossible to stop a bike being nicked? This is how bad it’s got  – there I was at 2am last night lying on my sofa, reading some cop book, squinting with exhaustion when I heard a thin electonic whine, as if from a hedge strimmer, coming through the open window. I ignored it. Read on. But only a few sentences later, being even nosier than I am lazy, I wandered over to the window to have a peer around.

The little shall inherit the earth

Has anybody noticed that slowly, slowly, (little by little) short people are taking over the world? They took Hollywood many decades ago, beetling their way into the limelight with their bulging eyes and cuban heels. Then they quietly assumed the moral and spiritual high ground, with the truly minuscule Saint Mother Teresa and Gandhi. These days they're after political power. There used to be a ban on very short people becoming famous politicians -- they were there, in the background, but like rats or baby pigeons, they never dared show themselves in public. But now there's that charismatic little titch Sarkozy set to become President of France and the pint-sized tyrant Ahmadinejad in the east. Neither seem ashamed. And isn't Hillary Clinton on the short side?

Objects of affection

Mary Wakefield talks to Craigie Aitchison about Bedlingtons — and about his painting By five o’clock last Thursday evening, Craigie Aitchison and I had been talking about dogs for nearly an hour. It was grey outside but, inside, the pink walls of Craigie’s sitting room glowed in the orange light of an electric fire, and I glowed, too, warmed by whisky and by the pleasure of a shared obsession. Mostly, we discussed Bedlingtons, the woolly, lamb-like terriers Craigie has owned and painted for more than 35 years, but Cairn terriers got a look in (‘My parents had them, but I never really liked them’) as did beagles (‘They make beagles smoke, don’t they? It’s a scandal!’).

Beyond appearances

‘Hello, anybody here?’ The gate into Antony Gormley’s studio had slid mysteriously open as I approached, but there was no one behind it — just a courtyard, a row of trees and two metal figures. ‘Hello, hello?’ I walked across the yard up to a vast warehouse, and peered in through the double doors. Still no living people — instead, what looked like a group of aliens hovering silently in mid-air: life-size figures made of looped orbits of wire suspended from the ceiling, others, radiating metal spikes, dangling below; a brace of life-casts hanging by the neck but looking, nonetheless, pretty calm. In fact, the whole room was tremendously peaceful.

‘Opinion-formers are Christophobic’

Is it ethical to snoop around an Archbishop’s sitting-room? Surely, I decide, a gentle stroll around furniture is OK: past a gilt mirror and a large crucifix, past a picture book of the Jewish Haggadah and over to a baby grand tucked into the curve of a bay window. There are two piano pieces on the stand and no sign of Cardinal Cormac Murphy-O’Connor — it seems sensible, not sneaky, to see if the music offers any insight into the man’s mind. The first piece is Chopin’s Grande Valse Brillante; underneath it, Francis and Day’s Community Song Book with optional guitar accompaniment. Then, behind me, a voice, ‘Do you play the piano?’ The Cardinal is smiling, dressed in immaculate black, thinner than I expected, older.

Opus Dei is scary because it’s so normal

Mary Wakefield visits one of the group’s halls of residence and meets not albino assassins but a more pious version of Trinny and Susannah After three hours with Opus Dei women at Ashwell House in east London I wandered west, half-stunned, like a cat hit by a car. At Oxford Circus the usual loons were saving souls: ‘Repent now, turn to God!’ from a woman on the south side. From a north-end traffic island, megaphone man provided the antiphonal response: ‘Seek salvation before it is too late!’ And in my pocket my mobile, ringing with a message from an Opus Dei publicity man. ‘Hi there! When you’re finished at Ashwell House, come to Notting Hill to have tea with Sebastian. He’s a supernumerary and he plays the cello!

The week the Queen was born

Mary Wakefield looks back at our issue of 24 April 1926, and finds The Spectator reflecting on Mussolini, the brewing General Strike — and the off-side rule It was press day at The Spectator when Queen Elizabeth II was born. The printers had set the lines of type for the edition of 24 April 1926, and were waiting for the extra paragraph about the new royal baby. Did their hearts swell with pride when it arrived? The Spectator gave them the benefit of the doubt: ‘Universal pleasure has been caused by the birth of a daughter, on Wednesday, to the Duke and Duchess of York,’ it said. ‘The new Princess is third in the line of succession to the Throne, coming after the Prince of Wales and the Duke of York....

Misery of the Polish newcomers

Everybody loves the Poles. Everybody loves reliable plumbers and natural-born nannies. Only Andrzej Tutkaj, of the Federation of Poles in Great Britain, is sceptical about the benefits of the march from East to West. I spoke to Mr Tutkaj on the telephone this week and asked him how all the new Poles were faring in London. There was silence, then a sigh. ‘I personally,’ said Mr Tutkaj, ‘don’t like to over-glorify the Polish people. They are far from ideal. ‘Since Poland joined the EU, it has been very hard work for the people in the firing line having to deal with desperate Poles with no money and nowhere to live. A lot of mistakes have been made.’ What do you mean?

The awkward squad

An excited twitter filled the assembly room of the Eastside Young Leaders Academy (EYCA) in Plaistow, east London. ‘David Cameron’s arrived! He’s in the corridor! He’s nearly here!’ Day three of his leadership, and just the thought of Dave’s presence has the same effect on Tories as Will Young has on teenage girls. Middle-aged charity workers patted their hair, Dave’s female handlers began to herd hacks into ever smaller spaces; across the room our host, Iain Duncan Smith, sat up straighter. A silence, then David Cameron bounced in, his left hand clenched in its trademark fist, his face the usual pink. Bulbs flashed, women clapped, pens scratched.