Close encounter
From our UK edition
Bill Clinton looks down at me with that famous, lazy grin. His perfect American teeth show bright white and his blue eyes lock on to mine. I take a few steps forward (who wouldn’t?) but as I draw closer something odd happens to Bill: his face blurs, its outline distorts, wobbling as if underwater. A few steps more and his features have begun to pixelate into small squares and the smooth pink of his cheeks has unmixed itself — separating out into a hundred different colours. Bill is going to pieces. Closer still, now eyeball to nostril with President Clinton, I lose all sense that I’m looking at a portrait: in front of me is an abstract painting — a vast grid-full of sherbert swirls: mauves, oranges, lemon yellow, fuchsia.