Lloyd Evans is The Spectator's sketch-writer and theatre critic
Lloyd Evans rounds up the highlights of this week’s Spectator debate on the future of the union. The motion was ‘It’s time to let Scotland go’. Margo Macdonald, MSP, opened on a friendly note and declared that she had no plans to fall out with anyone. She wants to preserve Scotland’s ‘social union’ with England.
Ed Miliband was spoilt for choice at today’s PMQs. Scarcely a week goes by without the government reneging on some budget promise, so Labour’s leader had a whole fistful of blunders to consider. Wisely, he took the simplest option and quoted an apologia made by David Cameron on April 11th. ‘I will defend every part
Off to Narnia. Director Rupert Goold has recreated C.S. Lewis’s permafrosted fantasy world in a circus tent moored in Kensington Gardens. And at the height of summer too. An impossible feat. But tons of cash, and many months of preparation, have been sunk into this effort. The show starts with The Wardrobe looming up in
William Hague met Harriet Harman at PMQs. They were like old lovers bumping into each other at a party. The tension had vanished and little remained but warm mutual regard. Harman led on health rationing and Hague chose not to retaliate, as Cameron surely would have, by demanding to know why she hadn’t mentioned the
When should you set Antigone? Apparently not in the time of Antigone. The greatest classics these days seem to be aimed at the stupidest ticket-holders. And these hapless wretches can’t possibly be expected to understand anything outside their immediate experience. Polly Findlay’s version of Sophocles’ tragedy doesn’t even get modernity right. Her slightly out-of-date set
I got lost about two minutes into PMQs today. Or maybe sooner. Jeremy Hunt’s in trouble over that old business again. And Baroness Warsi has breached the ministerial code but hasn’t resigned. So Ed Miliband wanted to know why Warsi has been referred to someone or other and Hunt hasn’t. And David Cameron said it
It’s all Kenneth Halliwell’s fault. By bashing in Joe Orton’s head with a hammer, he brought the playwright’s career to a premature halt when Orton was still experimenting with brittle and anarchic farces. Had Orton lived beyond 34, he’d have developed his technique and become a richer, truer and more rounded artist. And What the
I’m not the biggest fan of Neil Simon, I admit it. In the programme notes for The Sunshine Boys, I discovered that Time magazine once called him ‘the patron saint of laughter’. Good, I thought. When the curtain goes up I’ve got someone to pray to. The show opens with Danny DeVito slumped in a
Ed Miliband had it easy at PMQs today. The government is bleeding in all directions. And a further haemorrhage has arrived in the shape of Adrian Beecroft, a government adviser, whose proposal to relax employment law has delighted the Tory right and incensed the soft-and-cuddly Lib Dem left. ‘A proposal to fire at will’, is
If you want to see Scotland’s superiority complex in action, take a look at its literary culture. The works of Hume, Boswell, Walter Scott and Robert Louis Stevenson adorn libraries the world over, and it suits Scotland’s arts lobby to pretend that the age of excellence is still alive. It’s great PR and it justifies
Strange mood at PMQs today. Rather good-natured. Like a staff awayday with both sides joshing each other for fun. A Tory from the shires, Pauline Latham (Con, Mid-Derbyshire), stood up in her best garden-party dress and made this lament: ‘My constituents are having a very difficult time at the moment.’ Labour MPs cheered like mad.
We all know the ‘excellence theory’ of migration. Barriers to entry guarantee that imported cargoes have outstanding qualities. Manfred Karge’s parable of urban despair in the Ruhr comes to the UK with high expectations. It’s been here before. Director Stephen Unwin premièred the play at Edinburgh, 1987. His new revival at the Arcola demonstrates that
Rupert Murdoch is the kept woman of British politics. He inspires love, fear, paranoia and obsessive secrecy. Tony Blair suppressed the fact that he was godfather to Murdoch’s daughter, Grace. Gordon Brown wooed Murdoch but later declared war on him. Cameron smuggled him into Downing Street through the back door. Now, as his vast empire
Lloyd Evans talks to the young, dynamic and much-in-demand Tom Scutt about the challenges of bringing to life Narnia and its inhabitants Barky? What does he mean, ‘barky’? We’re talking about Aslan and he says he’s aiming for ‘barky’. ‘Barky like a dog or barky like a tree?’ ‘Like a tree,’ says Tom Scutt, designer
What’s going on? Everyone’s doing playlets all of a sudden. I saw five this week. The Donmar is presenting a trio of scripts by Robert Holman entitled Making Noise Quietly. A silly title. ‘A writers’ writer’ — an even sillier cliché — is how the programme notes describe Holman. If they mean ‘a boring writer’
Be still, at last, you clamouring brainboxes. Those who long for more highbrow drama in the West End can thank God for David Edgar’s Written on the Heart. Commissioned by the RSC, this celebratory play tells the story of the King James Bible, which was first published in 1612. Making scripture accessible to the masses
https://www.youtube.com/watch?v=bf2BXvI3pe8 Ed Miliband led on the economy at PMQs. But he was only warming himself up for the main event. Leveson dominated proceedings. David Cameron lamented the ‘disappointing’ news that the country has slipped back into negative growth. ‘It’s all bluster,’ crowed Miliband. ‘His plan has failed.’ This recession was made in Downing Street, he
Once you grasp the essential triviality of the Olympics, the Cultural Olympiad falls perfectly into place, says Lloyd Evans. Even Shakespeare can’t escape Once you grasp the essential triviality of the Olympics, the Cultural Olympiad falls perfectly into place, says Lloyd Evans. Even Shakespeare can’t escape Funny business the Olympics. No one seems to want
Great title, Long Day’s Journey into Night. The sombre, majestic words are suffused with auguries of doom. ‘A play of old sorrow written in tears and blood,’ was O’Neill’s description of the script, which is inspired by his personal background. We’re in a beautiful seaside mansion where a prosperous New York family, the Tyrones, are
Tim Minchin swept the board at the Oliviers last Sunday. The Australian’s hit musical, Matilda, won a record seven gongs at the West End’s most prestigious awards ceremony. The rise of Minchin has been stratospheric. Just eight years ago he started out on the Melbourne cabaret circuit performing quizzical spoofs like ‘Inflatable You’, a ballad