Lloyd Evans is The Spectator's sketch-writer and theatre critic
Christmas is excellent news for a Labour opposition. The season of goodwill throws rich and poor into sharp relief. Red-faced aldermen gather at loaded tables to gobble up roast goose and plum-duff. And afterwards they throw sixpences at starving chimney-sweeps who scrabble for crusts of bread in the snow. At least that’s how it should
Henry V is the final show in Michael Grandage’s first West End season. The theatre was full to bursting on press night. Jude Law, in the title role, had attracted a crowd of autograph hunters, who shivered outside the stage door. One was a tall, chubby young man in loose grey clothes wearing a bobble
I meet Birgitte Hjort Sorensen in a plain office near the Donmar Warehouse in the West End. She’s warm, sharp and engaging, and her fast-flowing English is adorned with the odd Eurotrash platitude. Her American twang owes itself to the global language school of television. ‘I watched a lot of American and English TV growing
Christmas is here. And Ed Miliband’s script writers have already got their present. The sack. Really, he seems to have let them go. At PMQs he was reading out insults that pre-date Nicholas Parsons. Out of touch, complacent, the plaything of millionaires. Cameron can fight off such jibes his sleep. Tory backbenchers asked questions full of
In 1992 Quentin Tarentino gave us Reservoir Dogs. At a stroke he reinvented the gangster genre and turned it into a comedy of manners with a deadly undertow. This new mutation looked as if it might be easy to copy. Many tried. Among them was Jez Butterworth, whose 1995 play Mojo takes Tarantino’s zany-macabre format
Crash-bang-wallop. The chances of a Lib-Lab pact in 2015 have just gone hurtling through the floor. David Cameron is away in Beijing looking for Chinese venture capitalists who can turn Britain into the new Africa. Nick Clegg took his place at PMQs. He lost no time socking it to Labour. They were intellectually bankrupt, he
Guardian editor, Alan Rusbridger, was quizzed about the Snowden leaks in select committee today. The chair was amply filled by Keith Vaz who always comes across as well-fed, well-meaning and well-nigh useless. He began by thanking the Harry Potter clone for showing up at all. ‘I didn’t know it was optional,’ said Rusbridger frostily. Vaz
Ben Miller is wolfing down a pizza. I meet the comedian in a Cambridge restaurant where he demolishes a Margherita shortly before racing off to appear on stage in The Duck House, a new farce about corrupt MPs. The show is set in 2009. Miller stars as a Labour backbencher who wants to jump ship
Strange actor, Martin Shaw. He’s got all the right equipment for major stardom: a handsome and complicated face, a languid sexiness, a decent physique and a magnificent throbbing voice. He sounds like a lion feeling peckish in mid-afternoon. At top volume, his growl could dislodge chimney pots. And yet he’s just a steady-eddy TV performer
Loan sharks got a biff on the nose at PMQs today. Cameron wants to cap the sum that each of us can borrow. Ed Miliband was puzzled. This is a U-turn, he said. When he proposed to cap energy bills Cameron called it ‘Marxism.’ Cameron shrugged this off. And he gloatingly invited Miliband to ‘congratulate
Athol Fugard is regarded as a theatrical titan but I usually need a microscope to find any trace of greatness in his work. The Island is set in a South African prison camp in the 1960s. Two banged-up lags, John and Winston, are toiling in the noonday heat. The governor torments them with a Kafka-esque
It started as soon as Ed Miliband stood up at PMQs today. ‘Nightmare!’ yelled the Tories. ‘Nightmare!’ They’d been fired up by the first question from Steve Brine, who craftily double-loaded his query. He referenced the Co-op bank and the ‘nightmare email’ in one sentence. Would the PM respond, he asked, ‘to grave concerns about
It’s an unlovely venue, for sure. Charing Cross Theatre, underneath the arches, likes to welcome vagrant plays that can’t find a home elsewhere. The dripping exterior, opposite a gay love-hub named Heaven, feels as if it’s paved with tears. The foyer is scented with mildewed chip fat and the ink-black auditorium looks like a closed-down
The nation was agog today as Britain’s spymasters were summoned to parliament. The heads of MI5 and MI6, along with the boss of GCHQ, were grilled about the ethics and practice of counter-terrorism. It was a 2 pm kick-off but the session got underway at 2.02 pm in real time. A tag on the TV
Here’s a tip for play-goers. When the curtain goes up on a garden, prepare for some feeble plotting. The glory of gardens, for the playwright, is that the characters can enter and leave without reason. The rites of welcome and valediction, the physical opening and shutting of doors, the declaration of motive are all abandoned.
Nope. Nothing doing. Ed Miliband spent all morning racking his brains but he couldn’t think of a single disaster to pin on David Cameron at PMQs. So he made one up. A crisis, he declared sonorously, is about engulf the NHS this winter. Our A&E departments will soon be overwhelmed by flu-victims expiring on trolleys
This is a strange one. Simon Paisley Day’s new play feels like a conventional comedy of manners. Three couples pitch up at a Welsh cottage for a relaxing weekend away from the kiddies. Trouble erupts instantly. Keith and Briony bicker over the milk that the swollen-breasted Briony has to express into plastic bottles. Keith secretly
It was a doddle for Ed Miliband at PMQs this afternoon. The nation watched agog yesterday as the energy companies deployed a handful of silk-lined suits to justify their price hikes to a parliamentary committee. Miliband arrived at the house knowing that victory was simple. He just had to fuse the Tories and Big Energy
It’s all true about Zoë Wanamaker. She’s like a wood-nymph from the Tolkien franchise. Pixie features, nut-brown eyes, a mischievous tight-lipped smile and a warm cackling laugh. Next week she makes a guest appearance at the Hampstead Arts Festival to discuss her acting career. Had she heeded the advice of her parents — Sam Wanamaker
There are many pleasures in The Light Princess, a new musical by Tori Amos. George MacDonald’s fairy story introduces us to a beautiful red-haired royal, Althea (Rosalie Craig), who has a mysterious resistance to gravity. After various tribulations she abandons life on dry land and becomes a mermaid. The show meets these technical challenges with