Katie Glass

‘It’s all small plates because the girls are the main course’: Rhino at The Windmill reviewed

You don’t go to a strip club expecting to put something in your mouth unless you’re an incorrigible roué. So it came as something of a surprise to find myself doing just that in the new Spearmint Rhino club. The club recently launched in Soho’s old Windmill Theatre, famous for staying open throughout the Blitz, when girls appeared naked in static tableaux to get around the era’s indecency laws. Now the venue offers both flesh and – more shockingly – food. A restaurant in a strip club has both bacchanalian promise and the risk of comic disaster. Degustation sounds so like a combination of delicious and disgusting, it suggests there is a fine line between food and sex.

Why real drivers prefer old bangers

Any loser can drive a posh car but it takes real character to drive a crap one. If a sports car is a penis extension, then a rust-bucket screams Big Dick Energy. Even, or especially, if you are a woman. I picked up my own crap car, a 2007-plate Nissan X-trail, five years ago because I moved to the countryside and needed a workhorse to replace my previous car, a Honda CR-V, which I’d bought for £500. Prior to this I had a Volkswagen Type 2, which cost £18,000, but every time you turned the key in the engine you still had to hold your breath.  My Nissan looks like it has just been in a fight – and lost. The heating has gone. The seat covers are ripped. The sunroof jams. The battery light flickers on and off like it’s trying to communicate in Morse code.

Electric cars aren’t sexy

Does everyone fantasise about having sex in a Porsche? Or is it just middle-aged men? The middle-aged women I know are much more interested in having sex in grand hotels rooms than on the backseat of a sports car but then perhaps that’s because they haven’t considered the Porsche Macan, which is as sleek, luxurious and sexy as a Porsche but as practical and spacious as an SUV. I invite a man for a spin and he instantly agrees. Then I deliver the bad news: it’s electric.

Why the best holidays are taken alone

It’s because I was on my own in Los Angeles, smoking weed on Venice Beach, that I ended up at Coachella Festival with two girls I’d barely met and the DJs Belle and Sebastian. It was because I was on my own in Nashville that I woke up with a Texan soldier and never had to tell anyone. And it’s because I was on my own driving up the west coast of England that I could take a spontaneous detour to Anthony Gormley’s ‘Another Place’ – just for the wonder of seeing those mossy, iron sculptures lapped by the waves.  Hell is other people – especially on holiday. Group trips give me chills. Words like ‘minibus’, ‘group tour’ or ‘kitty’ make me nauseous.

Veganism is becoming an extremist lifestyle

This week Billie Eilish served up a reminder of the irritations of veganism. She forced the O2 to go fully plant-based during her six-night run of shows – and the Daily Mail reported that fans, who’d paid £70+ for a ticket to see her, were not happy about the food on offer at the arena. One said: ‘Punters were less than impressed with the vegan options – a mixture of pizzas, cauliflower bits and loaded fries – with more than one asking “Did they run out of meat or something?”.’ But I expect their real irritation had little to do with the food itself – and everything to do with having vegan-only options shoved down their throats. So, what exactly is it that’s so annoying about veganism? In part, perhaps it’s how fashionable it’s become.

What’s wrong with taking selfies in galleries?

There is nothing more glorious than an art gallery selfie. In the same way that hearing someone mispronounce Van Gogh lets you know you’re dealing with an autodidact (the best!), so a gallery selfie suggests someone who doesn’t quite belong in that space: someone who is ignorant of the etiquette of the art world and who is enjoying themselves because of, not despite, that. Complaining about taking selfies in galleries is so obviously a class thing (not to mention an age thing). Which is why it’s so charming to see Tate Britain’s director Alex Farquharson (whose name does not make him sound like a class warrior) enthuse about encouraging visitors to take ‘Instagrammable pictures’ of the gallery’s work in an effort to entice tourists in.

Period talk needs to stop. Period

When the supermodel Brooks Nader's period started at Wimbledon, naturally she turned to social media. 'Tries to be chic. Starts period at Wimbledon,' Nader wrote, alongside a snap on TikTok showing blood stains on the back of her skirt. 'A canon event for all us girlies!', someone bleated in response. The American model was praised for being 'real' and 'NORMALISING' periods. May I be the first to say: Nader should have kept this to herself. 'Tries to be chic. Starts period at Wimbledon,' Brooks Nader wrote This is just the latest example of a disturbing tendency among women to overshare about their menstrual cycles. Nader flaunting her uterine shedding in a white designer outfit is being hailed as a victory for feminism.

Beach huts have never been so fashionable – or expensive

Despite claims the property market is on the brink of a crash, one niche seems recession-proof: beach huts, barely bigger than Wendy Houses, have never been more in demand. Rightmove has reported that the average asking price for these glorified sheds has more than doubled since 2019, so on average a beach hut costs an astonishing £50,000. Last year, the UK’s most expensive beach hut sold in Dorset for £500,000. This news is especially galling for me. I bought a beach hut in Clacton-on-Sea for £2,500 in 2011. If I hadn’t sold it, it’d probably be worth ten times that now. The popularity of beach huts comes from the English obsession with prudishness.

Playboy Bunnies made their choices. They shouldn’t be patronised for them

It would be wildly generous to bill Hugh Hefner as some kind of grandfather of feminism – I’m not sure his interest in women extended beyond getting his rocks off – but it’s equally outrageous to depict him as a gang-master abuser running a harem of sex-slaves. As it seems some feminists have. The women who worked for him were adults making choices and, brace yourself, some of them enjoyed themselves! Still, watching the bile rise for Hef after his death, I've been shocked to see the insults aimed at the women who worked for him, and how quickly their experiences have been written off. In his later years, padding around his decaying mansion in a slithery dressing gown and silk pajamas, Hefner cut a seedy figure: A horny old perv chasing nubile flesh.

Puppy love

There have been times since the break-up when I’ve felt so low I’ve opened a bottle of Shiraz and spent the whole night flicking through my mobile-phone photos of the two of us: the sunsets we watched; the meals we shared. I’d remember long walks on the beach and longer mornings in bed. How you’d crawl up over the duvet and wake me by licking my head. Leaving the boyfriend was surprisingly easy but oh, the agony of losing the dog! My sweet double doodle (that’s a labra-doodle, goldendoodle cross). ‘Yes, she is pretty isn’t she?’ I’d say to the strangers who accosted us. ‘She’s 18 months old and she’s called Stringerbelle after the crack dealer in The Wire.

Taylor Swift’s sexual assault case reveals feminism’s guilty secret

Despite Taylor Swift’s aspiration that her sexual assault trial last week should stand as an example for all women, what’s been notable outside the courtroom is how little support from the sisterhood Swift’s had. When Swift’s pop contemporary Kesha faced her own sexual assault case last year – against music producer Dr Luke – female celebrities clamoured to express their support. An MTV line-up of Divas tweeted their wishes: Lady Gaga, Ariana Grande, Kelly Clarkson, Lily Allen and Lorde made #freekesha trend. Even Adele used the headline-grabbing moment she collected her BRIT for Best Female Solo Artist to holler her encouragement for Kesha. By contrast, Swift’s case was met with deafening silence from prominent women.

No, Lena Dunham, the world isn’t out to get you

The face of young feminism, Lena Dunham, took a break from campaigning to #FreeKesha this week to focus on the issue of Photoshopping instead. On Instagram, the social media forum for all serious politic debate, Dunham posted a message to Spanish newspaper El Pais. In it she told her 2.4 million followers the paper had Photoshopped her image for the cover of its magazine Tentaciones. Dunham did not approve of how she had been depicted.

Women proposing on leap years? Wrong on so many levels

I’m planning to propose to my boyfriend this leap year. I’m proposing that he earns another £10,000 and loses a stone. But marriage? Hell, no. I don’t know why, in the age of equality, society still endorses women going down on bended knee on one solitary day every four years. The internet blames it on St Bridget, who in the 5th century allegedly complained that some men took too damn long to propose. It was St Patrick, though, who came up with the wheeze of granting us special dispensation to propose every 29 February. But to propose on this day is hideously outdated. It is tacky. It is tabloid. It is a love cliché.

A foolish proposal

[audioplayer src="http://rss.acast.com/viewfrom22/insidethetorieseudogfight/media.mp3" title="Katie Glass and Isabel Hardman discuss Leap Year proposals" startat=1456] Listen [/audioplayer] I’m planning to propose to my boyfriend this leap year. I’m proposing that he earns another £10,000 and loses a stone. But marriage? Hell, no. I don’t know why, in the age of equality, society still endorses women going down on bended knee on one solitary day every four years. The internet blames it on St Bridget, who in the 5th century allegedly complained that some men took too damn long to propose. It was St Patrick, though, who came up with the wheeze of granting us special dispensation to propose every 29 February. But to propose on this day is hideously outdated.

The feminist case for naming names in sexual assault cases

Google ‘Mark Pearson’ and the first thing you will learn about the 51 year-old artist is that he was accused of a sex attack. You can read all about how at Waterloo Station Pearson supposedly sexually assaulted a woman before striking her.  Then, if you have time, read on: and you’ll also discover this never happened. That a jury, shown CCTV footage proving the incident never took place, acquitted Pearson this week. Yet while now, and perhaps forever, Pearson’s name will be linked to a crime he did not commit, what we will never know is the name of the women who falsely accused him.