Deborah Ross

Deborah Ross is the chief film critic of The Spectator

Restaurants | 5 May 2007

From our US edition

My friend Nick — OK, he’s not exactly my friend, he’s my brother’s friend, but my brother lets his friends be mine, as he knows I’ve always struggled to make any of my own. Anyway, Nick says he’d like to take me to what is possibly his favourite restaurant in London. I like Nick. I trust Nick. Nick knows his food. Nick has eaten in all the top places not just in London, but in New York, Tokyo, Paris. Nick knows his wine and doesn’t just order the second cheapest bottle on the list to spare him the embarrassment of ordering the first. And, really, what follows is Nick’s review, as pretty much all of it is stolen from an email he later sent me.

Sex and slaves

I Want Candy is a British sex comedy, which should already sound alarm bells, but I will plough on heroically, as is my nature. It’s about two lads from Leatherhead — wannabe producer Joe (Tom Riley) and earnest auteur Baggy (Tom Burke) — who are still at film school yet are desperate to break into the big time. Frustrated by their arty film teacher (Mackenzie Crook) they head to London to sell their script, Love Storm. Eventually, they encounter a porn producer (Eddie Marsan) who says, OK, I’ll give you the money so long as you up the hard-core element and get porn queen Candy Fiveways (Carmen Electra) for the starring role, which, amazingly, they duly do. They then proceed to film Love Storm in Joe’s suburban house while his mum and dad are at work. Funny?

Restaurants | 17 March 2007

I’m due to dine out with a couple of people who I’m sure don’t want to be named, so let’s call them Bob and Jim, even though their real names are Tobyn and Leaf. I let them choose the restaurant. I do this not because it’s one less thing for me to have to think about, which would be selfish, but because I am a generous-natured, generous person famed for my generous generosity. Ask anyone, apart from those who might actually know me and might hold a grudge for no good reason whatsoever.  Anyway, Bob and Jim, who are Tobyn and Leaf, but in disguise, eventually come back with The Ledbury. I look up The Ledbury and it is in Notting Hill, west London. ‘Are you sure?’ I ask.

Beyond belief | 17 March 2007

In this film Sandra Bullock plays Linda Hanson, wife of dishy Jim Hansom (Julian McMahon), mother to two adorable little girls, Megan and Bridgette, and one of those blissfully contented stay-at-home moms who — even though this is very much horses for courses — still make you want to puke a little. It’s a happy, Hanson family, all right. ‘Why don’t you take the girls out and have some fun?’ Linda suggests to Jim one Sunday morning. ‘Sure, that’s a great idea,’ he replies, as if she’s just come up with the internal-combustion engine. He’s a great catch, dishy Jim. Most dads would say: ‘What? All on my own?’ Or even: ‘Children? Since when?

Glower power

The Illusionist is one of those films that gains points for trying to be clever and different and ingenious but then promptly loses them all for being not clever or different or ingenious enough. It’s frustrating, really, because you can feel the good film trying to get out — ‘let me out, let me out!’ — but a banal script, some woeful miscasting and a rather desperate plot ‘twist’ simply won’t let it. I put the ‘twist’ in quotation marks because you’ll figure it out way before the characters, and will spend at least an hour of this film wishing they’d figure it out so we can all call it a day and get home for whatever it is we like to do at home. Personally, I like to nap and eat cheese.

Restaurants | 17 February 2007

My partner is a total tea fascist and whenever I make a pot it is never, ever right. It’s: ‘Did you use fresh water?’ Then it’s: ‘You used re-boiled, didn’t you?’ And then, with a sniffy look: ‘How long exactly did you leave this to brew?’ When I give up, think sod him, and just dunk a teabag into a cup for myself, does he leave me alone? No. I then get: ‘Ooh, make yourself a cup of tea, why don’t you? After all the pots I’ve made for you...’. You may well ask what has kept us together all these years, to which I don’t really have an answer although I can say, with some certainly, that it isn’t the tea, just as it isn’t the sex*. However, I have noted lately that tea is becoming just so in.

The case for Guest

As far as I can tell, Christopher Guest’s latest film, For Your Consideration, pretty much bombed in America, which must be a recommendation, surely. Listen, I’m only kidding. I have nothing against America. Sometimes, I even think it’s quite the nicest country anyone ever stole and, as for Americans, utterly, utterly charming. Quite fat and quite stupid and always waddling off to amusement parks — I’m not busy today; I know, I’ll ask someone to strap me upside-down and spin me around until I puke — but aside from that, utterly, utterly charming.

Dench on top form

Notes on a Scandal is a fairly nasty book and this is a fairly nasty film — very Patricia Highsmithian is the nearest I can get to it — but this does not mean you should deny yourselves the very great pleasure of it. In fact, don’t, unless you aren’t keen on seeing Dame Judi Dench at the top of her game, in which case I only have this to say to you: you are mad and not worth tuppence and go see something  with Jennifer Aniston in it, why don’t you? Possibly, there are roles Dame Judi couldn’t pull off convincingly — a bedside table, perhaps, or a piece of cheese — but, with material like this, she’ll knock your socks off so long as they aren’t still in Sheffield.

Winning ways | 16 December 2006

This Bosnian film about the devastating emotional consequences of war has all the things you might expect from a Bosnian film about the devastating emotional consequences of war: suffering; pain; Soviet-style concrete estates with stinking stairwells; drab little apartments; dreary knitwear; hard-faced people tramping wearily though the slush and the snow; more suffering; more pain, more slush, more snow. But if this sounds like bad news let me tell you the good: there isn’t a single tap-dancing penguin in it. And here is the even better news: this is a gem of a movie. Or at least I think it is a gem of a movie. I’m a little worried now that I only think this because I am so fed up with what mainstream Hollywood is currently offering.

Restaurants | 2 December 2006

First off, I should say I’m no great expert when it comes to Swedish food. First off, I should say I’m no great expert when it comes to Swedish food. Yes, I’ve been to Ikea — so many veneers, so little time! — and, yes, I’ve had the meatballs in the café but, judging by the taste and texture, I think even they were MDF with a meatball veneer. I probably should have opted for the mushroom umlaut, but there you have it. However, having figured it might be silly to judge all Swedish food by Ikea meatballs and the sad little herrings in the refrigerated display, I think it might be worth giving Upper Glas a go.

So-so, actually

Honestly, before I took up this beat I had no idea how many new movies aren’t that great and aren’t truly terrible but are simply so-so and when it comes to so-so Stranger Than Fiction is just so so-so, which is a shame because: a) I’d been looking forward to it and b) I have better things to do with my time, like buy goats for people for Christmas and then figure out how to wrap them. I’d been looking forward to it not only because the conceit sounded wonderfully neat (it’s about a guy who hears his life being narrated to him) but also because it’s got Emma Thompson in it.

Restaurants | 4 November 2006

From our US edition

Look, first off I’d just like to say that what follows has nothing to do with not being either hip or edgy. Look, first off I’d just like to say that what follows has nothing to do with not being either hip or edgy. I am hip and edgy. Some days I’m so hip and edgy that’s all there is to me: hip and edge. ‘Wow, look at the hip and edge on that,’ people have even been known to gasp when I pass them in the street. I just wanted to get this absolutely straight so you wouldn’t think I just wasn’t hip or edgy enough for his week’s restaurant; that I failed it rather than the other way around. That would be preposterous. You can say what you like about me, but you can’t say I’m neither hip nor edgy. No way.

Multiple choice

Right, here is a quiz for you. As I have said, again and again, I’m fed up with doing everything around here and, as no one at The Spectator has offered to help in any way at all, I think it’s only fair that you, the readers, do some of the work. Ready? Let’s go, then. So, there is this guy, Max (Russell Crowe), a rapacious London banker who has built an empire of greed trading bonds, and he has this uncle, Uncle Henry (Albert Finney), who dies and leaves him a beautiful estate and vineyard in Provence and so Max goes to Provence, intending to sell the beautiful estate for lots and lots of moolah — what does he care? — and then what happens to Max?

Restaurants | 21 October 2006

From our US edition

My son and I are out for a night in the West End. This is unusual as he is a teenager and, usually, he wouldn’t be seen dead with me, not even after I’ve given him my word not to do funny dances in front of his friends or kiss him just as we’re passing the local gang of hoodies or appear at the school gate wearing leather and a push-up bra. Can you get fairer than that? I don’t think so. But he has his own social life now, which seems to involve going to somewhere called ‘the top field’ quite a lot. What do you do at ‘the top field’? ‘Stuff,’ he will say. What sort of stuff? I will ask. ‘Just stuff,’ he will say. What sort of just stuff? I will ask. ‘JUST STUFF!,’ he will say.

Over the top

From its very opening scene this film is exquisitely, lavishly gorgeous and on and on it goes, being exquisitely and lavishly gorgeous — oh, the frocks, the shoes, the petit fours, the piled-high candies! — until you start thinking, enough with the exquisitely and lavishly gorgeous already. How much exquisitely and lavishly gorgeous can a movie-goer be expected to take? Let’s see some heads getting chopped off! But on and on it goes — oh, the fountains, the chandeliers, the oak-lined vistas, the sumptuous, gilded rooms ...honestly, at certain points you feel as if you’re being beaten to death by a late 18th-century copy of Hello! magazine.

Meryl’s movie

So, to cut straight to what you really want to know without having to wade through several paragraphs of plot-rehash followed by the director’s CV and his favourite seasonal vegetable, will you like this film? Hell, how should I know? I don’t know the first thing about you. But I will say this: OK, The Devil Wears Prada is no Pour Toi, Un Bon Morceau de Fromage (André Labourious’s seminal masterpiece about a morsel of cheese drifting aimlessly around Paris in the rain) but it does have its merits. True, when Meryl Streep isn’t in a scene the film tends to die on its arse somewhat, and as a satire on the fashion industry it flags in quite a few places, but there are some good jokes in it.

Exercise in patriotism

Honestly, first it’s restaurant reviews and now it’s films, too, which does make me think: what next? Deborah, when you get a minute, would you mind changing the toner in the photocopier? Deborah, would you make sure to empty the bins before you leave? Doesn’t anyone else at The Spectator do any work at all? Oh, all right, I’ll do it. I seem to do everything else, so why not? I’ll just empty the bins, change the toner, and then get to it, OK? So, what is my brief, then?

Restaurants | 23 September 2006

From our US edition

Pasha describes itself as a ‘Moroccan oasis in the heart of Kensington’, which you would do well to remember, as who hasn’t, at some time or other, found themselves in the heart of Kensington thinking, ‘I do so wish there was a Moroccan oasis around here’? It is just round the corner from the Albert Hall, on Gloucester Road, at the end of a small parade of chi-chi boutiques and bakeries so artisan that the price of a loaf of bread is pretty much up there with the cost of the average car. It’s the kind of place where you don’t so much buy a cake as take a mortgage out on one. Still, I do like Pasha, from the off. It’s just so OTT.

Restaurants | 10 June 2006

I try to make a booking at Dans Le Noir?, the new London restaurant where diners eat in total darkness and are served by blind and visually impaired staff, although I still don’t think I’ve quite worked out what the point is exactly. Anyway, I call and speak to a very nice-sounding Frenchman who asks if he might call me back. ‘Iz just that I cannot find ze bookings book just now.’ When he doesn’t return the call, I email via the restaurant’s website. No reply. I am beginning to think that this is why blind people, on the whole, don’t make especially good restauranteurs. However, this doesn’t mean I have anything against blind people. God, no.

Restaurants | 27 May 2006

The Michelin-starred French restaurant Roussillon has just launched a ‘Mini-Gastronome’ programme. This means that on the first and third Wednesday lunchtime of every month children aged 11 and under get to eat a free seven-course menu designed to introduce them to top-class cooking while ‘exciting their palate and their eyes’. To be perfectly honest, I think most children are enough of a pain without excited palates and eyes, but it might be worth a shot. However, what child to take? I can’t take my own son because he is now a big teenager and much too busy slamming doors and leaving wet towels all over his bedroom even though returning them to the bathroom would involve what? A walk of almost three yards? (And it’s downhill!