Comfort-zone Aniston
From our UK edition
The Switch 12A, Nationwide As a rule, Richard Burton acted stupendously well in stupendously bad films. Jennifer Aniston has mastered half that duality. The Switch, her latest film, is comfort-zone Aniston: a charmless rom-com with a crass attempt at eroticism — Toy Story’s more titillating, to be honest. Cliché is The Switch’s currency. A pallid dawn rises over New York’s landmarks and we are taken back seven years. It is breakfast time. An aging girl-next-door (Aniston) tells her lachrymose friend and former lover Wally (Jason Bateman) that she is seeking a sperm donor. ‘The clock has struck,’ she says, to crown the cliché.