Alexander Larman

The blurb on the front of Grace McCleen’s debut novel (from Room author Emma Donoghue) proclaims it to be ‘extraordinary’, and goes on to praise it as ‘brutally real’, commending its mixture of ‘social observation and crazy mysticism, held together by a tale of parent-child love’. Unusually for a blurb, this is all accurate. McCleen’s novel may not be perfect, but it has a compelling and, at times hideously tense narrative that makes it an arresting read. It is deservedly named as one of Waterstones’ most promising debut novels of 2012.

Hundreds of thousands of hardy souls are preparing for a few nights under canvas this summer, often facing sunburn or trench foot while giddily jumping up and down in a muddy field as bands maul their better-known hits. And yet, for most of these people, camping is something that they wouldn’t dream of doing except at music festivals, despite its convenience, lack of cost, green credentials and genuine sense of excitement and adventure. This dichotomy, among many others, is explored with intelligence and wit in Matthew de Abaitua’s treatise on the values and social impact of camping.