Culture

Culture

Naples and nurture

The climactic scene in the Italian director Paolo Sorrentino’s latest film, The Hand of God, finds the teenaged Sorrentino stand-in, Fabietto, being verbally attacked by an aging director named Capuano, the seaside at their backs. At this point in the film, the young Fabietto (Filippo Scotti), a sullen mama’s boy searching for meaning, has suffered an immense tragedy and is looking for answers. Enter the wise man. The scene, like many in The Hand of God, is on the nose and borders on the melodramatic, but when Capuano (Ciro Capano) yells “how does this city not inspire you?” at Fabietto, he reveals the film’s emotional core. The Hand of God, like Sorrentino’s previous work, is highly stylized and aesthetically beautiful — a true visual feast.

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Macbeth

Witches brew

Since its initial publication in the legendary 1623 First Folio, Shakespeare’s Macbeth — one of the Bard’s late tragedies, and among his greatest — has been reimagined in countless ways. By the late seventeenth century, it had already been updated by Sir William Davenant to meet changing tastes. It was supposedly restored (though still thoroughly altered) by David Garrick in the eighteenth; and it was further “cleaned up” by Thomas Bowdler (which gave us the term ‘bowdlerized’) for his Family Shakespeare collection in the nineteenth century, an era that also brought us Verdi’s enthralling operatic version.

Sam Brinton and the dorkification of kink

Remember when gay people were cool? Libertines and romantics, reviled, spat-upon, defiant and irreverent? Gay life could be sexy and thrilling, tragic and shameful. If the homosexual offered nothing else, he carried an arsenal of bawdy tales that left any housewife glued and dithering at a cocktail party. Judge his life as you may, but never call it ordinary. The mystique is gone. That dusky boundary between the dark and dirty and the workaday has evaporated. Assimilation has meant the faces of gay are either vapid, Instagram-famous semen receptacles, complete goobers or repulsive shrills. And they’ve dragged the rest of us, by association, into their orbit of cringe. The Forces of Biden particularly love the latter two.

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Eric Adams and the new Democratic censors

Eric Adams had no idea what drill rap was until just last week when his son introduced him to it. Now he’s convinced it’s the reason for rising rates of lethal firearm crimes in New York City. As crime spirals to new highs in urban areas nationwide, Democratic mayors, who have controlled these cities for decades, are looking for any excuse that doesn’t implicate their policies or those of their predecessors. That’s why Mayor Adams has turned his attention to the presence of an aggressive form of hip-hop on YouTube. Adams threatened to pull social media companies into the principal’s office and “sit down with them and state that, ‘you have a civic and corporate responsibility.

eric adams censors

Black History Month and the usable past

This is Black History Month when we are invited to think through a certain spectrum of the people who came before us. As it happens, I am very much interested in black history. I wrote a book about it, 1620: A Critical Response to the 1619 Project, and several books about diversity, and I have been working for several years on a nearly completed documentary about the early days of black theater and film. But, lacking any black ancestors, I must make do with my own sketchy line of progenitors. When I was growing up in the Fifties and Sixties, my father attempted to find his great-grandfather — GGF in anthropological parlance. GGF had an air of mystery since all anyone knew about him was his last name and GGM’s inveterate reply when asked about him: “He was lost at sea.

black history month

It’s not Joe Rogan who needs to apologize

We are spending too much time talking about Joe Rogan, and Joe Rogan is spending too much time apologizing. “Whenever you're in a situation where you have to say, ‘I'm not racist,’ you fucked up,” Rogan apologized on February 5. “And I clearly have fucked up.” Rogan was addressing a montage that is circulating on social media, showing him saying the N-word on multiple episodes of his podcast, The Joe Rogan Experience. When Joe describes the montage as “the most regretful and shameful thing that I've ever had to talk about publicly,” I believe him. And I don’t think Joe made a mistake apologizing. That was Joe expressing his authentic self.

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Biden’s food policies have nothing to do with hunger

No one starves in America. The public schools feed poor children breakfast, lunch and occasionally dinner. Church food banks, private charities and municipal programs are everywhere. Eating soundly is not always exciting, crunchy, convenient or microwave-ready, but getting adequate calories is not the nation’s problem. Buying clean, washed lettuce, firm potatoes or a sweet pineapple during a February snowstorm is a small industrial miracle. In 1900 Americans spent about 40 percent of their income on food, and today about 10 percent. The standard claim that 20 million adults live in households that do not get enough to eat rings false. Americans are the people of plenty and commodities surpluses. They have low-cost, safe, tasty food galore.

Time for the baby boomers to grow up already

It was a nice neighborhood until those people moved in. Now you can’t even swim in the pool. By four in the afternoon, they’re all sitting around drinking Corona, smoking pot, and blasting their awful music. Oh, and the language! I used to love swimming in that pool when I was little. Now, I’m not sure I want my kids anywhere near it. Seriously, the retirement park has gone to the birds since all the boomers moved in. When my grandparents died, my mom and dad inherited their double-wide in this park near Sarasota. From what I remember growing up, it was a lot like the retirement park in Seinfeld, only with old WASPs instead of old Jews. There wasn’t as much shouting. Everything else was the same though. There were lots of pastel sweaters and Bermuda shorts.

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The hippies have become the cops

You either die a rebel or live long enough to see yourself turn into a snowflake. The generation of free love and free expression have gradually transformed into the baton-wielders. I’m referring to Neil Young’s demand that Spotify either pull his entire catalog or do away with Joe Rogan’s podcast. Spotify reportedly paid $100 million to acquire Rogan’s podcast in 2020. You'd imagine their contract includes legal bulwarks against such demands. Young is reportedly upset with Covid “misinformation” (the media’s new favorite vague term) and is no longer willing to abide by a streaming service that plays host to Rogan. It took Spotify about three seconds to make their decision: Neil Young is no longer on their platform.

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Playboy’s #MeToo problem isn’t Hugh Hefner — it’s porn

Playboy founder Hugh Hefner, who died in 2017 at the age of ninety-one, is facing renewed allegations of sexual misconduct thanks to the new A&E documentary Secrets of Playboy. Former Playmates said they were subjected to cult-like conditions at the Playboy Mansion. Hefner reportedly plied them with drugs and alcohol to get them to participate in wild sexual activities, and threatened them with revenge porn if they ever tried to leave the mansion. "I watched him, I watched his game. And I watched a lot of girls go through [the Playboy Mansion] gates looking farm-fresh, and leaving looking tired and haggard," former Hef girlfriend Sondra Theodore told the New York Post.  How anyone could be surprised by this is beyond me.

playboy hugh hefner

Hogarth framed

Visiting public art galleries has become a dangerous undertaking — at least if one wishes not to be accosted by ludicrously woke signage and unnecessary trigger warnings. In the past, one might have, justifiably, seen warnings before entering a room exhibiting, say, the garish and pornographic sculptures and photos of Jeff Koons going hard at it with Hungarian-Italian “actress” and part-time politician Ilona Staller, aka Cicciolina. Today, such warnings are found outside galleries exhibiting not such ephemera but the greatest works in the Western canon. Last autumn’s Titian show at the Isabella Stewart Gardner Museum in Boston warned visitors before entering that “Titian: Women, Myth and Power explores themes of sexual assault and violence.

Hogarth
Richard

Serve and volley

Richard Williams, the mercurial father of the tennis superstars Venus and Serena, is the subject of the wonderful new biopic King Richard, starring Will Smith in an Oscar-worthy performance. Williams is a fascinating figure who, as longtime tennis fans know, planned out the careers of his daughters before they were even born, telling anyone who’d listen that the Compton-bred girls were destined for superstardom. It was a preposterous statement, all the more so since it was made by a man who knew next to nothing about tennis. Yet as we now know, Williams’s vision became reality.

doubtfire

Nanny bait

Was Mrs. Doubtfire a children’s movie? You might think so after seeing the new musical version, which opened at the Stephen Sondheim Theatre in early December. The 1993 Robin Williams classic hails from that glorious era of made-to-end-up-on-TV blockbusters at the end of the twentieth century — the movies that so many millennials first came to know piecemeal, catching a scene or two with dad while mom clucked disappointment from the other room. In films like these, each scene is designed to stand on its own, which may explain why the creators of the Doubtfire musical thought they could drop so many of them, barely laundered, right onto the stage.

gigs

Returning to live gigs

Gigs. Remember them? They were awful. You’d get to some dump of avenue, in a bad part of town (if a small capacity) or out in some apocalyptic wasteland (if an enormo-dome). You’d arrive too early and have to try and dodge some mediocre support band (who’d bought their way on to the tour) or queue for seven hours for a beer in a plastic cup. If you dared to speak while some awful act was plodding away, some goody-goody would hold a finger up to their lips, glare and shoosh you. An hour and a half later in the back of the venue, you’d stand gratefully nearer to death’s beckoning cold hand. “Ever get the feeling you’ve been cheated?” Yes. When Covid rampaged through the world like a Viking raid of death-cult realtors, the world was suddenly shorn of live music.

symphony

Get with the program

It was Rust Belt versus Sun Belt. Over the holiday season, I visited Pittsburgh’s Heinz Hall, located in the heart of the city, and Miami’s New World Center, a concert hall in South Beach. The former, a one-time movie theater built in 1927, looks like an oversized jewel box stuffed with red velvet chairs and glitzy chandeliers. The latter, a spectacularly intimate venue designed by Frank Gehry, serves as the home of the New World Symphony, a local outfit that operates as a final training ground for musicians who have graduated from conservatories and want to go on to play in major orchestras. In their own way, each of the carefully executed performances underscored that the obituaries repeatedly pronounced for classical music as a preserve of elitist white males are so much bosh.

What’s driving America’s sex recession?

Young people are having less sex, and not just because they’re getting married later. According to the General Social Survey, the percentage of never-married Americans between the ages of 18 and 35 who did not have sex in the past year rose from around 16 percent in 2000 to over 22 percent in 2021. Why is this happening? There are plenty of theories. In a 2018 piece for The Atlantic, editor Kate Julian came up with five: 1) porn and masturbation, 2) the elevation of other priorities over forming committed relationships, 3) the toxic dynamics hard-coded into dating apps, 4) advances in feminism that empower women to say no to sex they don’t want to have, and 5) an increase in anxiety disorders.

Marsalis

Wynton’s works

Jazz has periodically seen the rise of so-called “young lions.” The phrase was first used in 1961 as the title of a Lee Morgan LP put out by Vee-Jay Records, a black-owned company, with cover art that sports a photo of four lions lounging on a stone ledge. Then, in 1983, Elektra Records released an LP that was also titled The Young Lions, featuring Wynton Marsalis, Bobby McFerrin and a number of other young musicians who were focused on reclaiming the bebop tradition. Now, in late November, as Marsalis celebrated his sixtieth birthday with the Jazz at Lincoln Center Orchestra at the Rose Theater, his baritone saxophone player Paul Nedzela (as the New York Times reported) called out during a rehearsal, “It’s the Young Lions!

disney

How did Walt Disney learn from Ancien Régime decoration?

"Make it pink! Make it pink!” says the chubby fairy Flora, aiming her wand at Princess Aurora’s new ball gown in Walt Disney’s Sleeping Beauty (1959). A few magic sparks must have fallen on the walls of Disneyland’s Sleeping Beauty Castle in Anaheim, California, which have been painted (and repainted) in several shades of cotton-candy pink since the faux fortress opened in the summer of 1955, well before the film itself was completed. Two centuries earlier, in 1757, Jean Hellot, the general inspector of the porcelain factory at Sèvres, invented the slightly deeper “rose Pompadour,” a ground color named in honor of Louis XV’s chief mistress and the factory’s most important patron. This pink appears on the scallop-patterned lids of two large Sèvres vases (c.

north country

Truth in Duluth

The Venerable Bede writes of a pagan priest in seventh-century England who, sizing up the meager life of man, compares it to a sparrow flying through a well-warmed dining hall on a stormy winter night. The priest admits to knowing nothing about the cold darkness before or after the brief passage. He can only speak to the time the bird spends in the light. In Girl from the North Country (open run at the Belasco Theatre), the season is the Great Depression in 1933, and the dining hall is a flophouse in Duluth, Minnesota, where down-and-outers blow through like so many birds on the wind. The innkeeper, Nick Laine (Jay O.

guilty

Jake Gyllenhaal is guilty

Jake Gyllenhaal is losing it. As with so many of his films — Demolition, Southpaw and Nightcrawler, to name a few — the actor’s latest, the unconventional crime thriller The Guilty, finds him yet again portraying a troubled man, beaten down and about to crack up. Joe Baylor is an LAPD cop relegated to working at the 911 call center as the result of misconduct some eight months before. Surly and apathetic, Joe answers the nightshift calls, ranging from drunken mishaps to carjackings, with a disgust he doesn’t care to contain. He longs to return to the streets. The night turns, however, when Joe fields a call from a woman (voiced by Riley Keough) who’s been abducted and is being held in a white van.

lester

Richard Lester at ninety

No matter how many years have passed since they first hit American airwaves, or how many of its members have died, or how aged its surviving members have become, the Beatles will always be, in our minds, forever young. To a large extent, the public perception of John, Paul, George and Ringo as personifications of youth, zest and zeal was a byproduct of their classic faux-documentary musical comedy, A Hard Day’s Night, released in the summer of 1964, just months after their appearance on The Ed Sullivan Show. It comes, then, as something of a shock to note the ninetieth birthday this month of the film’s prodigious and gifted director, Richard Lester. The maker of the Beatles movies (he also directed 1965’s Help!) a nonagenarian? It can’t be! But so it is.

How elites hijacked the conversation on race

Americans in 2021 spent more time watching TV than on any other leisure activity (outside of sleeping). Presumably those numbers increase during the holidays, especially given a hot NFL playoff race and endless bowl games (are you ready for Duke's Mayo Bowl?). Yet for me what stands out are not the touchdowns or halftime shows, but the commercials. Practically every commercial over the course of a three-hour football game features more people of color — blacks, Asians, Latinos — than whites. Many in the media and advertising are celebrating this for increasing diversity and inclusion, while others claim it undermines meritocracy.

Adieu, Teddy Roosevelt

It is a custom to offer a blindfold to prisoners facing a firing squad. Just so, the authorities covered the statue of Teddy Roosevelt that has stood in front of the American Museum of Natural History before it is carted off to its new home in North Dakota. Everywhere one turns, America’s past is being dismantled. Just last month, a statue of Thomas Jefferson that had graced New York’s City Hall for 187 year was removed.  At schools and colleges across the country, images are being covered or removed, buildings renamed, history rewritten. It’s open season on the past. Back in June 2020, I wrote about the decision to remove the statue of Roosevelt from in front of the institution he help to found.

roosevelt

I’m dreaming of a ‘problematic’ Christmas

A new edict has just been handed down by our woke betters. According to an article at the Huffington Post, it is now forbidden to use the (distinctly holiday) phrase "let's work off ___," as in "let's go to the gym and work off those seventeen snickerdoodles and entire burlap sack of peppermint bark we ate yesterday." Per HuffPo, such fat-shaming, "while surely intended as a lighthearted joke, is seriously problematic, according to experts." It's the "according to experts" that always slays me there. And while I don't want to pit the authorities against each other, the doctors I've talked to have all warned that one consequence of engorging on sweets is that eventually you do turn into a lardass.

Cicero on rejecting the 1619 Project

“Why are the Wisest ever the most easy and content to die, and the Weak and Foolish the utmost unwilling? Is it not, think you, because the most Knowing perceive, they are going to change for a happier State, of which the more Stupid and Ignorant are uncapable of being sensible?” Thus wrote Cicero in On a Life Well Spent, a 2,000-year-old essay. The English version I possess was published by Benjamin Franklin in 1744, and it was beloved by the Founders, one of the most remarkable generations to have graced the North American continent. Well, so people used to think.

Assisted suicide is the new trans rights

You can 3D-print your own suicide pod now. No doctor’s note required. And it’s legal in Switzerland. One woman featured in the official announcement video called the pod “utopian.” According to one of the numerous news pieces covering Sarco (as the device is known), those who die by this and similar means are “cared for,” not “killed.” And yet that same article included the phone number of a suicide hotline along with a disclaimer: “If you or someone you know is struggling with depression or has had thoughts of harming themselves or taking their own life, get help.” But why? Is suicide bad or isn’t it? And if it isn’t, why are you telling suicidal people to get help?

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More woke gymnastics at the Tenement Museum

One of the great things about not being obsessed with racism is that you don’t have to put yourself through the mental twisty turns required to see racism in everything. For example, I don’t have to pretend that moving from New Jersey to Manhattan to find a new job was, for a free black man in the nineteenth century, the same thing as an Irish immigrant boarding a “coffin ship” hoping to survive the Atlantic journey, knowing his only alternative was to die of starvation during the Potato Famine.

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