Broadway’s back(side)
Six and Chicken & Biscuits reviewed
Six and Chicken & Biscuits reviewed
It’s easy to see why Dior still rules the red carpet
For anyone looking for a stocking stuffer for the aficionado — or merely the lover — of good music, here it is
I tend to associate Christmas music with the records I received as gifts when I was a kid
Challenging rigid wokeness by building a university
Hopefully Britney’s case inspires reform in the system
The TikTok theories are wrong, but the rapper who played on in Houston did indulge in demonic themes
Suddenly an un-PC photo from a party in the 1980s is a weapon
Anti-capitalist artists like Barbara Kruger and Santiago Sierra are very skilled at making money from the capitalist machine
Lee Morgan was searching for a new musical path forward, following but not retreading the bebop era
Cry Macho reviewed
No Time to Die reviewed
Shakespeare, after decades of being found to be Problematic, is now being reclaimed as the wokemeister-in-chief
From Joe Meek to Taylor Swift: a short history of lo-fi
Jasper Johns, an art-world darling for decades, is getting a massive museum retrospective
Another Round reviewed
The masterpieces of Titian’s old age have come to Boston
Arbuckle was an accidental pioneer of cancel culture
The people have a right to know what’s on Boris’s wall
Perry Mason personified the country that won World War Two and was enjoying well-deserved prosperity
All Light, Everywhere reviewed
Halston made American sportswear as chic as anything Paris couture houses were turning out
Björn Andrésen is now tall and painfully thin with long silver hair and a matching beard that belong on Merlin
No one played the blues like Mike Bloomfield
I Care a Lot reviewed
The Woman in the Window reviewed
Why does no one talk about how most artistic careers end in failure?
New Woman Behind the Camera brings together the whimsical and the confrontational to show how modernism shaped photography
Dismissed as a dime-store Shostakovich, then praised as a major modern composer