Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

A curious violence in America’s heart

As a British woman, I love Americans’ kindness, generosity and energy but am often thrown by their exaggerated politeness and euphemistic speech. They use ‘passed’ for ‘died’ and always say ‘excuse me’ if they brush against you in a shop. They sentimentally refer to ‘your puppy’ when the dog is patently over three years old. … Read more

Wonderfully fixating and wholly non-formulaic: Phantom Thread reviewed

Paul Thomas Anderson’s Phantom Thread is a lush psychosexual drama starring Daniel Day-Lewis as a pampered, tyrannical, pernickety 1950s couturier whose life is disrupted when he falls for a waitress who, in the most unexpected way, proves his match. It is a wonderfully fixating film in every respect, and wholly non-formulaic. And it miraculously transforms

Downsizing throws away its brilliant premise

Downsizing is a film with the most brilliant premise. What if, to save the planet, we were all made tiny? What if we only took up a tiny amount of space and flew in tiny planes and produced tiny amounts of rubbish? And what if we could live in the sort of mansions that would

You just can’t argue against Hanks and Streep: The Post reviewed

Steven Spielberg’s The Post, which dramatizes the Washington Post’s publication of the Pentagon Papers in 1971, doesn’t exactly push at the frontiers of storytelling. It’s told straight and in a familiar way. Here are the journalists furtively working through top-secret government papers in a smoke-choked room for the public good. (There were no empty pizza

Andrew Roberts’s guide to Churchill on screen

Gary Oldman has joined a long list of actors who have portrayed Winston Churchill — no fewer than 35 of them in movies and 28 on television. He is one of the best three. ‘I knew I didn’t look like him,’ Oldman has said. ‘I thought that with some work I could approximate the voice.

My favourite frum film of the year – thus far: Menashe reviewed

Menashe is a drama set amid Brooklyn’s ultra-orthodox Hasidic community. It is performed entirely in the Yiddish language. It is peopled exclusively by Hasidic non-actors. (Real-life grocer Menashe Lustig plays the title character.) It is small and specific, admittedly, but it also tells a universal story about a father’s struggle to hold on to the

The genius of Stephen King

Stephen King, 69, has sold more than 350 million books, and tries not to apologise for being working-class, or imaginative, or rich. The snobbery has ebbed a little, though; in 2003 he won the National Book Foundation’s Medal for Distinguished Contribution to American Letters, and now the BFI is screening a series of adaptations of

Is Darren Aronofsky taking the piss? Mother! reviewed

The film-maker Darren Aronofsky says he wrote Mother! in five days as if in a ‘fever dream’ and, as a general rule, what happens in a fever dream should stay in the fever dream, as the content will be plainly nuts. This is plainly nuts. This is even plainly nuts with an exclamation mark. Plainly

Cheaply mainstream and exploitative: Wind River reviewed

The starting point for Taylor Sheridan’s crime-thriller Wind River is explicitly stated at the end when the following words come up on screen: ‘While missing person statistics are compiled for every other demographic [in the US], none exist for Native American women.’ A shocking fact that has to be worthy of a film, although whether

Difficult and disturbing: Una reviewed

Una is a psychological drama about a woman who was abused by a man when she was 12, and who confronts him 15 years later, and it’s a hoot. I’m toying with you. Of course it isn’t. It’s disquieting. It’s disturbing. It’s difficult. It’s 90 minutes of uncomfortably shifting in your chair and wishing you

Watch out, Lenny

This year is the 60th anniversary of the release of Casablanca. Poor old Humphrey Bogart didn’t make it into even the top 20 of Channel 4’s boringly bizarre list of the 100 greatest movie stars. Al Pacino number one? Eh, what? But then what else could one expect, I suppose, from a lot of pundits