‘I’m Just Ken’ is the breakout song of the summer
It’s enough
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The keepers of the Fincher flame have been disappointed in recent decades
Audiences want to go and see films, but the writers’ strikes are denying them the chance
A white rapper from South Florida is changing the game
Some part of it may live in my brain forever. That seems unjust
The perfect comfort viewing in these rather more treacherous times
Apple TV+ will not be the next Netflix, and that is the whole point
When I look at the Hitchcock movies, I don’t see icy detachment. Instead what strikes me is their intimacy, gentleness and passion
The musical is like the disco ball that spins above its audience: beautiful but fractured. And, at its core, hollow
How Hollywood killed the American hero
Artist Alberto Guerrero’s career has been driven by a desire to look for what is behind everything that we perceive at present
Over the last forty-five years he’s become a sort of human Rorschach test
The once-great magazine’s coverage of the viral country star is embarrassing
There’s more to the late director than The Exorcist and The French Connection
Reality TV stars have been Hollywood’s fallback option of late. During these writers’ and actors’ strikes, that could change
His strange talent was one that Hollywood could never quite handle
Throw something at the rapper and she will retaliate…
The future of cinema is up for grabs
Its conflation of small-‘c’ conservatism and fascism is not only morally dubious but historically dishonest
The eBay value of Ken’s friend is skyrocketing
Aren’t the joyless dullards meant to be on the left these days?
Why streaming viewership figures are crucial to the residuals debate
The director has made a lot of people a lot of money, so he is allowed to do what he likes
No other major rock star is as obviously a product of his time and place as the Stones frontman
The country as a whole is far less bitter about World War Two than many Americans think it is
Christopher Nolan and Cormac McCarthy’s fissile Westerns
A vampire sitcom that doesn’t suck
With a new Netflix documentary and series, the actor is ubiquitous once again
The play is, alas, unlikely to attract a large following in the theater