Virgil

Whether you went with the two big rugby goalposts, those opposing H’s of Heaney and Hughes, or with Blake Morrison’s quondam super league of world English (or sometimes airport) poets, Brodsky, Walcott, Murray and Heaney, Heaney loomed amiably in the poetry landscape of the late 20th century. I knew him a little and liked him a lot. Enough now to appreciate that there was something endlessly consoling about being alive at the same time as an incontestably – or only rarely, foolishly contested – great, canonical poet, someone you might occasionally meet or, more regularly, see new poems or new books by; and something correspondingly harrowing and disorientating about this

It is, perhaps, hard to imagine a collaboration between Virgil and Captain W.E. Johns, a fusion of the Aeneid and Biggles Pulls It Off, but that is how Boris Johnson’s memoir reads. Our intrepid hero travels round the world, wooing Gulf potentates, sticking it to Vladimir Putin, snatching submarine contracts from under Emmanuel Macron’s snooty Gallic nose and then makes it home in time for some uniting and levelling up before settling down to a well-deserved glass of Tignanello. He also, like Aeneas, endures a thousand ordeals and makes himself father of the world’s greatest city (while also making some truly dreadful puns: ‘Was it H.J. Eysenck who gave me

It’s a familiar tale. Midway through life’s journey, Marcus Berkmann woke to find himself in a dark wood, where the right road was wholly lost and gone. Without a Virgil to guide him through the trials and torments of middle age, he composed a bestselling memoir based on his experiences, A Shed of One’s Own – not so much a divine comedy as a mildly amusing stocking-filler. In his latest book, Still a Bit of Snap in the Celery, he realises he has entered a new age category: the so-called ‘young-old’. It’s easy to picture the delight on the sleepy faces of many a grandparent this Christmas as they wake