Textile design

Bring back the old Tube seat designs!

Enid Marx once pondered ‘whether postage stamps are fine or industrial art. In my view the question rests on the quality of a design rather than its purpose. It is generally agreed, for example, that the work of Thomas Bewick is fine art, even when it is merely the engraving of a “trade card”.’ Marx was a textile designer, book illustrator, lino-cutter, wood-engraver, poster illustrator and, yes, postage-stamp designer (‘The calling card of a nation’, as she put it) and in all these things, the quality was unquestionable. Her unique, memorable designs were absorbed, unknowingly, by any number of people. Her best-known work was the sturdy moquette fabric she designed for seats on London Underground in the 1930s.

Sad but beautiful exhibition of Afghanistan’s war rugs

Decades after its inclusion in the Hippie Trail, Afghanistan is again open to tourism, according to the Taliban’s spokesman Zabihullah Mujahid. It is perhaps a source of regret for the group that the 6th-century Buddhas of Bamiyan are missing in action. They were blown up in 2001 either, depending on who you ask, because of Islam’s strict beliefs on anti-idolatry or to punish the West for offering money to preserve them rather than give aid to starving children. The war rugs, depicting camels and flowers alongside rocket launchers, are striking and jarring While the country continues to export fruit, nuts and insect resins – opium production was massively scaled back by the Taliban – Afghanistan is justly famous for its woven rugs.