Sylvia plath

Marilyn Monroe, poetic muse

The year 1959 was a particularly productive but especially depressing year for Sylvia Plath. She toured the length of America, attended a series of stimulating literary seminars and wrote some of her most beloved verse. While outwardly active and energetic, her diary reveals she was struggling all the time to sustain her few fleeting fits of happiness. One entry in October describes a vivid dream she had, in which Marilyn Monroe appeared as a kind of fairy godmother. Monroe gave Plath a manicure and promised her a “new, flowering life,” before wishing her well and inviting the troubled poet over for Christmas. The image of Monroe clearly consoled her. Plath was hardly the only poet to be mesmerized by Monroe’s outward magnificence and fascinated by her perturbing private tragedies.

The peculiar appeal of ‘sad-girl literature’

A stack of books balances on a fluffy white Michael Aram bedspread: Ottessa Moshfegh’s My Year of Rest and Relaxation, Lisa Taddeo’s Animal, Candice Carty-Williams’s Queenie and Lily King’s Writers & Lovers all touted as “sad-girl lit-fic book recs.” Lana Del Rey’s lugubrious melodies play on repeat; “I’m pretty when I cry” and “baby blues / baby blues,” in particular, are favored lyrics. This is a specific quarter of TikTok (or BookTok), the lachrymose world of “sad-girl lit.

sad-girl