Stand-up

Caroline Aherne’s comedic genius is much missed

Who do we have on television now, or even on social media, who can unmask pomposity and self-obsession quite like Caroline Aherne did in the guise of Mrs Merton? What sitcom since 2010 is as original – and as British – as The Royle Family, always near the top of any best British sitcom list? This July marks the tenth anniversary of the death of Aherne. Given the popularity of The Mrs Merton Show, The Royle Family, which ran for 15 years, and her characters on The Fast Show (not least Poula Fisch, the weather girl who can only announce one type of weather), it’s perhaps odd that this is the first ever biography. It quickly becomes evident why. Aherne is not the easiest subject: having been hounded by the press, she was not fond of giving interviews.

No laughing matter: The Material, by Camille Bordas, reviewed

There are a lot of reasons why something is funny. It’s hard for everyone to agree on those reasons. And it’s virtually impossible to agree on whether something is actually funny or not in the first place. But one thing is incontrovertible: the more you unpick, analyse and dissect comedy, the less funny it becomes. So what is left behind after that? Into this tricky arena – cue tapping on microphone and feedback noise – steps this experimental and sometimes infuriating novel. The Material is, to its credit, fluid, inventive and often, yes, funny. But it’s also confusing and challenging in ways that don’t always feel intentional.

‘I disliked him intensely’: Richard Lewis on first meeting Larry David

Richard Lewis has died at the age of 76. Ben Lazarus interviewed him for the magazine last year: Richard Lewis first met Larry David at a summer sports camp, aged 12. ‘I disliked him intensely. He was cocky, he was arrogant,’ Lewis says. ‘When we played baseball I tried to hit him with the ball: we were arch rivals. I couldn’t wait for the camp to be over just to get away from Larry. I’m sure he felt the same way.’ Eleven years later they met again on the New York stand-up scene – but didn’t recognise each other. One evening, as they drank into the night, it dawned on them. ‘I looked at his face and I said, “There’s something about you, man, that spooks me.” Just saying that spooks everyone!’ It clicked. ‘“You’re Richard Lewis!

I regret my bust-up with the Bee Gees: Clive Anderson interviewed

‘The really tricky thing,’ says Clive Anderson as we discuss the topic of being recognised in public, ‘is when they say, “I love your programmes —that thing you did with Margarita Pracatan…” Do I say now that that wasn’t me? Because if you let them carry on about how they loved your Postcards From…, and the Japanese game show, and then you tell them, they get very indignant and say, “Well, why did you let me give you all that praise?”’ It’s easy to understand the mistake in the abstract — indeed The Spectator’s arts editor made it himself in his email to me: ‘Could you interview Clive James for us?’ (If I could manage that, Igor, I wouldn’t be writing for a living.

Why on earth did I volunteer to do stand-up?

It was on my ‘bucket list’, but that doesn’t mean it was a sensible thing to do. Climbing Mount Kilimanjaro is something I’d like to do before I die as well, but at the age of 56 and with the lung capacity of a broken windsock I probably shouldn’t attempt it. In this particular case, though, all I was risking was public humiliation and I know from experience — lots and lots of experience — that I can survive that. So I decided to do it. I would try my hand at stand-up comedy. This particular story begins last year at the Backyard Comedy Club in Bethnal Green.