Restaurants

A few years ago, I moved to Newlyn, a fishing village in west Cornwall. I didn’t understand why I moved to Newlyn until I returned to Venice. I take almost all my holidays in Venice, and it is a cliché that Venice only slowly reveals her mysteries. You must fight your way past a mass of Renaissance portraiture and mirrored palaces but the mystery it showed me this time is this: like Newlyn, Venice is a fishing village. Venice got rich in the thirteenth century, monopolized the trade routes to the east for two centuries and covered itself in Istrian stone, which Newlyn didn’t. But it’s still a fishing village, founded by people running away from barbarians, into the mud flats of a lagoon to fish for crabs. It is easy to forget that — unless you look for Venetian cuisine.

Every time I visit Pennsylvania Amish Country, it feels a little less like Amish Country. My parents were aghast when, in the mid-2000s, they visited for the first time since the 1980s (and for the first time with me) and found a massive outlet center along the main commercial drag. When my wife and I visited in 2017 — my first time since that childhood family trip — I was dismayed to see that the field in front of the Amish Farm and House had become a Target and its attendant parking lot. (I was only a little less dismayed when the landmark Congress Inn, with its out-of-place capitol-dome sign, met the wrecking ball.

"Snack bar,” “coffee shop” and such phrases once signified small eateries where customers sat on stools at a counter or in simple booths. Their orders were taken and served by waitresses in white aprons, and prepared by a short-order cook in a white paper cap. Hotel lobbies, railroad-station waiting rooms and airports all had them: private enterprises in public spaces purveying a cup of coffee and a donut, bacon and eggs, ham and cheese on rye, a hot dog, a hamburger, maybe a milkshake or an ice cream sundae. Little of this (for most were mom-and-pops) traveled well into the age of industrialized, assembly-line, eat-on-the-go feeding signified by the phrase “fast food.

Tennis — as the New England poet Robert Frost remarked in defense of formal verse — is more fun with a net. Creativity does indeed flourish within constraints. Soviet censorship brought about samizdat. Prohibition brought about bathtub gin and any number of fabulous cocktails designed to mask its unsubtle notes of paint thinner. The greatest human spirits would view the new era of show-your-papers dining not as a hardship, but as an opportunity. In our brave new world, some don’t mind handing over papers in exchange for a mess of restaurant-prepped pottage. And yet there are ancien régime sticklers for propriety who think that the use of QR codes to gain access to food indoors is not quite comme il faut (if you’ll pardon their French).

Wise men say only fools rush in. But in this particular instance, I really couldn’t help falling in love on the spot. Like a zillion others, the story starts on a night out. When my party, dripping with rain, arrived at the restaurant, our table wasn’t ready, and they ushered us to wait at the bar The bar was a happening kind of place. Instead of looking up at shelves of bottles and bartenders mixing drinks, it looked down onto the kitchen area, which was built around a giant wood fire over which five or six cooks labored frenetically. The flames blazed openly, fed from the picturesque log stack that lined the back wall of the dining area.

Readers of a certain vintage will recall when any listing of fancy restaurants in a big city had a heavy French accent. Look at the ‘Let’s Eat Out’ section at the back of an old issue of Gourmet magazine from the 1970s for the evidence, at least for New York but, if memory serves, it was true for London as well. (The Italians probably ran second, then the Chinese, then a big falloff to other countries but still mostly European ones.) The way it worked at Gourmet — you got a listing if you bought an ad — only understated things. Lots of good places never advertised at all or simply did not aspire to the tony status that association with the likes of Gourmet conferred. Names like Le Chamberlin, La Caravelle, Le Chantilly, Mon Paris, announced their sole culinary allegiance.

How does the saying go? Is it ‘fool me once, shame on me. Fool me four times, I’ll shame you on social media’? It’s a lesson someone like Graydon Carter, the legendary former Vanity Fair editor who now runs an ambiguously successful digital magazine called Air Mail, should know by now. Yet Carter has managed to infuriate his fellow bon-viveur, Keith McNally, the restauranteur and Instagram enthusiast. Carter has, McNally claims, booked and not shown-up at one of his New York restaurants not once, not twice, but four times. To rub salt into an empty place setting, Carter didn’t call ahead in his latest no-show, at Morandi in the West Village, for a reservation for 12 people.