Ilya Kaminsky’s poetry in a time of war
Those attacking the Ukrainian-American poet for making light of crisis are misreading him
Those attacking the Ukrainian-American poet for making light of crisis are misreading him
Joie de Vivre by Paul Bailey reviewed
A new book documents how art emerged out of brutality and socialism
He was an eccentric and a traditionalist
Two-Way Mirror: The Life of Elizabeth Barrett Browning by Fiona Sampson reviewed
Black Mountain left a mark on her and her husband Bill
The Music of Time: Poetry in the Twentieth Century by John Burnside reviewed
From a veteran of Afghanistan and Iraq
On 3 September 1968, Allen Ginsberg appeared on William F. Buckley’s Firing Line. Buckley exposed Ginsberg’s politics as fatuous — the blarney, stoned — but Ginsberg stole the aesthetic victory by reading ‘Wales Visitation’, a homage to William Blake. ‘White fog lifting and falling on mountain brow,’ Ginsberg intones, ‘…teeming ferns/ exquisitely swayed/ along a green crag/ glimpsed through mullioned glass in valley rain.’ ‘Nice,’ Buckley nods. He lets Ginsberg read the whole poem. Ginsberg opposes the artificial imagery of power and money (‘London’s symmetrical thorned tower / & network of TV pictures flashing bearded your Self’) to the vision of the unmediated, natural Self: ‘Each flower Buddha-eye.’ After six