Photography

Few connoisseurs of the image are unfamiliar with the great French photographer Eugène Atget (1857-1927). But his name is, unfortunately, unfamiliar to the lay person. This is a shame: his gloriously detailed, sharply focused black-and-white images of late 19th- and early 20th-century Paris evocatively conjure the shadows and lights of the boulevards, parks and alleyways of the Belle Époque. His astonishing close-ups of finely crafted architectural details are as striking as his sometimes surreal views of storefront windows and food-stall displays. Whether training his bulky large-format view camera on scenes interior or exterior, he reveals an aesthetic sensibility exquisitely sensitive to the world around him. His close-ups of architectural details

In early photos, the crowds – and the band members – are eager, curious and frank

New Woman Behind the Camera brings together the whimsical and the confrontational to show how modernism shaped photography

Meryl Meisler’s photographs captured the family life and nightlife of Seventies New York