Why should art have ever been considered a male preserve?
The Mirror and the Palette by Jennifer Higgie and Women in the Picture by Catherine McCormack reviewed
Laura Freeman
Monday
Sunday
The art of politics: what ministers hang on their walls
The people have a right to know what’s on Boris’s wall
Thursday
The artist who breathes Technicolor life into historic photographs
There is something of The Wizard of Oz about Marina Amaral’s photographs. She whisks us from black-and-white Kansas to shimmering Technicolor Oz. When Howard Carter leans over Tutankhamun’s open sarcophagus (1922), he does so in the glare of pharaonic gold. A photograph of fallen American soldiers on the Gettysburg battlefield (1863) shocks the more when
