Murder

It takes a Scandinavian mother to write like this: ‘Why murder a nine-year-old girl? She wasn’t raped. Rape is the only motive I know of for the murder of little girls, unless the killer is a close relative.’ Linda Segtnan’s The Eighth House benefits from this bluntness. Its author, a historical researcher based in Stockholm, was browsing through a newspaper archive in 2018 when a photograph of nine-year-old Birgitta Sivander caught her attention. The girl lived in a village called Perstorp in southern Sweden until one evening in May 1948 she went out to the football field and did not return. A search was organised, the human chain making its way into the nearby forest in the middle of the night to look for her. They found her clogs.

The St Brice’s Day Massacre? I must admit I hadn’t heard of this ‘most just extermination’ of Danes in Oxford at the instigation of King Aethelred the Unready in 1002, perhaps because the teaching of history in this country tends to kick off in 1066. You certainly don’t think of Oxford as a place that pioneered techniques of ethnic cleansing. Crypt is a collection of seven essays that unearth details about how certain people lived and died in the past. If you didn’t already know Alice Roberts’s background as an anatomist and biological anthropologist, you’d have a good chance of deducing it from this book.

On 1 September 1939 Germany invaded Poland. It’s hardly an event which needs its significance re-stating, but there was one outcome which has received rather less attention than the impending crisis in Europe. After the first instalments – serialised in newspapers in the summer of that year – a bizarre, flamboyant, mock-gothic novel by an unknown writer, ‘Z. Niewieski’, was forced to cease publication on 3 September. Witold Gombrowicz, the author of The Possessed and master of Polish modernism, had penned the work under a pseudonym, and, he claimed, only for money. If that distance from the book weren’t enough, he then put an ocean between himself and the manuscript.

Remember the teenage girl who was murdered in Crow-on-Sea in 2016? A horrific story. Google it. Or the journalist Alec Z. Carelli, the guy who went to school with Louis Theroux, Adam Buxton and Giles Coren and wrote a book about it? Remember how it was pulled because of the controversy over the way he obtained some of his material? Well, the publisher has decided to release that book after all. There will be no upset loved ones –except perhaps those who were affected by the true crimes mentioned None of this is true.

Mark O’Connell was three years old when Malcolm Macarthur – a silken-tongued toff in a bow tie – went on his killing rampage in 1982, and 33 when he was released from prison in 2012. Eight years later, when he began this book, O’Connell describes stalking Macarthur around Dublin in the hope of securing the kind of interview that would cause Ireland’s most famous murderer to ‘tremble in terror and awe at the moral magnitude of his iniquity. I wanted to witness the breaking down of his ego defences, the revelation of some terrible emotional truth within’.

On 5 March 1940, as the USSR stamped its authority on a Poland it had partitioned with Hitler, Stalin signed a decree to murder 14,700 Polish officers in the woods by Katyn. These ‘hardened, irremediable enemies of Soviet power’ were not informed of their sentence and simply shot in the back of the head, a form of execution favoured by the secret police, the NKVD, for whom this method was just part of bureaucratic procedure. NKVD forgers changed the dates on the documents found in the dead officers’ pockets at Katyn When the Nazis turned on the Soviets in 1941 and marched east, they found the mass grave.

‘Most of my heroes are monsters, unfortunately,’ Joni Mitchell once said, ‘and they are men.’ The singer-songwriter was able to detach the maker from the made. Should we do the same? Is it ethical? Even possible? These are the questions Claire Dederer deftly considers in Monsters, which puzzles through the problem of what we ought to do about great art by bad men. Ideally, nothing. Early on in her quest, Dederer longs for someone to invent an online calculator: The user would enter the name of an artist, whereupon the calculator would assess the heinousness of the crime versus the greatness of the art and spit out a verdict: you could or could not consume the work of this artist. Alas, said calculator has yet to be programmed, so it’s down to her to do the maths.

There’s a moment near the end of Robert Browning’s dramatic monologue ‘My Last Duchess’ when it becomes clear that the duke, whatever he might claim, did kill his wife: ‘I gave commands;/ Then all smiles stopped’, he lets slip. In The Marriage Portrait, Maggie O’Farrell’s sombre, haunting novel based on the historical couple described in Browning’s poem, this revelation comes rather earlier. The young Lucrezia knows with ‘a peculiar clarity’ that her husband ‘intends to kill her’ right from the first page. After leaving Florence to begin her married life with Alfonso II, Duke of Ferrara, Lucrezia died within a year.