Michel houellebecq

Wednesday

Tom Slater

Morrissey is pop’s prophet of England

Morrissey is back. And he’s sassy as hell. At the O2 on Saturday night, the once-waifish Smiths frontman turned stocky solo crooner cast shade on the haters: ‘As you all know, the jealous bitches tried to get rid of me, but thanks to you, and thanks to me, I’m still here.’ It was classic Mozzer: withering, self-aggrandising, hilarious. With a European tour and a new album about to be released, Morrissey is in a score-settling mood. And with good reason. Make-Up Is a Lie, out yesterday, is his 14th album. But it wasn’t supposed to be. Bonfire of Teenagers, originally slated for release in 2023, still remains on the shelf, following rows with his former record label. As does another unreleased album. He claims it’s cancellation.

Thursday

Graham Robb

There’s something about Marianne – but can French identity be defined?

In October 2018, Andrew Hussey, the convivial and courageous observer and analyst of the political and social travails of modern France, was cycling back to his office after lunch through the rather staid and un-bohemian environs of the Boulevard Raspail on the Left Bank in Paris. To the ‘middle-aged man who already has a heart condition’, the scene into which he pedalled near the Montparnasse cemetery was terrifying, but to the veteran historian of the fractious Fifth Republic not particularly unusual. Parisians were sitting on café terraces and queuing for ice cream while just around the corner ‘a mini-civil war’ was taking place.

Thursday

Lee Langley

Dangerous liaisons: Bad Eminence, by James Greer, reviewed

Vanessa Salomon is an internationally successful translator. Clever, beautiful, privileged – ‘born in a trilingual household: French, English and money’ – she can indulge herself professionally with obscure, neglected books. About to embark on a forgotten nouveau roman by Alain Robbe-Grillet, she’s offered an irresistible assignment. A bestselling French novelist who is definitely not Michel Houellebecq wants to pay her an extravagant fee to translate his next book – before he’s written it. Vanessa accepts, and her life free-falls into a nightmare of dangerous, sadistic games, involving two possible Not-Houellebecqs, but which is the imposter? She herself is a very unreliable narrator.

Monday

The Spectator

The Spectator’s Books of the Year 2019

From our US edition

Andrew J. Bacevich I have reached the age when it seems important to give attention to the books I ought to have read long ago but skipped past. As an American born in the middle of the 20th century, I’m drawn to the literature of that era. Lately, I have been reading for the first time John Steinbeck’s The Grapes of Wrath (Penguin, $18), published during the Great Depression. Of course, I have seen John Ford’s gripping interpretation of the novel, starring Henry Fonda as Tom Joad. It’s a great movie. In my estimation, the novel itself is also a masterpiece. Of course, it is necessarily a product of its time, saturated with a sentimental depiction of those dispossessed by massive economic upheaval.

books of the year 2019

Sunday

Will Lloyd

Cigarettes are marvelous

From our US edition

Squinting through the penumbra of blue smoke that is nearly always contiguous with my person, I was surprised — no, scandalized — to see a silly little remark about G.K. Chesterton stud the pages of the National Review this week.Chesterton, that many-sided genius, once had the gall to defend the practice of torching a nice clump of tobacco and inhaling the fumes. Here is what he wrote, many years ago: '…to have a horror of tobacco is not to have an abstract standard of right; but exactly the opposite. It is to have no standard of right whatever; and to take certain local likes and dislikes as a substitute.

cigarettes