Michel houellebecq

Morrissey is pop’s prophet of England

Morrissey is back. And he’s sassy as hell. At the O2 on Saturday night, the once-waifish Smiths frontman turned stocky solo crooner cast shade on the haters: ‘As you all know, the jealous bitches tried to get rid of me, but thanks to you, and thanks to me, I’m still here.’ It was classic Mozzer: withering, self-aggrandising, hilarious. With a European tour and a new album about to be released, Morrissey is in a score-settling mood. And with good reason. Make-Up Is a Lie, out yesterday, is his 14th album. But it wasn’t supposed to be. Bonfire of Teenagers, originally slated for release in 2023, still remains on the shelf,

There’s something about Marianne – but can French identity be defined?

In October 2018, Andrew Hussey, the convivial and courageous observer and analyst of the political and social travails of modern France, was cycling back to his office after lunch through the rather staid and un-bohemian environs of the Boulevard Raspail on the Left Bank in Paris. To the ‘middle-aged man who already has a heart condition’, the scene into which he pedalled near the Montparnasse cemetery was terrifying, but to the veteran historian of the fractious Fifth Republic not particularly unusual. Parisians were sitting on café terraces and queuing for ice cream while just around the corner ‘a mini-civil war’ was taking place. Sandwiched between a phalanx of armed police

Dangerous liaisons: Bad Eminence, by James Greer, reviewed

Vanessa Salomon is an internationally successful translator. Clever, beautiful, privileged – ‘born in a trilingual household: French, English and money’ – she can indulge herself professionally with obscure, neglected books. About to embark on a forgotten nouveau roman by Alain Robbe-Grillet, she’s offered an irresistible assignment. A bestselling French novelist who is definitely not Michel Houellebecq wants to pay her an extravagant fee to translate his next book – before he’s written it. Vanessa accepts, and her life free-falls into a nightmare of dangerous, sadistic games, involving two possible Not-Houellebecqs, but which is the imposter? She herself is a very unreliable narrator. Bad Eminence is the American writer and musician