Literary festivals

Sophie Pattison, 37, is not in a good place: heartbroken, childless, mid-divorce from ‘arsehole’ Paul, with her self-esteem and bank balance low. As her best friend Emma says: ‘You have a lot of love and nobody to take it out on.’ This is Meg Mason’s third work of fiction. Her Sorrow and Bliss (2020)propelled her on to the global literary stage. Sophie, Standing There opens as ‘sad girl fiction’ that satirises the contemporary literary festival. But then the book takes a turn and explores something more savage: parasocial relationships and the courage required in the Age of Instagram to be simple but happy. It opens with Sophie in the wings of a theatre, mic’ing up celebrated, often rude, authors before they go on stage.

Dan Rhodes’s career might be regarded as an object lesson in How Not to Get Ahead in Publishing. Our man was chosen as one of the Best of Young British Novelists in 2003, but his recent exploits include a spectacular falling out with his one-time sponsors, Messrs Canongate, and the writing of a lampoon about Richard Dawkins which so alarmed the lawyers that it had to be issued privately. Significantly, Sour Grapes — his first novel for seven years — comes courtesy of a small, independent press of which I confess that I had not previously heard. In most hands, these serial misfortunes could be guaranteed to produce a full-frontal assault on the people and institutions thought to have let the proud author down. Oddly enough, though billed as ‘a hilarious satire...