J.g. ballard

In defence of country-pop

I am aware that the music I enjoy is widely considered to be the worst ever produced in human history. Worse than a roomful of children with recorders, cymbals and malice; worse than a poultry abattoir. Every so often, someone will ask me what I listen to, and I’m forced to tell them the truth. ‘These days,’ I’ll say, ‘it’s mostly country.’ Their nose will wrinkle, as if I’ve just let out a stealthy fart in their direction. ‘But old country, right?’ they’ll say, almost pleading. ‘Classic country?’ No, not classic country.

How do you enforce anarchy?

From our US edition

I had an argument once, in a pub, with an anarchosyndicalist. We’d both been on the same protest march so we started from a position of, at least in some respects, presumed sympathy. I asked him how on earth a large society could hope to run itself without rules or institutions at all (this may have been a slight under-reading of this distinguished political philosophy, but he didn’t correct me). Anyway, he got jolly cross and did a lot of shouting about how the post office was anarchosyndicalism in action. But what about pedophiles, I yelled (we’d had a lot of cider). How does the post office deal with them, eh? There was some answer to do with communal social exclusion as an alternative to the industro-carceral complex.

anarchy