Ireland

Ireland is trying to eradicate its Jewish history

From our UK edition

Now Ireland is erasing its Jewish history. This week Dublin City Council will vote on a proposal to change the name of Herzog Park in the south of Dublin. The park was named for Chaim Herzog, the Belfast-born, Dublin-raised Jew who later became the sixth president of Israel. ‘Following consideration, the Committee agreed… that the name “Herzog” should be removed from the park’, says the council’s chilling proposal. Scrubbing the name of a Jew from a public park? Tell me that isn’t anti-Semitism. For two years now, Herzog Park has been the focal point of that spittle-flecked Israelophobic fury that is so commonplace in modern Ireland.

Will Mahmood’s asylum reforms force Ireland’s hand?

From our UK edition

Labour’s plans to overhaul Britain’s overstretched asylum system have forced the Irish government to do the same. As the Northern Irish border is the only international border across these islands, Shabana Mahmood’s pledge to create ‘by far the most controlled and selective [asylum system] in Europe’ left Dublin with little choice. Ireland’s Minister for Justice, Home Affairs and Migration – Ireland’s equivalent to the Home Secretary – Jim O’Callaghan warned that Ireland must be ready to adjust its own policies to prevent a surge in applicants travelling via Northern Ireland.

Why is Westminster Cathedral leaving Jesus in the dark?

From our UK edition

Sitting beneath the looming darkness of the unfinished ceiling of Westminster Cathedral, I found myself praying. I didn’t even know why, but I was walking past during a trip to London and I decided to go in, and I sat down, and then a priest came and began to say mass so I stayed, not knowing what was about to happen back in Ireland to the builder boyfriend, and not having any real feeling that you could call premonition – unless you count an overwhelming urge to be sitting in a cathedral praying, when I have passed there many times on similar trips and never once gone in. It was a lovely experience, except it seemed to me that it was shameful that we Catholics were allowing Jesus to hang on the cross in the dark.

Did our B&B guests smell a rat?

From our UK edition

As I was showing a couple from Lincolnshire to their room, I smelt a rat. I don’t mean metaphorically, about them. I mean that halfway down the hallway, as I walked two paying guests from the front door towards the staircase, the most overwhelming stench of rotting carcass wafted upwards from the floor, right next to the fancy dresser displaying the tourist leaflets. I glanced at them nervously to see whether they had noticed. They were telling me about their house-hunting. They wanted to move to West Cork to go off grid and get in touch with nature. That’s handy, I thought, because nature is currently rotting under the floorboards. Trust the darn critter to conk out beneath the main entrance hall just in time for a B&B arrival.

Catherine Connolly’s election is a humiliation for Ireland’s establishment

From our UK edition

‘I will be an inclusive president for all of you,’ Catherine Connolly declared as she was announced the winner of Ireland’s presidential election – a landslide victory over Fine Gael’s Heather Humphreys.  The independent TD received 63 per cent of the vote (with spoiled ballots excluded) to become Ireland’s tenth president. The result was officially confirmed early yesterday evening, but Connolly’s victory was clear from the moment counting began. ‘Catherine will be my president,’ Humphreys conceded, having received just over 29 per cent of the vote. Connolly defeated Humphreys in Ireland’s first head-to-head presidential race since 1973.

How Catherine Connolly could change Ireland

From our UK edition

‘How could you possibly say the EU is good as it stands?’ the woman says. Brexit, she continues, is a ‘first step [in] exposing the EU’. The speaker is Catherine Connolly. She is the frontrunner to win Ireland’s presidential election tomorrow. The footage stands out for two reasons. One, it’s rare for an Irish politician so close to high office to be seen as critical of the EU. Two, the video has only just resurfaced, despite being nine years old. While support for EU membership in Ireland typically polls between 70 and 90 per cent, opinion is becoming less homogenous, an interest in alternative views about the bloc is growing. The video of Connolly surfaced and entered the national conversation a week ago.

The folly of solar panels

From our UK edition

The house fell silent as the last of the tourists took their oat milk and pretend cheese from the guest fridge. Winter came in the nick of time. I’ve bitten my lip for six months while the B&B guests have forced their pro-Palestine, anti-Trump views on me, while refusing to eat normal food or use the dishwasher because, in leftie parlance, dishwashers cause neurological damage. ‘What does the shower cause?’ I wanted to ask some of them, who didn’t even use one towel or open one wrapped mini-soap in a week-long stay. Is soap carcinogenic now? Are you staging some sort of Gaza protest by not washing? The bookings dried up just before I lost it completely with the next long-haired hipster asking for coconut milk or declaring themselves gluten-free.

The oppression of Sally Rooney

From our UK edition

Almost a decade ago the Irish academic Liam Kennedy published a tremendous book with the title Unhappy the Land: the Most Oppressed People Ever, the Irish? It is a dissection of one of the most curious pathologies in the world: the desire to have been oppressed; a glorying in being repressed. Kennedy, like a few other brave writers (Ruth Dudley Edwards, Malachi O’Doherty, Kevin Myers) has the courage to point to an under-examined seam in Ireland’s history. Specifically he takes aim at the mawkishness that exists in contemporary Irish affairs. The desire to be the first victim, perhaps the greatest victim, of all victims, anywhere in the world. You see similar strains of aspiring victimhood in other mini-nationalisms.

Haircuts are a human right!

From our UK edition

During the immigration deluge in the wake of Russia’s invasion of Ukraine, it seems one Afghan and one Indian national who threw themselves on the mercy of much-besieged Ireland got lost in the shuffle. Fobbed off with €25 vouchers, they were obliged to sometimes sleep rough for two months, without access to food and hygiene and exposed to hardship and fear. They’ve sued the Irish state. Knowing Irish NGOs, I bet they got help. The government has argued that the pressures on Ireland’s hospitality at the time were severe enough to qualify as a force majeure. Their reception centres were full to bursting and there was no room at the inn (and haven’t we heard that before). The Irish High Court sought a ruling from the European Court of Justice.

Britain fought on the wrong side of the first world war

From our UK edition

It’s more than two months since I returned from Dublin, and at last the hangover is beginning to fade. I flew out with our team at The Rest is History to record a series about the Irish War of Independence and Civil War. Our guests were Paul Rouse, a professor at University College Dublin and former manager of Offaly’s Gaelic football team, and Ronan McGreevy, an Irish Times journalist and author of a terrific book about the murder of Sir Henry Wilson. On the first night Ronan took us for an excellent curry; on the second, Paul organised a pub crawl. Well, I say a crawl, but in truth we barely got beyond the first pub, the Gravediggers, which is just a few hundred yards from the graves of Michael Collins and Eamon de Valera.

John Connolly, Gavin Mortimer, Dorian Lynskey, Steve Morris and Lloyd Evans

From our UK edition

26 min listen

On this week’s Spectator Out Loud: John Connolly argues that Labour should look to Andy Burnham for inspiration (1:51); Gavin Mortimer asks if Britain is ready for France’s most controversial novel – Jean Raspail’s The Camp of the Saints (4:55); Dorian Lynskey looks at the race to build the first nuclear weapons, as he reviews Frank Close’s Destroyer of Worlds (11:23); Steve Morris provides his notes on postcards (16:44); and, Lloyd Evans reflects on British and Irish history as he travels around Dublin (20:44).  Produced and presented by Patrick Gibbons.

Will the Irish ever forgive the English?

From our UK edition

Leaving home is the best way to find out who you are. In my case, it’s a muddle. Welsh dad. Irish mum. English upbringing. And I feel pleasantly detached wherever I go. In England, I’m considered Welsh. In Ireland, I’m considered English. In Wales, I’m considered inadequate because I don’t speak the language, apart from the odd term like ‘popty ping’ (microwave). From childhood I’ve been a scholar of English preconceptions about my Celtic brethren. ‘Welsh? Cave-dwellers who love sheep.’ ‘Irish? Bog-trotters who love horses.’ The Irish are preferred, especially by the English upper classes, who are infatuated with Ireland as an abstract concept. But they’re less keen on the real thing. An Irish accent in the family is an ornament.

I’ve become a slave to my Airbnb star rating

From our UK edition

‘Right, we’re going to book into Pauline’s B&B and give her a four-star rating and that will drop her down from a perfect five,’ I said, in a state of utter lunacy. We were sitting in front of the fire at the end of a rainy West Cork day during which another difficult customer had rated us four stars, which should not be terminal but is, because of the way Airbnb plunges your overall rating the second one guest doesn’t rate you five stars. I was so upset at our latest downgrading that I was comparing myself with other B&B listings in the area with a perfect five, and had become so deranged that I was proposing we level down the competition by spending €124 for a night at Pauline’s, rating her four stars to drop her down too.

The past is another country: Ripeness, by Sarah Moss, reviewed

From our UK edition

Sarah Moss is a prolific and vital novelist whose books encompass an array of subjects from Victorian social reform and 19th-century Japan to broken Brexit Britain and eating disorders. She combines teaching at University College, Dublin with writing in real time: The Fell, set during the second lockdown, came out in the summer of 2021, while My Good Bright Wolf, an experimental memoir about her anorexic breakdown in late 2020, was published last year. A forthcoming Channel 4 adaptation of Summerwater, which explored national identity and isolation against the backdrop of a soggy Scottish holiday park, may catapult her into the sort of gold-foil territory enjoyed by Maggie O’Farrell or Ali Smith. If not, then perhaps Ripeness, her ninth novel, will.

Why does Irish art avoid the Troubles?

Almost three decades after the Good Friday Agreement was signed in 1998, it is possible, if not always easy, to see the funny side of the Troubles. Derry Girls, Lisa McGee’s coming-of-age television series, and Milkman, Anna Burns’s surreal novel, wring laughs as well as tears out of mayhem. There are few laughs in Steve McQueen’s Hunger, which did “for modern film” according to one critic, “what Caravaggio did for Renaissance painting.” For those who prefer horror unmediated by fiction, Patrick Radden Keefe’s Say Nothing is the best example of longform journalism since Capote’s In Cold Blood. But along with their setting, these dazzling creations have something else in common: to get made, they all needed the backing of a producer or publisher from the UK or US.

Irish

The two young women who blazed a trail for modernism in Ireland

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In 1921, the sternly abstract cubist Albert Gleizes opened the door of his Parisian apartment to two young women in their twenties, the Irish artists Evie Hone and Mainie Jellett. They explained that they wanted him to teach them his method of ‘extreme cubism’. He wasn’t sure that he had a method, nor whether it was teachable. They were inexorable. Their gentle voices and their tenacity, he wrote later, terrified him, and he capitulated. They had accepted his pronouncements on ‘painting without subject’; now they wanted to know how. They were to be trailblazers for modernism in the newly independent Ireland, Jellett as a painter and Evie as both painter and artist in stained glass – the striking east window in Eton College is her work.

Pure gold: My Master Builder, at Wyndham’s Theatre, reviewed

From our UK edition

My Master Builder is a new version of Ibsen’s classic with a tweaked title and a transformed storyline. Henry and Elena Solness are a British power couple living in the Hamptons whose relationship is in meltdown after the accidental death of their son. Elena has scrambled to reach the top of the publishing world but she feels bitter that Henry’s career as an architect came to him so easily. When their marriage went awry, she played the field, seducing both men and women, and now she lusts after Henry’s protegé, Ragnar, a camp young stud who may be bisexual. Ragnar is almost too complicated to understand. He’s a philandering black Norwegian with dyed blond hair who speaks English in a Billy Bunter accent that includes flourishes such as ‘crikey!

The Airbnb guest from hell 

From our UK edition

‘Is there a secret passageway behind that door?’ said the weirdly difficult Kiwi as she eyed a door marked ‘private’ leading off the central staircase. ‘Yes, sort of,’ I said. Behind that door is the rear part of the house, unrenovated. So if you open it, the secret is you fall into a gap in one of the smashed floorboards, trip over a box of books or ten, fall against a stack of mattresses and tumble down a rickety staircase that lands you in the boiler and machinery room, where you will find the unfathomable clutter that is the builder boyfriend’s tool collection, the vast water tanks, groaningly driven by electric pumps, and my overflowing baskets of laundry.

Tender and gripping portrait of Edna O’Brien

From our UK edition

You could say it’s impossible to make a poor documentary about the writer Edna O’Brien as she’s never said or done anything uninteresting in her life. Point a camera and we’re away. But Sinead O’Shea’s Blue Road: The Edna O’Brien Story is especially rewarding as it is not only beautifully constructed but also includes diary entries that have never been made public before, plus an interview conducted with O’Brien in July last year just before her death. She was 93 and frail but as extraordinarily vivid as ever. She was born, she says, ‘ravenous for life’ and, blimey, what a life it was.

I’m more convinced than ever that Ian Bailey was innocent

From our UK edition

Over coffee in a seafood restaurant in the harbour, I talked with the most notorious accused man in Ireland and, I have to say, I liked him and thought he was most likely innocent. It was shortly before Ian Bailey died of a heart attack in January 2024, and I had just moved to West Cork. I bumped into him at a market day and asked if he would like to meet for lunch. I had long been fascinated by the unsolved murder of the French woman Sophie Toscan du Plantier, whose body was found by the gate of her remote West Cork cottage in 1996. After initially working on the case as a journalist, Bailey became the chief suspect and, following innumerable twists in a most bizarre case, he was eventually convicted in absentia in a court in Paris, although he managed to fight extradition.