In Memoriam

The young Tennyson reaches for the stars

Edward FitzGerald had a good story about rowing across Lake Windermere at the end of May 1835 with his old friend Alfred Tennyson. As they rested on their oars and gazed into the clear, still water, Tennyson recited some lines from his work in progress, ‘Morte d’Arthur’, describing how the Lady of the Lake fashioned Excalibur out of sight: ‘Nine years she wrought it, sitting in the deeps/ Upon the hidden bases of the hills.’ Then he gave himself a little pat on the back: ‘Not bad that, Fitz, is it?’ The lines are better than not bad, as they imagine an invisible process of creation by incorporating several fragments of earlier writing.

Forbidden love in the Great War

From our US edition

Alice Winn’s beautifully written and engrossing debut, In Memoriam, comes hot on the heels of Tom Crewe’s debut The New Life, which followed the tortured relationship between two men at the turn of the century, and was loosely based on the life of the scholar John Addington Symonds. Winn has turned her impressively attuned eye to World War One, and two young men who fall in love at their public school (old money, military and aristocratic connections, tailcoats and buggery), before heading off to the front; the flower of their generation, doomed to die as the mechanistic future tears apart chivalric ideals, and society starts to question its very nature.

Winn memoriam