Garsington

Nature smiled on the opening week of Opera Holland Park’s new season. There’s no better advertisement for semi-outdoor opera than an unseasonal heatwave, and it brought its own authenticity to Puccini’s La fanciulla del West, in a new production by Martin Lloyd-Evans. The wooden cabins and trestle tables of the set had a parched look and you could imagine the smell of pines and sagebrush as the evening grew dark in real time. And never more so than in the final scenes, where Puccini’s gunslinging heroine Minnie gets her man and the world flushes red and gold as they venture off into the sunset. True, you needed to factor out the squawking of the Holland Park peacocks – and the blizzard that Puccini specifies in Act Two – but the point stands.

Fast times on Mount Olympus. Jupiter has been shagging around again and now his wife Juno has bailed on their hit reality show Jupiter & Juno, storming off set in a thundercloud of gold lamé and wheeled luggage. The producers are freaking out. Production runners scamper in all directions until Bacchus sends out to Starbucks and they all sit down to brainstorm a route out of ratings Hades. Meanwhile the luxury villa lies silent, its jacuzzi empty and the fake grass scattered with cardboard coffee trays. Cupid, it turns out, might have a plan – she knows a wannabe called Platée and, hilariously, she’s a total minger. Garsington’s new Platée is Greco-Roman mythology restaged as Celebrity Love Island And that’s just the prologue.