France

A few days ago, Raphaël Glucksmann, a French Member of the European Parliament and co-president of the left-wing Place Publique party, proposed that the United States return the Statue of Liberty to France.  In a speech on March 16, he argued that the US, under the Trump administration, no longer embodies the values of democracy and freedom that the statue represents.  Glucksmann said, “We’re going to say to the Americans who have chosen to side with the tyrants, ‘Give us back the Statue of Liberty.’ We gave it to you as a gift, but apparently you despise it. So it will be just fine here at home.” Be careful what you wish for.

Has there been a more cataclysmic year for US-Europe relations than 2025? It began with J.D. Vance’s “sermon” to EU leaders at the Munich Security Conference last month, in which he berated Western Europe for its policies on immigration and free speech. This year has also seen the growing threat of NATO falling apart after 76 years of peace in Western Europe, with the White House seemingly tilting toward Russia and Trump demanding that alliance members such as Germany, France, and the U.K. dramatically increase their defense spending. This week, as the Trump administration imposes tariffs on Europe and Europe retaliates, there are even signs of a full-scale trade war.

Cambridge, England Inscribed on the lid of a two-manual harpsichord in Holy Trinity Church at Hildersham in Cambridgeshire is the Latin tag Musica Donum Dei — music is a gift of God. It was a sentiment I could hardly quarrel with as I listened in the little twelfth-century church to a variety of baroque sonatas for violin, recorder, cello and harpsichord. They were expertly performed by the Azur Ensemble, which is comprised of recent graduates of the Royal College of Music. A particular standout was the French harpsichordist Apolline Khou, who has performed widely in Europe and in a solo concert for King Charles III.

Over the headline “Peace Mission,” a recent cover from the conservative Hungarian periodical Mandiner shows an awkwardly photoshopped Viktor Orbán mediating between a bemused-looking Vladimir Putin and a grim Volodymyr Zelensky. Behind Orbán, a map of the world connects Kyiv, Moscow, Beijing, Washington and Budapest. One of these capitals, as they say, is not like the others. Even before Ukraine’s Kursk offensive, the chances of Orbán’s July trips to Kyiv and Moscow producing a peace settlement were slim. The Mandiner cover, however, is a revealing window into the mindset of Orbán’s conservative fans. The idea of a Hungarian prime minister mediating between squabbling great powers is both attractive and plausible to many of Orbán’s fervent supporters.

I have been in Paris the last few days and by coincidence am staying cheek by jowl (joue contre joue?) with the Eiffel Tower, site of France’s version of those “mostly peaceful” and of course eminently wonderful protests against “the far right” last week in the aftermath of Marine Le Pen’s strong showing in the first round of voting for seats in the National Assembly. The second round took place yesterday, and there were some of us who hoped that Le Pen’s Rassemblement National Party would sweep the field. France has an excellent law that neither the media nor politicians may comment publicly on an election until the polls close, which last night was at 8 p.m.

Last summer, I spent some time in and about Port-en-Bessin-Huppain in Normandy. The little fishing village and its surrounding towns on the English Channel (“La Manche,” “the sleeve” en français) is delightfully picturesque in that rugged, elemental way that proceeds from the collision of tempestuous sea and commanding headland. Expansive fields of corn and other crops ripened fast, orderly in their serried, midsummer ranks. Orange-red poppies punctuated the grassy, flower-strewn verge and complicated the landscape, heavy with age and history. Poppies are for remembrance — and there’s a lot to remember in these parts.