Food

Penny is an all-day café in the former Pit Bar in the basement of the Old Vic, a famous and charismatic theatre on the road to south London. I love the Old Vic on its pavement peninsula on The Cut by Waterloo. Sirens screech past; after a particularly calamitous accident, you can hear them from the stalls. (Best to see a musical here; A took me to Kiss Me, Kate when we married, to show he understood me.) It feels — although this may be a lie — like theatre for The People, as they might be but almost never are. It is fierce, shabby and rigorous, although during the 1980 Peter O’Toole Macbeth the laughter carried as far as the trains chugging out to Dorking.

Pedro’s Tex-Mex Cantina is a fantastical shack near a ring road in Norwich. It was recently asked to stop handing out sombreros at the University of East Anglia Freshers’ Fair, because anti-racist activists (henceforth known as ‘morons’) at the UEA Freshers’ Fair reckon the sombrero is racist, and gave the staff of Pedro’s Tex-Mex Cantina a lecture about ‘cultural appropriation’, which they took well; that is, they did not set fire to the UEA Freshers’ Fair, which is what I would have done. This is where we are with progressive politics, Spectator reader, although I think you knew that anyway.

The UK produces 3.6 million tonnes of plastic waste every year, 1.5 million tonnes of which takes the form of packaging that passes through households like mine. So the government has taken a stand. This week, large shops became required by law to charge 5p for every single-use plastic carrier bag they give out. According to Defra, supermarkets gave out 8 billion, or 57,000 tonnes, of plastic bags in 2013. And I’m more than happy to embrace my ‘bag for life’. But how much difference will it really make, however, given the overabundance of plastic packaged products that will go inside it?

Mum’s, or to use its full title, Mum’s Great Comfort Food, is a restaurant in Edinburgh designed to soothe itinerant performance artists. For, in the fag days of August, as the Fringe dies — it will be reanimated next year by the blood of Citizen Puppet and Nicholas Parsons — assorted actors and comics and cabaret artists and mime artists and circus artists and ballet dancers and tap dancers and flute players and face painters and sketch performers and one-woman-show specialists (expiating rejection by standing in bins) and the guy who dresses up as Darth Vader are more ulcer than human being; and that is before we get to the clowns, who are in a special sub-section of desolation, even if Puddles Pity Party did get five stars.

There are many good reasons for being in Edinburgh in August, when the population doubles and nobody looks twice if you walk down the street in a sequinned basque with a man dressed as a leopard on a leash. One of those reasons is a certain kind of lunch — an assortment of natives augmented by visiting actors, writers, journalists and any other good talkers who happen to be passing. And so to the elegant New Town flat of journalist Katherine O’Donnell with campaigner and memoirist Paris Lees, actor Rebecca Root, novelist and journalist Ben McPherson and human geographer Jo Sharp. The first question is, of course, ‘What have you seen that’s good?’ Because that is the only question on everyone’s lips during the festival.

A time will come when the Guardian declares war on your favourite food. The lefty bible has so far deemed HP sauce to be the condiment of 'the establishment', tea drinkers to be on the same level as 'colonialism and the class system' and barbecues to be approaching racist. Now, the Sunday roast has had its comeuppance. In a head to head titled 'Should Sunday roast dinners still be on the menu?', Philip Hoare -- a cultural historian -- writes in the Guardian that the traditional roast is an 'oppressive outmoded practice'. He says that just the thought of a roast dinner evokes 'received memories of oppression and an enslaved work force'.

[audioplayer src="http://rss.acast.com/viewfrom22/thecleaneatingcult/media.mp3" title="Ian Marber, Isabel Hardman and Lara Prendergast discuss the cult of clean eating" startat=40] Listen [/audioplayer]The supermarket aisle has become a confusing place. It used to be full of recognisable items like cheese and butter; now you find yourself bamboozled by all manner of odd alternatives such as ‘raw’ hummus, wheat-free bread and murky juices. You have to stay pretty alert to make sure you pick up a pint of proper milk, rather than a soy-based alternative or one free from lactose. Supermarkets have become shrines to ‘clean eating’, a faith that promises happiness, healthiness and energy. Food is to be worshipped — and feared.

We were eating tapas and talking about Spain. Leaving caviar on one side, when jamón ibérico is at its best, there is nothing better to eat. In the Hispania restaurant, it is always at its best. Nothing could match it, although Hispania’s cured leg of beef, the anchovies, the black pudding and the blood pudding all gave their uttermost. But there was one marginal disappointment. Gazpacho is one of the world’s great dishes, and like several others — haggis is the obvious comparison — it began as a food for the poor, only using cheap and readily available ingredients. Early recipes call for only stale bread, water, olive oil — and garlic. Most modern gazpachos would include tomato, peppers and onion, but the garlic is essential.

The Gatto Nero — or ‘Black Cat’ — is in Burano, a tiny island in the Venetian lagoon. It is close to ‘haunted’ Torcello, with its ancient campanile and its branch of the Cipriani restaurant. (The only equivalent thing I can imagine is a branch of Soho House at Dracula’s castle, or possibly Chernobyl.) I like the name Black Cat; it reminds me of the Blue Parrot in Casablanca. I like that you must leave San Marco, with its tat and wonders combining queasily, to get here; I like the brightly coloured houses like Bratz dolls fighting; it looks, to me, like Notting Hill with fish, lace and a soul. I like that the Black Cat has a black cat; or at least it used to. I do not see it today. Perhaps it left suddenly, or died?

The Maze Grill is on a sinister street in Chelsea, between a small Tesco — a boutique Tesco? — and a shop selling ugly sculptures of cats. The Chelsea Physic Garden, with its poisoned plants and amazingly posh Sunday walkers, is nearby. I cannot walk in the Physic Garden without hearing the howls of property developers from the skies, longing to destroy it, because what is it for, this garden and its small carnivorous plants, these tiny, dangerous Chelsea-ites? The Maze Grill is the fifth restaurant of that brand from Gordon Ramsay, who operates 25 restaurants globally from Las Vegas to Raqqa, alongside his more important sideline of shouting at people as they chop fish on television.