Films

Quentin Tarantino’s iconoclastic obsessions

Quentin Tarantino’s inevitable first volume of film writing presents a challenge: how can an established artist, especially one this famous, pivot to criticism? No matter how insightful his opinions, it runs the risk of merely illuminating what he values as a filmmaker. To his credit, Cinema Speculation doesn’t pretend it’s not taking you through a highly personal journey of one man’s cinematic obsessions. The tone isn’t too far off from the hundreds of interviews he’s given for thirty years. References to his own films are common, and unlike serious critics, he can pepper his criticism with quotes from sources he can call at any time — from critics (Elvis Mitchell) to filmmakers (Walter Hill) to miscellaneous others (Robert Wuhl).

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Why is there no great Thanksgiving movie?

In about a month’s time, one of the most boring conversations in social media discourse will begin (assuming Elon Musk hasn’t taken Twitter away from us out of pique). "X is a Christmas film." "X is not a Christmas film." And so on, as keyboard warriors angrily debate whether the eclectic likes of Die Hard, Lethal Weapon and Love, Actually qualify for this designation, as purists claim on endless Reddit threads that a Christmas movie can only be so-called if the plot and events are entirely driven by the festive season itself. Even for those of us who would argue that Die Hard and It’s A Wonderful Life make the perfect Christmas double bill — wider designations of the term be damned — there is considerably less debate as to what makes a Thanksgiving film.

Was Gary Hart the best president we never had?

The dumbest assertion ever issued in the history of American politics was purportedly uttered by Gary Hart to The New York Times magazine in 1987: ‘Follow me around, I don’t care.’ The Colorado senator, then the front runner for the Democrats’ presidential nomination, was responding to rumors that he was a womanizer. ‘I’m serious. If anybody wants to put a tail on me, go ahead. They'd be very bored.’ What followed, at least in popular memory, became the paradigmatic cautionary tale for American politicians in the age of modern media. The press accepted Hart’s challenge, investigated his personal life, and quickly produced evidence of an extramarital affair: a photo of the senator sitting on a dock with Donna Rice, a much younger woman, straddling his lap.

hugh jackman gary hart the front runner