Film

The Unbearable Weight of Massive Talent stars Nicolas Cage playing a version of Nicolas Cage, in a parody of Nicolas Cage and the many, many films of Nicolas Cage. This couldn’t, you will have already surmised, be more Nicolas Cage, and if you are wondering how much Nicolas Cage is too much Nicolas Cage you could say any amount of Nicolas Cage is always too much Nicolas Cage. But that’s exactly what this film is playing with and it’s a hoot. Cage fans will want to fill their boots. My own face hurt by the end It is directed by Tom Gormican, who co-wrote the film with Kevin Etten, and Nicolas Cage plays ‘Nick Cage’, a Hollywood movie star famed for his unique, unhinged intensity – why does that sound familiar?

Operation Mincemeat is based on the book by Ben Macintyre, which in turn is based on what Sir Hugh Trevor-Roper called ‘the most spectacular single episode in the history of deception’. It is so spectacular that the film doesn’t have to do much aside from tell it, and that’s what it does, straightforwardly, plainly, no bells and whistles. It’s a classic tale of British second world war derring-do and the sort of film you’ll watch with your dad on a Sunday afternoon, before or after Ice Cold in Alex. Plus it has a terrific cast that includes not one but two Mr Darcys (Colin Firth and Matthew Macfadyen).

Next week marks the release of the third J.K. Rowling-scripted Fantastic Beasts film, a series that has overstayed its welcome. This latest iteration is subtitled The Secrets of Dumbledore. As if to wrong-foot those who would smirkingly speculate that one of Dumbledore’s secrets is his sexuality, the film opens with the old wizard and his former lover-turned-nemesis Grindelwald (now played by Mads Mikkelsen, replacing a disgraced Johnny Depp) mourning the end of their love affair, which at least makes the homosexual subtext hinted at in previous films explicit. But that, alas, is about it for any kind of coherence, or interest, or originality.

It may come as a surprise to anyone who has read Mick Herron’s peerless Slough House novels, but Slow Horses, Apple TV’s high-profile adaptation of the first book in the series, is not funny. Instead, it takes Herron’s uproariously comic premise — that a group of misfit British spies, cast out of MI5 for misdemeanors exaggerated and accurate alike, have been reduced to grubbing about in a grim office on the periphery of the City of London — and plays it almost entirely straight. Gone are the laugh-out-loud one-liners and endearingly witty pieces of throwaway badinage. Instead, we have a big-budget spy thriller, polished and scripted to within an inch of its life. It’s a bit like seeing the Fresh Prince of Bel-Air reinvented as a gritty urban drama.

The news that Bruce Willis is to “step away” — rather than explicitly retire — from acting following a diagnosis of the brain disorder aphasia, is sad for both personal and artistic reasons. Even as a flood of stories emerge about Willis’s erratic and unpredictable behavior on film sets over the past few years, it is a bitter irony that, after a lengthy career as the tough guy hero — in Armageddon, he defeated no less an antagonist than a planet-threatening asteroid — the actor has finally been undone by his own brain. The news also makes the recent receipt of Willis’s Golden Razzie “award” for his performance in Cosmic Sin particularly cruel, not least because he was “honored” with a special category, “Worst Performance by Bruce Willis in a 2021 Movie.

This year the Oscar for best film went to the drama Coda – ‘Child of Deaf Adults’ – but the ceremony will now probably only be remembered for Wsscrfmhw (‘Will Smith Slapping Chris Rock For Mocking His Wife’). And we thought that mix-up over envelopes was exciting! But back to the film, which beat the favourite, The Power of the Dog, although Jane Campion did win best director, making her the third woman ever to do so. That’s three women in 93 years of the awards. If we carry on at that rate, by the turn of the next century it may even be five. Coda is only viewable on Apple TV+, the first streaming service to scoop the big prize.