Eroticism

I received this book for review on the same day that Dorothea Tanning was making headlines in the auction world, breaking records with the sale at Christie’s of a tiny but key early work for more than £4 million. Her prices have risen an astonishing sevenfold in the past year, as collectors cotton on to her significance as a Surrealist; and while she may still be trailing on Leonora Carrington’s coat-tails, she looks to be steadily catching up.   Born in America to Swedish parents, Tanning was the very model of a fiercely independent artist, and her works are singular and disquieting like few others. She was largely self-taught as a

‘He was the true Willy Wonka of film-making – I feel like I won the golden ticket getting the chance to work with him!’ The speaker is Lara Flynn Boyle, who played Donna Hayward, the friend of the murdered Laura Palmer in David Lynch’s small-screen masterpiece Twin Peaks. That comparison, cited in John Higgs’s terrifically lucid and compact study of the filmmaker, who died in January, aged 78, is rather brilliant. Plenty of actors might feel they’ve won a golden ticket in getting to work with some famous director, but none of those others get to be described as Willy Wonka: a genius with a dash of eccentricity, enclosed in