Elizabeth chudleigh

In the satirical print ‘Remarkable Characters at Mrs Cornely’s Masquerade’ from February 1771, the Georgian craze for dressing up as fantastical characters is shown in all its theatricality and wild invention. The harlequin was always popular, as was the domino, but here we also have a ‘Savoyard’ (supposedly from Savoy) playing a hurdy-gurdy with his dancing bear in tow, a nun in full habit, ‘Mad Tom’ with wild hair and ragged clothes, and, perhaps weirdest of all, a coffin, decorated with a skull and crossbones. Peeping out from beneath its sombre frame are the two ridiculously dainty feet of the masquerader.

At the masquerade celebrating the end of the War of Austrian Succession no one could take their eyes off the beautiful Elizabeth Chudleigh. She had come, she said, as ‘Iphigenia, ready for the sacrifice’, and it was what she was wearing — or to all appearances not wearing — that caused a sensation that lasted for months. In the candlelight, her clinging costume of flesh-coloured silk made her appear completely naked; ‘a perfect review of the unadorned mother of mankind’, said one account. The furore caused by this episode was only eclipsed when, 27 years later, Elizabeth, now the widowed Duchess of Kingston, was put on trial for bigamy.