The obsession with diversity in theatre risks spoiling Shakespeare
From our UK edition
Twelfth Night launched at the National Theatre this week, with Malvolio turned into Malvolia. ‘We’ve definitely upped the gender-bendedness of the play,’ says Phoebe Fox, who is acting Olivia. Otiose, one might think, since the original is gender-bent to perfection. But Shakespeare did not have to wrestle with the strict controls now demanded in the subsidised theatre. In the same feature in which Phoebe Fox speaks, Ben Power, the deputy director of the National, tells the Sunday Times, ‘There are agendas we are aware of now, and we have targets in terms of gender and ethnicity, because we want to be as diverse as possible, speaking to our audiences, reflecting the nation to them.