Comedy

Alan Partridge has had more incarnations than Barbie

From our UK edition

Alan Partridge is back, and this time he’s restoring a lighthouse. The third volume of the Norfolk microstar’s faux autobiography is a meticulous parody of the celebrity-in-search-of-a-televisable gimmick genre, blending fan-friendly, behind-the-scenes tales of his more recent public adventures (This Time, Scissored Isle, From the Oasthouse) with a classic midlife lurch for purpose, part Griff Rhys-Jones rescuing threatened buildings, part Clarkson’s Farm. Though Steve Coogan’s id-slaying monster started out as a media satire, Alan Partridge has become a vital national mirror in which middle-aged, middle English, middleweight, middlebrow man (let us call him Homo Partridgensis) can watch himself weather and crumble.

Cancel culture comes for two new victims

A couple of weeks ago my husband and I plopped on the couch for a quiet evening in and turned on the new Netflix comedy special Natural Selection by Matt Rife. We were both vaguely aware of Rife because he’s posted some videos of his crowd work that have gone viral on social media. Young women in particular seem to like him because he can be quite charming on stage and will openly flirt with female audience members (Gen Z would describe Rife’s charisma as “rizz,” I think). The set was fine but not super memorable, so I was caught by surprise when I recently saw an article on BuzzFeed explaining that Rife’s fans were furious with him over a joke he made regarding domestic violence.

No laughing matter: accusations of transphobia wrecked Graham Linehan’s life

From our UK edition

Graham Linehan is an unlikely political campaigner, but in 2018 the sit-com writer embarked on a second career in what is possibly the most contentious and vitriolic arena of our time. According to Linehan, he was fighting for women and children, but his advocacy has cost him dear. Accused by his opponents of transphobia, he has found himself out of work and out of his marriage. Jobs began falling away, and a tour to Australia to teach comedy was cancelled In Tough Crowd, he tells the story of how he ‘made and lost a career in comedy’. It’s a tough read – a man who once made so many people laugh saw his career come to a ‘screeching halt’. Love him or loathe him, he is undeniably forthright and unapologetic.

‘Comedy is much more important than I thought’: John Cleese on the press, his new talk show and the power of Fawlty Towers

From our UK edition

John Cleese enjoys tough questions. He’s currently touring America with An Evening with the Late John Cleese, and a substantial part of the show is thrown open to the audience. He tells me that when someone asks a particularly rude question – such as ‘Why can’t you stay married?’ – it simply adds to the fun. Another one of his favourites is ‘What’s the worst film you ever made?’ I ask him the same question. ‘Well, there are a lot of contenders,’ John says. Apparently his ‘sabre-toothed daughter’ Camilla might have the answer, because she often introduces him to the stage as ‘the star of The Pink Panther 2’. When I tell John that I haven’t had the pleasure of seeing it, he offers me some succinct advice: ‘Don’t.

Shane Gillis and the return of the dawgz

When the history of comedy’s resurgence in the early twenty-first century is written — when masses of people, silenced by the speech codes of the day, found solace and contrarian hope in the words of unsilenced comics — Shane Gillis will be a major turning point in that story.  It’s not just that he’s arguably the best stand-up under forty working today; it’s that his work won out over all the obstacles the world threw at him. He is now the comedy world’s embodiment of the Streisand Effect, where his attempted cancellation functioned instead as a rocket ship for his career based not on victimhood but on the stubborn nature of his skill. Gillis’s first special, Live in Austin, was a YouTube joint that has racked up 14 million views.

shane gillis

Have you missed them?

You may or may have not noticed, but there is currently a writers’ and actors’ strike happening across Hollywood. Major film productions have been shut down, as have regular television and streaming shows. No new content. Anywhere.  This also applies to all late-night talk shows. There hasn’t been a fresh new episode of Stephen Colbert’s Late Show, or The Tonight Show with Jimmy Fallon or Kimmel. All three network shows have downed tools in solidarity with the strikers. The question is: has anyone noticed, beyond their niche core audience of coastal liberals, for whom such programs have become little more than political group therapy sessions?

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What a joke

From our UK edition

The award for the funniest joke at this year’s Edinburgh Fringe was won by Lorna Rose Treen, with this: ‘I started dating a zookeeper, but it turned out he was a cheetah.’ There you go. It’s hard to know where to begin, isn’t it? Maybe with the fact that the joke doesn’t really work. Why would a zookeeper be a cheetah? Just because his work may involve looking after them? There’s no sense to it: the bloke just works in a zoo. If she’d said ‘I started dating a big cat – turned out he was a cheetah’, then that still wouldn’t be terribly funny but it would at least have semantic integrity.

‘I disliked him intensely’: Richard Lewis on first meeting Larry David

From our UK edition

Richard Lewis has died at the age of 76. Ben Lazarus interviewed him for the magazine last year: Richard Lewis first met Larry David at a summer sports camp, aged 12. ‘I disliked him intensely. He was cocky, he was arrogant,’ Lewis says. ‘When we played baseball I tried to hit him with the ball: we were arch rivals. I couldn’t wait for the camp to be over just to get away from Larry. I’m sure he felt the same way.’ Eleven years later they met again on the New York stand-up scene – but didn’t recognise each other. One evening, as they drank into the night, it dawned on them. ‘I looked at his face and I said, “There’s something about you, man, that spooks me.” Just saying that spooks everyone!’ It clicked. ‘“You’re Richard Lewis!

Trump, Diogenes, the Mitfords and Malaysian comedy: Edinburgh Fringe round-up

From our UK edition

The Mitfords is a superb one-woman show by Emma Wilkinson Wright who focuses her attention on Unity, Diana and Jessica. In the early 1930s, Unity became Hitler’s lover and she lived in a luxurious Munich apartment confiscated from a wealthy Jewish family. The Führer, whom she nicknamed ‘Wolfie’, gave her the pearl-handled revolver with which she shot herself in the head shortly after Britain’s declaration of war. To carry out this bizarre act of self-sacrifice she chose a favourite spot in Munich’s English Garden where she used to sunbathe naked. In wartime Britain, Diana was held in Holloway prison and she complained bitterly about being separated from her baby boy, Max, and about the hefty sandbags that prevented daylight from reaching her cell.

Rizal Van Geyzel races through his 60-minute set peppering the material with snatches of Chinese, Tamil and Malay

Forgettable stuff: The Crown Jewels, at the Garrick, reviewed

From our UK edition

In the 1990s, the BBC had a popular flat-share comedy, Men Behaving Badly, about a pair of giggling bachelors who were scolded and dominated by their mummy-substitute girl-friends. The author, Simon Nye, has written a historical crime caper about the theft of the crown jewels in 1671, as Charles II prepared to celebrate his tenth year on the throne. The psychological co-ordinates of the play are poorly handled. The thief, Colonel Blood, is an irritating Irish crosspatch who wants to drive the hated English from his homeland. Charles (played by Al Murray) is more attractive, a fun-loving gadabout who enjoys sex, jokes and science and who can’t bear Puritans. So the audience sides with the King and hopes that Blood’s vindictive scheme will fail.

what we do in the shadows

Why What We Do in the Shadows works

Before Taika Waititi achieved his current state of half-ironic, half-irritating ubiquity, he made small, often brilliant films. One of the most notable ones was the 2014 New Zealand comedy horror picture What We Do in the Shadows, which he co-created and co-directed with Flight of the Conchords star Jemaine Clement. Horror comedies are notoriously tricky to get right tonally, but the film — which admittedly leant far more heavily on the comedic aspects — was a modest box-office hit and became yet another step on Waititi’s stroll to Hollywood dominance.

Can topical comedy survive?

From our UK edition

Seen any good stand-up recently? It’s a loaded question, but if you have, there’s every chance you didn’t view it via terrestrial TV. You might instead have laughed at some brash American on Netflix, or a deeply un-PC comic on YouTube – or more likely still, a comedian sitting in the palm of your hand. Over the past 12 months in particular, stand-up clips have been going down a storm on platforms such as TikTok and Instagram. The kind of clips which do well online have come as a surprise to some of the industry’s traditional gatekeepers. In a shock twist, it seems audiences still find stuff about the differences between men and women pretty funny (and we’re talking behavioural differences here, rather than biological or semantic ones).

How movie execs are ruining comedies

Adam Devine, the star of the hit television series Workaholics and new Netflix movie The Out-Laws, recently gave some insight as to why comedies are hardly ever made by movie studios anymore. Devine appeared on the most recent episode of comedian Theo Von's podcast, This Past Weekend, where the pair discussed the downfall of comedy in movies. Devine, who also appeared in the Pitch Perfect series, surmised that high-budget superhero movies made comedies and other low-budget films less attractive to viewers spending money on theater tickets. He and Von also pointed out how movie executives try to force political and moral messages into their content — and that there is no longer "funny for funny's sake." "There's no hidden message," Devine said of his new movie.

adam devine movie comedies

Gag order: China’s stand-up comedy crackdown

From our UK edition

‘The Chinese Communist party is probably the funniest thing that exists,’ the dissident artist Ai Weiwei once told me, ‘but it doesn’t have a sense of humour.’ The brave band of comics in China’s fledgling stand-up comedy scene are discovering that poking fun at the grim-faced old men who run the country with an ever-tighter grip is a dangerous pursuit. Last month, at a comedy club in Beijing’s Dongcheng district, 31-year-old Li Haoshi mocked a military slogan coined by President Xi Jinping. Li said that ‘Forge exemplary conduct! Fight to win!’ reminded him of his two dogs chasing a squirrel. A clip of the show spread rapidly online.

What makes a novel funny?

What makes a novel funny? As well as being too enormous a question to tackle properly here, such an enterprise would, I suspect, require so clinical an approach to reading comic fiction as to remove entirely any possible joy or amusement. As the old saying goes, deconstructing a joke is like dissecting a frog: nobody laughs, and the frog dies. However, the question came to me again recently, as I reread John Kennedy Toole’s A Confederacy of Dunces. I howled with laughter from the initial farcical scene outside a department store, through Ignatius J.

funny novel

Did CNN censor America’s top comics?

“Thanks to the woke police, in 2023, Mark Twain would never win the Mark Twain Prize for American Humor.” This David Spade joke isn't exactly L-O-L funny — it sounds more like something a crotchety senior citizen would growl at the TV about those wokey hokey cancel culture snowflakes. But nonetheless, people, particularly comics should feel able to speak freely. But sadly, there's some truth to Spade's gag, which he delivered on March 19 as part of his remarks at the awarding of the 2023 Kennedy Center’s Mark Twain Prize for American Comedy to his longtime collaborator Adam Sandler. It’s 2023 and that means that certain ideas are viewed as unfit for wider consumption.

adam sandler comics cnn

Woke culture is strangling comedy

From our UK edition

Three weeks after that South Park episode and the memes just keep on coming. Despite years of highly articulate fulminating against the preposterous pair by essayists like myself, there’s a feeling that the satirical cartoon was the conclusive blow to the Sussexes' reputation – no well-turned phrase will ever better the glorious awfulness of ‘The Worldwide Privacy Tour’. One of the things that the woke hate most about our lot is the fact that we’re far more amusing. Their natural mode of address is to scold – and scolding and wit are polar opposites. I daresay some clown somewhere has stated that punchlines are probably imperialist.

Woody Harrelson trolls the authoritarian left on SNL

In 2022's Triangle of Sadness, the first English language film from Force Majeure director Ruben Östlund, Woody Harrelson plays an addled Marxist captain of the Cristina O — in real life, the former yacht of the Onassis family, in the movie a doomed cruise vessel for the ludicrously rich. Harrelson is a jaded observer and capitalist critic who despises his passengers, choosing to order a cheeseburger and fries when others dine on oysters and caviar. He reads passages from Noam Chomsky into the microphone as the wealthy devolve into a roiling pile of puke and shit: "There are very few that are gonna look in the mirror and say, ‘the person I see is a savage monster.’ Instead, they make up some construction that justifies what they do.

Woody Harrelson delivers his monologue on Saturday Night Live (NBC/YouTube screenshot)

Roseanne is trapped in her own cancellation

Roseanne Barr is back on the screen again. The once-beloved comedienne and namesake of the hit sitcom from the late Eighties and Nineties, Roseanne, has a new comedy special on Fox Nation, the subscription service from Fox News. Titled Cancel This, it hearkens back to the short-lived Roseanne reboot, which aired from 2017 to 2018 before being canceled after Barr tweeted a picture of Obama advisor Valerie Jarrett with the caption “muslim brotherhood & planet of the apes had a baby=vj.” What should have happened next, Roseanne says, was for Jarrett to appear on the show to roast her, both the person and the character. It would have been a teachable moment. It would have gotten tens of millions of views. Instead, though, she was canceled.

roseanne

The tragedy of Fawlty Towers

From our UK edition

The secret of any great sitcom is the delicate balance of sit and com. Mess the 'sit' bit up and you lose the 'com'. Del Boy without Nelson Mandela House is as unthinkable as Alan Partridge without his 'grief hole' (aka the Linton Travel Tavern), which is why both of these characters eventually came unstuck. Sending the Grace Brothers' employees on holiday to Costa Plonka in the 1977 Are You Being Served? feature-length comedy fell flat because, devoid of petty department store politics, the characters had no reason to exist – thus audiences felt cheated.  Remove tightly written characters from their uncomfortable surroundings and viewers stop caring.