Comedy

After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. After the Christmas ‘funny’ books, here’s an even larger pile of Christmas ‘quirky’ books. In practice, quirky books aren’t just for Christmas, they’re for the whole year round. But try telling a publisher that. Thousands of them have been pouring out this autumn, and in the pre-Christmas jungle good books will surely be lost, consumed by larger and nastier predators in a single contemptuous gulp. In Ghoul Britannia (Short Books, £12.99), Andrew Martin muses on ‘a nation primed for ghostliness’.

Michael Palin is the meekest, mildest and nicest of the Pythons. The latest chunk of his diaries traces his attempt during the 1980s to break away from his wacky colleagues and forge a film-making career in his own right. The title, Halfway to Hollywood, reflects his modest, circumspect nature. We first meet the millionaire filmstar living a monkish existence in Camden in 1980. He occupies an ordinary townhouse. His three children attend state schools. And he drives a Mini, albeit with a sun-roof. To concentrate on screen-writing he turns down $180,000 to appear in a Hollywood movie (you should multiply by about six to get today’s values) and a week later he goes to Hamleys, where he startles himself with his extravagance by spending £59.

The habit of dividing the past into centuries or decades might be historiographically suspect, but by now it seems unavoidable. And it is possible that, because we now expect decades to have flavours of their own, they end up actually having them. We change our behaviour when the year ends in 0. Can there be anyone who has never used ‘The Twenties,’ ‘The Thirties,’ ‘The Fifties’ or ‘The Sixties’ as historical shorthand, expecting his interlocutor to know exactly what he means by it? By comparison with the Sixties, the flavour of the Seventies is indistinct and muted.

Free association underpins the comedy of Lorrie Moore’s writing — or perhaps the verb should be ‘unpins’, since her prose spins off in tangential, apparently affectless riffs. Free association underpins the comedy of Lorrie Moore’s writing — or perhaps the verb should be ‘unpins’, since her prose spins off in tangential, apparently affectless riffs. Even the title of A Gate at the Stairs tugs in different directions. It is a baby-gate; since this novel starts as a comedy — of sorts — about adoption. (But, as the adopting mother says, while mashing flower bulbs into a poisonous puree, the French ‘have jokes that end “And then the baby fell down the stairs.” ’).

Home to Roost and Other Peckings by Deborah Devonshire, edited by Charlotte Mosley As Alan Bennett says in his introduction, ‘Deborah Devonshire is not someone to whom one can say “Joking apart . . .” Jok- ing never is apart: with her it’s of the essence, even at the most serious and indeed saddest moments.’ And so, of course, this book is full of jokes: the Chatsworth gamekeeper who used to refer to the Duke of Portland as ‘His Other Grace’; the agent at Bolton Abbey who every year used to put a final item on their bill for the unconscionably expensive August grouse shooting: ‘Mousetraps — 9d’; the ladies gathered at pre-war balls: ‘Some of the young women were fairylike in their beauty. The old and fat were not.

Israel Rank, by Roy Horniman It was the second or third time that I ever saw Kind Hearts and Coronets that I noticed in the opening credits: ‘Based on the novel Israel Rank, by Roy Horniman’. It prompted a ten-year search for the book in secondhand shops that finished in a dusty corner of a Suffolk village more than a quarter-of-a-century ago. I am not given to hyperventilation, but on that occasion came perilously close to it. I have never seen another copy, and a search on the internet returns only pleas by would-be readers to find them a copy. Mine is the 1948 reprint, with an introduction by Hugh Kingsmill. In its tatty but intact dust-wrapper, and with a scribble telling me I paid 60p for it in 1982, it is apparently now worth hundreds.

Last Chorus: An Autobiographical Medley, by Humphrey Lyttleton ‘Old Etonian ex-Guards Officer jazz trumpeter’. That was the way tabloid gossip columnists used to describe Humphrey Lyttelton (1921-2008) in the early years of his fame. Not long after he was released from the Grenadiers at the end of the second world war, he hyphenated his identity to become Old Etonian ex-Guards Officer jazz trumpeter-bandleader-broadcaster-cartoonist-calligrapher-birdwatcher-gastronome-paterfamilias. In this amiable hotch-potch of a book, he reviews every aspect of his multifaceted life with bonhomous éclat. Now, as ever, Humph swings. His father, C. W.

Just What I Always Wanted: Unwrapping the World’s Most Curious Presents, by Robin Laurance What might seem an obviously Christmassy book is Robin Laurance’s Just What I Always Wanted: Unwrapping the World’s Most Curious Presents (Quercus, £9.99); but it is mainly about birthday presents. One thing that it doesn’t include is a present I saw advertised in Los Angeles when I lived there in the 1980s: a silver dustbin studded with precious stones — ‘for the man who has everything and wants to throw some of it away’. What the book does have is the things given by X to Y on every day of the year. An odd assortment of people was born on 1 January, including Idi Amin, E. M. Forster and J. Edgar Hoover ‘and a lot of number plates’.