Comedy

This utterly charming, totally bonkers short novel is something from another age. There are elements of A Handful of Dust (the young girl trapped reading Dickens), of Rebecca (the undervalued companion of a cantankerous employer), of fable and fairy tale and even of Restoration comedy. Victoria, young, pretty, big-bosomed, is the companion of a blind man of letters who lives in considerable style in a house in Italy. Her mother is drunk, her employer eats only eggs and dislikes women. Escape she must, and she does so via a vapid young man who falls swiftly in love with her, marries her and conveniently dies. Enter Lettice, a mother-in-law direct from Hades.

For the first time in years, I thought of Tony Hancock. In the ‘Blood Donor’ episode of Hancock’s Half Hour, Hancock exits a doctors’ surgery singing the words ‘coughs and sneezes spread diseases, catch the germs in your handkerchief’ to the tune of Deutschland, Deutschland Ueber Alles. I have only seen this clip once or twice, but evidently it made a lasting impression because there it was, in my mind’s ear, on being confronted by a 1940s anti-flu poster at the British Library’s propaganda exhibition. Propaganda: Power and Persuasion features more persuasion than power. Goebbels and Uncle Sam are represented, but do not dominate. Indeed, the curators challenge the notion that propaganda is negative or a necessary evil when at war.

It’s just a guess, but I suspect that the mere sight of this book would make David Cameron gnash his tiny, perfect dolphin teeth until his gums began to bleed. What on earth can he do about Boris Johnson? What can any of us do? There’s something inexorable — irresistible even — about his progress,  and this slender volume of drolleries represents another small step on the increasingly well-lit path to ultimate power: what may come to be known as the ‘Boris Years,’ or even the ‘Boris Hegemony’. This book thus becomes more than merely amusing and entertaining (it’s both, needless to say); it becomes potentially significant. Future generations may ask themselves, who was this Boris Johnson exactly?

Had he not died 12 years ago, Douglas Adams would have been 61 yesterday. Google produced a doodle in his memory, and the Guardian published an interesting piece which declared that Adams remains the king of comedy SF, before going on to argue that he was unique, pretty much the only writer in that genre. Take a bow Mr Adams; you’re top of a league of one. But, in a way, Adams was, or very nearly was, unique. The Hitchhiker’s Guide to the Galaxy and its sequels are comedies of ideas flavoured with lashings of silliness: the restaurant at the end of the universe and Marvin the Paranoid Android, a robot beset by depression because he never uses his planet-sized brain – how gloriously silly and how very clever. How unique, almost.

Amiability can take you a long way in British public life. James Corden is no fool: he co-wrote and co-starred in three series of Gavin and Stacey, and wowed the National Theatre this summer with a barnstorming performance in One Man, Two Guvnors. But there’s no doubt that his Fat Lad Made Good persona, and his almost puppyish desire to please, have contributed to a popularity that other, more guarded performers can only envy. His memoir, May I Have Your Attention, Please? (Century, £18.99), has barrelled straight into the top ten bestsellers list. It has loads of energy and some good stories. But Corden is only 33. He simply hasn’t lived enough life to fill 300 pages.

What’s your punishment going to be, when you get to Hell? At least as envisaged by Dante, you might be somewhat surprised. Hitler (mass murderer) is in the outer ring of the seventh circle, up to his eyebrows in a river of blood and fire. Still, that’s a little better than the innocent manager of your local HSBC (banker), who is in the inner ring, running perpetually on burning sand. Both get off much lighter than the poor lady who, the other day, told me how much she’d enjoyed something or other I’d written (flatterer). She’s a whole circle lower down in the second bolgia, or pit, sitting in excrement forever, which seems rather harsh. Corrupt politicians are immersed in boiling pitch, but they are nowhere near as far down as the impersonators.

Sam Leith is enthralled by a masterpiece on monotony, but is devastated by its author’s death When David Foster Wallace took his own life two and a half years ago, we lost someone for whom I don’t think the word genius was an empty superlative. He was an overpowering stylist, and a dazzling comedian of ideas. He could be gasp-makingly funny, but had an agonising moral seriousness. There’s more on one page of Wallace than on ten of most of his contemporaries. His mind seemed to have more buzzing in it than the rest of us could imagine being able to cope with, and perhaps than he could. The Pale King, assembled from his notes and papers by his editor Michael Pietsch, is an unfinished novel of more than 500 pages about the American IRS.