Circe

A story of women and weaving – a new retelling of the Greek myths

What are myths for? Do they lend meaning and value to this quintessence of dust? Like religion, perhaps they help us battle through. In weighing this issue, Charlotte Higgins demonstrates again why the Greek variety have never lessened their grip on the western imagination. She structures her material around eight women — Athena, Alcithoë, Philomela, Arachne, Andromache, Helen, Circe and Penelope — and in particular around the scenes they weave. ‘I wanted the form of my chosen stories to be expressive in itself,’ she writes in the introduction. And it is. She draws in particular on the rich visual culture that has survived in ceramics, sculpture and frescoes.

Circe has been recast as the girl next door – it’s a sign of the times

When poor old battered Odysseus landed on Circe’s island having lost all his ships (except his flagship) when he tangled with the Laestrygonians (their king liked to eat Greek flesh and swallowed up most of his crews, yummy) Circe — witch, sorceress and goddess in her own right — turned the few survivors into swine, except for Odysseus, whom she wanted for some old-fashioned hanky-panky. If she were around today she would most probably be the first American female president. Odysseus serviced her rather well and stayed in her palace for a year. He also used the ‘moly’, the antidote Hermes had given him in the form of a magic herb that turned pigs back into men.