Book review

Running for her life

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Françoise Frenkel was a Polish Jew, who adored books and spent much of her early life studying and working in Paris. Her passion for French literature led her to open the first French bookshop in Berlin in 1921, a resounding success in spite of the predominantly Francophobe sentiment in Germany following the first world war. She happily reminisces over its ‘curiously mixed clientele’: ‘Famous artists, celebrities and well-heeled women pore over the fashion magazines, speaking in hushed tones so as not to disturb the philosopher buried in his Pascal.’ It soon became a place of readings, lectures, plays and parties and an essential stop for any French writer passing through Berlin.

Fear of little men

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When this survey of British fairydom arrived I turned to the chapter on Dorset to read about the little people of my county. After a survey of place names referring to the ‘puca’, which may or not connect with Shakespeare’s Puck, I received the disheartening news that Dorset wasn’t very good for fairies, and that there was even ‘something surprising about the absence of elves’. So I did what I was supposed to have done first, and read the introduction. Magical Folk is a collection of folklore essays, topographically arranged, and its editors welcome ‘the digitisation of millions of pages of British and Irish newspapers,’ which has allowed researchers to Google fairies from ‘200-year-old pages of ephemera’.

A long way home

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Until recently, it seemed we were living in an age of Iliads. Since 2007, the ancient Homeric epic has been translated into English at least seven times (including by Caroline Alexander, the first woman to do so). Yet the Iliad’s sequel, the Odyssey — about war’s aftermath, the home front and the difficult return to civilian life — is just as topical. And with its greater emphasis on female characters and different walks of life, it should appeal to a broader audience. Until now, it has not been translated into English by a woman. Does this make a difference? Emily Wilson, in the introduction to her sleek translation, argues that it does.

The Mutiny and the bounty

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Sullying the glorious sunshine, sand and sea, Miami in the 1940s, when I first ventured there, was already overcrowded, vulgar and exorbitant. It got a lot worse. By the early 1980s, the period to which this sensational criminal history is devoted, it had become the capital of Cubans in exile and America’s most prosperous cocaine entrepot, where the annual murder rate was more than 300. Attempts to impose law and order were handicapped by corrupt police, a corrupt judiciary and corrupt juries.

Figures in a landscape | 25 January 2018

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Martin Caiger-Smith’s huge monograph on Antony Gormley slides out of its slipcase appropriately enough like a block of cast iron. In its beautiful rust-coloured linen covers it looks a bit like a block of cast iron, too. Open it to the endpapers, ‘Bodies in Space’, and black splatters across a white ground. Turn a couple of thick, silky pages and a frail human figure, photographed from behind, is silhouetted on a rocky precipice facing an abyss of roiling water, cloud and spray. Keep turning and the developing story of Gormley’s life’s work reveals itself in image after remarkable image.

The house on the hill

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‘True crime’ is a genre that claims superiority over imagination, speculation and fantasy. It makes a virtue of boredom and detailed accounts of procedure and paperwork, and characteristically narrates two things: the process of investigation and discovery, and the events that set them off. But what happens if those procedures can’t be narrated? What becomes of the genre’s claims of full and complete truth? Owing to legal strictures, Thomas Harding has written a book which, I feel, falls frustratingly short of the book he wanted to write. The murder of an 87-year-old semi-derelict, Allan Chappelow, in Hampstead in 2006 was followed by the trial of a Chinese crook and liar named Wang Yam.

The maker and the monster

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There are few more seductive figures for biographers than Mary Shelley. The daughter of the radical philosopher and novelist William Godwin and the great feminist thinker Mary Wollstonecraft (who died a few days after giving birth to her), she ran away with the poet Percy Bysshe Shelley at 16; wandered through Europe with him; bore their four children; married him; became the friend and companion of the other Young Romantics and their lovers; and at 18 wrote the classic Gothic novel Frankenstein, or The Modern Prometheus.

A friend in need

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The title of Jenny Erpenbeck’s Go Went Gone, and the autumnal tone of its beginning — a classics professor retires, leaving him at home raking leaves, mulling over memories of his wife and wondering about the body in a nearby lake — suggests that this will be a book of endings, something akin to Anita Brookner’s stories of self-absorbed people in the twilight of their lives. But Richard, now professor emeritus, proves to be a more unpredictable character. Unlike many of Brookner’s loners, there is the strong force of history in him. A precarious beginning under fascism and war, then a life shaped by the GDR and its abrupt cessation in 1989, has left him and his circle of friends adrift in the new Germany.

The call of the Wren

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This book is a thoroughly researched account of the parts played by women in the service of the Royal Navy from the Middle Ages to the present. What it lacks in anecdotes and personal accounts it makes up for in its comprehensive documentation of official attitudes and measures. Women have served in — or, more accurately, with — the Royal Navy for longer than we might think. There are medieval references to women accompanying their husbands on voyages, including the Crusades, and to women serving as launderers, cooks, nurses and prostitutes (possibly all four). Ladies of the Cinque Ports — Hastings, Dover, Sandwich, Romney and Hythe — were the most likely to sail. One source claimed that older women ‘washed the clothes and heads [of the sailors]….

Massacre of the innocents

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I thought I knew the history of the years 1914 to 1945: the first world war and the terrible casualties in the trenches; the second world war and the German conquest of Europe; day and night bombing; Stalingrad and the Holocaust. But I’m embarrassed to say that I knew nothing about the tragedy in Galicia in Eastern Europe. Unlike the Nazi genocide, much of the killing took place between neighbour and neighbour: Jews, Poles and Ukrainians destroyed each other with increasing ferocity and brutality between 1914 and the 1940s. The beautiful city of Buczacz in Eastern Galicia, with its Roman Catholic, Greek Orthodox and Jewish shrines, ended as a gigantic ruin.

Poison in Paradise

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Eton turns out prime ministers of various stripes and patches, but it also forges fine explorers. It seems to prepare its alumni perfectly for flying snakes, scorpions so large you can put leads on them and leeches in waving battalions; titanic drinking and dancing ceremonies (our explorer, Robin Hanbury-Tenison, suffers repeated blistering on the dance floor); the friendship of head-hunters; and for the exacting business of leading world-protecting, people-nurturing expeditions into the planet’s wild and vulnerable regions. In the school’s natural history museum, pupils can now see a parang, presented to Hanbury-Tenison by his tribal friends, its handle shaped like a hornbill, its razor-sharp edge responsible for hacking off more than 100 heads.

Fast or feast

‘Tell me what you eat and I shall tell you what you are.’ The best known adage in food literature, penned by the French politician and gastronome Jean Anthelme Brillat-Savarin, divides all of us generally: the gourmands from the picky, the greedy from the careful, one nation from another, one culture from the next. Laura Shapiro’s book about six famous women and their ‘food stories’ made me want to re-read a few biographies for those food moments. Shapiro claims that food in life stories is undervalued as a subject, considering how much time people spend eating.

Satire and self-deprecation

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If you’re Jewish, or Jew-ish, or merely subscribe to the view that Jews should be trusted to recognise anti-Semitism rather than be accused of making false allegations to further their own malign agenda, the chances are you could do with a laugh right now. The resurgent far right’s threat feels frightening but expected, whether from torch-waving American mobs or European ethno-nationalists directing the restive masses’ anger towards the traditional target, presently embodied by George Soros.

Riddles wrapped in a mystery

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His Bloody Project, Graeme Macrae Burnet’s previous novel, had the sort of success that most authors and creative writing students can only dream of. A psychological crime novel set in 19th-century Scotland, it became a surprise bestseller — and it was also shortlisted for last year’s Man Booker Prize. It is not an easy act to follow. Perhaps wisely, Burnet has chosen to make his next novel, his third, very different in both setting and tone. The A35 in question runs through north-eastern France between Strasbourg and Basel. One evening, at some point in the 1970s, a wealthy lawyer named Bertrand Barthelme is killed when his Mercedes goes off the road as he is driving home to the town of Saint-Louis. The death seems accidental.

Another Eden

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In December 1996 Martin Amis told listeners of the BBC’s Desert Island Discs what would relieve his solitude were he to end up cast away in paradise with one piece of music, a luxury and a book for company. He chose Coleman Hawkins’s version of the jazz standard ‘Yesterdays’ as his only record — seduction music, he suggested — and opted for the luxury of an unlimited Sky Sports subscription package. Amis’s preferred book, in this company, sounded similarly butch: John Milton’s Paradise Lost as edited by Alastair Fowler for the Longman Annotated English Poets series in 1968.

Wonders will never cease

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Different people find different things impressive. Some claim, for instance, to experience a sense of wonder at the fact of being alive. But one has nothing to compare it to, so why find it surprising? Another sensibility will find joy in the observation of E.M. Cioran, the sardonic Romanian philosopher who wrote: ‘It is not worth the bother of killing yourself, since you always kill yourself too late.’ Between these two poles, this book offers a charming compendium of the astonishments that may be experienced in a human life. It is, if you like, a miscellany of the sorts of things at which a secular reader may experience some analogue to religious awe. (Religion is mentioned late on, mainly for its social benefits.

Sex and the city | 23 November 2017

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‘I should like,’ Edgar Degas once remarked, ‘to be famous and unknown.’ On the whole, he managed to achieve this. Degas is after all one of the greatest names in European art, but there is much about him that remains enigmatic. Some of his works seem secretive, even surreptitious — the extraordinary monotypes he made in Parisian brothels, for example, or the many wax sculptures he created but neither cast nor exhibited. These and many other aspects of this curiously sympathetic man are explored in Degas: A Passion for Perfection by Jane Munro (Fitzwilliam Museum, £40), a fine book accompanying the current exhibition at the Fitzwilliam Museum, Cambridge (until 14 January 2018) marking the centenary of his death.