Bono

U2’s childlike response to world affairs

Whither the protest song in 2026? In January 1970, John Lennon wrote and recorded ‘Instant Karma!’ in a single day and had it in the shops a little over a week later – no mean feat given the mechanics of physical record production at the time. Nowadays, when the practicalities of releasing music are infinitely more streamlined, it has never been easier for artists to react to current events within moments of them occurring. And with the febrile news churn packing a year’s worth of drama into each week, there is certainly no shortage of material. A small man with big ideas and a loud voice, Bono is a veritable

Have the Gallaghers suffered from ‘naked classism’?

Though I’d never read any books about Oasis before this one, I’d have bet it would be impossible to write boringly about the band – for two reasons: namely Noel and Liam Gallagher. As the most entertaining men in music, the former could be talking to a goldfish and still end up riffing in an entirely fresh, witty and profound way, while the latter is probably the greatest natural clown since Buster Keaton. I’ll put my cards on the table and admit that I’ve got a chronic crush on Noel. When I interviewed him for the Sunday Times nearly ten years ago, the simpering, gushing and giggling on the tape

Bono's 'poem' was an insult to the craft of verse

Poet’, said Robert Frost, ‘is a praise-word’. So it is. That explains in part the unabashed delight with which Colm Tóibín, speaking in our current Book Club podcast, talks about publishing his fine first poetry collection Vinegar Hill – decades of international acclaim as a novelist notwithstanding. Poetry is a high-status artform, perhaps the highest. Yet unlike most other artforms, very many people seem to think of it as something that anyone can do. You wouldn’t expect to be able to write a symphony, or build a suspension bridge, or win Wimbledon, without many years of apprenticeship and intimate attention to the work of those who have excelled in those