Baking

Choux pastry can inspire fear in even the most confident of cooks. There's a good reason for it: it’s difficult to give a very precise recipe for choux pastry, as the amount of egg needed to create the correct texture depends on the flour you’ve used, how long the choux has rested, and how fast and how thoroughly you have cooked the choux mixture out. It’s the water content in the egg that primarily causes the choux to rise and puff in the oven into those distinctive domes or elegant eclairs: not enough and they will fall flat, but too much and the pastry will be too sloppy to pipe properly. It’s the Goldilocks of pastry recipes. I am not unfamiliar with choux-dread.

Alison Roman’s cooking is a counsel of imperfection. She serves dinner late (fine, as long as you have snacks), gets her guests to pitch in on the washing up and won’t make her own ice cream – ‘it simply will never be better than what you can buy, sorry’. ’Her ‘pies leak, cheesecakes crack and pound cakes are pulled from the oven before they’re fully baked. Lopsided and wonky, occasionally almost burned, unevenly frosted, my desserts are consistently imperfect’. In her new book, Sweet Enough, Roman wants to free the home cook from the dessert ties that bind them. ‘My hope for you,’ she tells her reader, ‘is that you strive for the animalistically irresistible, not aesthetically pristine’. The two, she finds, are ‘rarely the same’. ‘Baking is annoying.

My mother, although an excellent cook, never baked. She left that to her Swedish mother, Anna, who lived with my grandfather in an apartment my father built for them over our garage in Weston, Connecticut. Anna, as I’ve written before, was a gifted baker, especially when it came to Swedish breads. I can’t remember when my mother suggested I might make my father’s birthday cake. Or why the task had been handed down to me. I was only nine or ten, but my mother was well aware that I loved to watch Anna bake, and that my curiosity needed constant nourishment. Rural Weston had no bakery in its small-town center, nor did neighboring, cosmopolitan Westport. In the 1950s, powdered cake mixes came to Westport’s Gristedes supermarket.

When life moved to Zoom in March 2020, I quickly found myself with a lot of time on my hands. With events and weddings off the cards indefinitely, I needed to pivot my baking business and realised that if people couldn’t go out to eat cake, I needed to get the cake to them. Overnight, boxes and packing tape were ordered, recipes chosen, and my postal bakes business was formed. Thanks to the power of Instagram, demand was overwhelming. People ordered boxes for their households – their arrival a mini event to look forward to amid the monotony of lockdown – but most ordered for others. Boxes were being sent to say everything that I was feeling, too – I love you, I miss you, I’m here for you, we will be together again.

Blancmange. Poor, maligned blancmange. The slimy, over-set staple of children’s birthday parties and school dinners, destined to be pushed around a plate and loathed for life. Blancmange has become shorthand for an age of blandness: the dessert equivalent of Chris de Burgh. Even its name sounds heavy on the English tongue. But we do the blancmange a grave disservice. It is, after all, essentially a panna cotta. Shouldn’t a milk jelly by any other name taste as sweet? It is slightly lighter than its Italian counterpart, yes, but that’s all to its credit. So why the bad reputation? The culprit, I think, is packet blancmange. No amount of careful preparation can mask the cornflour. In theory, English blancmange is set with cornflour and French with gelatine.