The truth about beauty
Beauty speaks with such great immediacy because it touches something deep within us
Art
Friday
Wednesday
Culture and anarchy
Félix Fénéon, terrorist and connoisseur
Tuesday
Stalin at Yale
Art history for the age of identity politics
Sunday
All modern art is quite useless
The contemporary artist doesn’t expect to have to suffer for what he calls his art. Away with the garret!
Thursday
The insufferable wokeness of public art
Tyrannical progressives in municipal governments are inflicting their agenda on us through the medium of sculpture
Thursday
After seeing Donald Trump fan art, your life will never be the same
Hang these in a museum
Thursday
Inside the strange world of Fox News fan art
May God have mercy on our souls
What do Walt Whitman, Jackson Pollock and Jimi Hendrix have in common?
On 3 September 1968, Allen Ginsberg appeared on William F. Buckley’s Firing Line. Buckley exposed Ginsberg’s politics as fatuous — the blarney, stoned — but Ginsberg stole the aesthetic victory by reading ‘Wales Visitation’, a homage to William Blake. ‘White fog lifting and falling on mountain brow,’ Ginsberg intones, ‘…teeming ferns/ exquisitely swayed/ along a green crag/ glimpsed through mullioned glass in valley rain.’ ‘Nice,’ Buckley nods. He lets Ginsberg read the whole poem. Ginsberg opposes the artificial imagery of power and money (‘London’s symmetrical thorned tower / & network of TV pictures flashing bearded your Self’) to the vision of the unmediated, natural Self: ‘Each flower Buddha-eye.’ After six
Thursday
The sacred chickens that ruled the roost in ancient Rome
Even the most cursory glance at the classical period reveals the central place that birds played in the religious and political lives of the two key Mediterranean civilisations. Their gods, for example, were often represented in avian form, so that the Athenian currency bore an owl image, which was intended as a portrait of the city’s patron, Athene. ‘Owls to Athens’ was a proverbial expression, much like ‘coals to Newcastle’. From North Africa to the shores of the Black Sea there are still Greek temples dedicated to Zeus that are topped by weathering stone eagles as symbols of their supreme deity, while the imperial legions of Rome fought under an
Thursday
The subtly savage world of filmmaker Ruben Ostlund
There is a culty YouTube video shot three years ago on the laptop camera of Ruben Ostlund. It shows the film director listening live as the nominations for the Academy Awards are announced from Los Angeles. The tension mounts as they approach the foreign film category. Alas, Force Majeure from Sweden isn’t nominated. Ostlund disappears off screen to sob and mewl. This year, there was a sequel to the video, but with a happier ending: the director’s latest film The Square was nominated for an Oscar. These mini-movies, like the rest of Ostlund’s oeuvre, are funny but subtly savage. He is a provocateur who trades in discomfort. You watch with
