Anne Hathaway

What have they done to The Devil Wears Prada?

The Devil Wears Prada (2006) is one of those films which, if chanced upon when flicking television channels, I will always stick with for a bit. It has zing. It has bite. It has memorable lines that I can remember without having to look them up. (‘Are we going to a hideous skirt convention?’) But mostly it has Meryl Streep as Miranda Priestly, the wonderfully toxic editor-in-chief of Runway fashion magazine. She is still terrific. But while the landscape has moved on, the characters have remained the same and halfway through I started to drift. Another blow is that it’s become more sentimental and less satirical. In other words – and I hate to be the one to say it – it’s not as good as the original. Where are we, 20 years on?

Why do movies always have to bash the ‘burbs?

Mothers’ Instinct is a psychological thriller starring Anne Hathaway and Jessica Chastain and it is one of those over-ripe, camp melodramas that, back in the day, would have almost certainly starred Joan Crawford and Bette Davis. Or Tippi Hedren and Kim Novak, if we are going to be Hitchcockian about it. Either way, it’s a face-off between two world-class actresses and while it throws plausibility to the winds at the end, it is a delicious ride. And I’ve saved the best news for last: it’s all done and dusted in 95 minutes. Not an ounce of fat here. It is directed by Benoît Delhomme and is a remake of Olivier Masset-Depasse’s 2018 French-language film which, in turn, is an adaptation of the novel by Barbara Abel.

If only Caryl Churchill’s plays were as thrillingly macabre as her debut

The first play by the pioneering feminist Caryl Churchill has been revived at the Jermyn Street Theatre. Owners, originally staged in 1972, feels very different from Churchill’s later work and it recalls the apprentice efforts of Brecht who started out writing middle-class comedies tinged with satirical anger. Churchill sets her play in the cut-throat London property market where prices are soaring and tenants are apt to be evicted if they can’t cover sudden rent rises. Marion is an estate agent who secretly buys a house occupied by her former lover Alec who is married to Lisa. Their third child is on the way. Marion hatches an evil plan to kick the family out and to claim Alec back as they sink into financial ruin.